"Oh What a Circus" | ||||
---|---|---|---|---|
Single by David Essex | ||||
B-side | "High Flying, Adored" | |||
Released | August 19, 1978 | |||
Recorded | 1978 | |||
Genre | Pop | |||
Length | 3:54 | |||
Label | Mercury | |||
Composer(s) | Andrew Lloyd Webber | |||
Lyricist(s) | Tim Rice | |||
Producer(s) | Mike Batt | |||
David Essex singles chronology | ||||
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"Oh What a Circus" is a song from the 1976 musical Evita , which had lyrics by Tim Rice and music by Andrew Lloyd Webber. It was recorded by English singer David Essex and released as a single on August 19, 1978, by Mercury Records. Essex played the character of Che in the original London production of the musical, and the song is sung from his point-of-view. Produced and arranged by Mike Batt, "Oh What a Circus" is a mid-tempo song, comparing the musical's title character Eva Perón's funeral with a circus, and calling her actions fraudulent. The song is a contrafactum, and shares its tune with the better known "Don't Cry for Me Argentina" from the same show.
"Oh What a Circus" was a commercial success for Essex, who had been dropped by his previous record company due to his declining sales. The song reached number 3 on the UK Singles Chart, and the top-30 in Belgium and Netherlands. In subsequent productions of the musical, "Oh What a Circus" has been sung by numerous performers, including Mandy Patinkin, Ricky Martin and Scottish rock musician Marti Pellow. In the 1996 film adaptation of the show, the song was sung by Antonio Banderas and American singer Madonna, and received critical appreciation for its flamenco-infused composition.
"Oh What a Circus" was written by Andrew Lloyd Webber and Tim Rice while they were developing Evita as a musical in between 1974 and 1976. Rice was extremely intrigued by the stories surrounding the life of Eva Perón while researching her during the mid-1970s. The duo were also on the lookout for various actors to play the part of the narrator for Evita. [1]
In the meantime, English singer David Essex had completed his work on Jeff Wayne's Musical Version of The War of the Worlds , and was interested in theatrical productions. He received a call from Rice and Webber, and immediately accepted the part. Evita had already generated interest with its concept album of the same name, as well as the commercial success of singer Julie Covington's released single, "Don't Cry for Me Argentina". Essex met director Hal Prince and talked about the character of Che, an Argentine everyman narrating and commenting on the events, portrayed as Che Guevara on stage, including the vision that Rice and Webber had about him. Due to his Romany ancestry, Essex had the characteristic laconic nature and idealistic looks needed for the role of Che. [2]
Evita was a success from its opening night, with Derek Jewell of The Sunday Times praising Webber's score, as well as Essex's portrayal of Che as a "brooding, enigmatic" character. [3] [4] Meanwhile, Essex had released a cover version of the Lorraine Ellison song, "Stay with Me", which reached number 45 on the UK Singles Chart, thus CBS Records cancelled their contract with him. [5] Essex's manager started looking for a new record deal for him, and signed one with Phonogram Records, who suggested that he release one of the songs from the Evita album as his single. They decided to release "Oh What a Circus", with another of Che's songs, "High Flying, Adored" as its B-side. The song was released on August 19, 1978, under the Mercury subsidiary of Phonogram in the United Kingdom. [6]
Musically, "Oh What a Circus" is a contrafactum, and shares its composition with the better known "Don't Cry for Me Argentina" from the same show, but has a faster tempo and completely different lyrics. [7] The song includes a choral chant in Latin, based on the Catholic anthem "Salve Regina". Alternative lyrics to "Don't Cry for Me Argentina" appear as a prelude to the song from Act 2, sung by a young girl characterizing Eva's younger self. [4] The version of "Oh What a Circus" present on the Evita concept album was sung by Colm Wilkinson. [4] However, it was not used. Instead, Essex recorded a new version which was arranged and produced by Mike Batt, in the style of Phil Spector. A video for the song was filmed at Clifton Cathedral in Bristol and showed Essex singing the song as a crowd moves around inside a building carrying candles. [8]
An uptempo version of the main melody for "Don't Cry for Me Argentina", "Oh What a Circus" acts as an introduction to the whole musical and is sung after "Requiem for Evita", as Che ponders about the life of Eva. The song was composed in a key of E major. Essex's voice spans from C♯3 to E5 and the song follows a basic sequence of F/C–G7–C–Am/C–Dsus–C–D7/C–G/B as its chord progression. [9] Lyrically, it talks about the news of Eva's death and her funeral, as well as Che's belief that the mourning for her was misplaced and Eva's life and preaching was fraudulent. It compares her funeral to that of a circus with a choir added during the middle section. [10] [11] The lyrics question the sainthood of Eva and her praise as a godly character among the Argentinians, while taunting her that she had failed her people by not being immortal. The words had rhyming across the verses like those of ("show/go") and ("town/down") which Rice explained was done intentionally to make the song appear asymmetrical. [12]
- Oh what a circus, oh what a show, Argentina has gone to town
- Over the death of an actress called Eva Perón
- Oh what an exit, that's how to go, When they're ringing your curtain down
- Demand to be buried like Eva Perón
After its release in August 1978 as the third single from the Evita concept album, "Oh What a Circus" entered the UK Singles Chart at number 36. It progressed and climbed the charts rapidly, ultimately reaching a peak of number 3 in its sixth week. It was Essex's highest charting song since "Hold Me Close" had topped the charts in 1975. "Oh What a Circus" was present within the top-100 of the UK Singles Chart for a total of 11 weeks. [13] Across Europe the song charted in Belgium for 5 weeks, reaching a peak of number 26. [14] In the Netherlands, the song charted on both the Dutch Top 40 and Single Top 100 charts, reaching peaks of number 18 and number 20 respectively. [15] [16] The song also charted at number eight in Ireland. [17] Although not released in Australia, the song managed to enter the Kent Music Report charts for one week at number 72. [18]
Mandy Patinkin played Che for the American premiere production and recording, and sings the song. Author William A. Everett wrote in his book The A to Z of the Broadway Musical that Patinkin's singing and portrayal of Che "interacted on a psychological level with the title character (played by Patti LuPone), challenging her actions and motivations." [19] In the 1996 film Evita , the song is sung by actor Antonio Banderas and singer Madonna. In the film, Che muses while in an empty bar following the lavish funeral procession for Eva Perón, and then on the streets of Buenos Aires as the community mourns and then riots. Eva's lyrics come during a pan over her funeral casket and is not sung directly by Eva. It begins with Spanish guitars as Banderas takes the lead vocals, with a changing choir throughout. [11]
A different rhythm and tempo occurs in the middle where the main composition has rock influences and piano, as Banderas uttered the line, "She didn't say much, but she said it loud". The choir is brought back towards the end, followed by an orchestral passage consisting of the main theme, accompanied by sounds of gong and timpani. Madonna sings the final verses, uttering the lines "share my glory, so share my coffin". [11] Author J. Randy Taraborrelli complemented Madonna's singing in the book, Madonna: An Intimate Biography , describing her vocals as "supple and strong". This view was shared by author Lucy O'Brien in Madonna: Like an Icon who said that "the sweetness and the power of Madonna's voice comes out as never before on these tracks". [20] [21] It also received positive review from Paul Verna of Billboard , who listed the "flamenco flavored" song as a highlight from the soundtrack. [22]
For the 2006 First West End Revival of Evita, actor Matt Rawle portrayed Che and sang the song. Michael Billington from The Guardian received it negatively, saying that "Lacking any coherent idea, the show is motored by a succession of Lloyd Webber songs: 'Another Suitcase in Another Hall', ... 'Oh What a Circus', 'High Flying, Adored' and all the rest." [23] While reviving the play for Broadway in 2012, singer Ricky Martin was signed to play Che. According to Joe Dziemianowicz from Daily News , Martin's performance as Che gave it "a great big touch of star quality... He also gives an appealing performance in the role of Che," the writer added. [24] James Hebert from The San Diego Union-Tribune complimented Martin for setting "the tone right away in the opening number 'Oh What a Circus'" with his "bemused, smilingly cynical" characterization of Che. [25] In the 2014 Second West End Revival of the play, the role of Che was played by Marti Pellow from Scottish rock band Wet Wet Wet. [26] Natalie Banyard complimented the choice of Pellow as Che, adding in an article for Bristol Post that "Never was there a more inspired piece of casting than that of [Pellow] as [Che Guevara] in Evita." Banyard also noticed that there was "no hint of Marti's Scottish brogue as he stops the show with his renditions of 'Oh What a Circus' and 'The Lady's Got Potential'." [27] Hank Marvin performed an instrumental version of the song on his 1997 album Hank Marvin and the Shadows Play the Music of Andrew Lloyd Webber and Tim Rice. [28]
Credits adapted from the 7" single liner notes. [29]
Charts (1978) | Peak position |
---|---|
Australia (Kent Music Report) [18] | 72 |
Belgium (Ultratop 50 Flanders) [14] | 26 |
Ireland (IRMA) [17] | 8 |
Netherlands (Dutch Top 40) [15] | 18 |
Netherlands (Single Top 100) [16] | 20 |
UK Singles (OCC) [13] | 3 |
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)María Eva Duarte de Perón, better known as just Eva Perón or by the nickname Evita, was an Argentine politician, activist, actress, and philanthropist who served as First Lady of Argentina from June 1946 until her death in July 1952, as the wife of Argentine President Juan Domingo Perón (1895–1974). She was born in poverty in the rural village of Los Toldos, in the Pampas, as the youngest of five children. In 1934, at the age of 15, she moved to the nation's capital of Buenos Aires to pursue a career as a stage, radio, and film actress.
Andrew Lloyd Webber, Baron Lloyd-Webber is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 21 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass.
Sir Timothy Miles Bindon Rice is an English lyricist and author. He is best known for his collaborations with Disney on Aladdin, the Lion King, the both stage adaptation of Beauty and the Beast and the live-action film adaption, and the original Broadway musical Aida; with Björn Ulvaeus and Benny Andersson of ABBA, with whom he wrote Chess; and with Andrew Lloyd Webber, with whom he wrote, among other shows, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, and Evita. He also wrote lyrics for the Alan Menken musical King David, and for DreamWorks Animation's The Road to El Dorado.
David Essex is an English singer-songwriter and actor. From 1973 to 1994, he attained 19 Top 40 singles in the UK and 16 Top 40 albums. Internationally, Essex had the most success with his 1973 single "Rock On". He has also had an extensive career as an actor.
Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader Eva Perón, the second wife of Argentine president Juan Perón. The story follows Evita's early life, rise to power, charity work, and death.
Marti Webb is an English actress and singer, who appeared on stage in Evita, before starring in Andrew Lloyd Webber's one-woman show Tell Me on a Sunday in 1980. This included her biggest hit single, "Take That Look Off Your Face", a UK top three hit, with the parent album also reaching the top three.
Julie Covington is an English singer and actress, best known for recording the original version of "Don't Cry for Me Argentina", which she sang on the 1976 concept album Evita.
"Don't Cry for Me Argentina" is a song recorded by Julie Covington for the 1976 concept album Evita, later included in the 1978 musical of the same name. The song was written and composed by Andrew Lloyd Webber and Tim Rice while they were researching the life of Argentine leader Eva Perón. It appears at the opening of the first and second acts, as well as near the end of the show, initially as the spirit of the dead Eva exhorting the people of Argentina not to mourn her, during Eva's speech from the balcony of the Casa Rosada, and during her final broadcast.
"Another Suitcase in Another Hall" is a song recorded by Scottish singer Barbara Dickson, for the 1976 concept album Evita, the basis of the musical of the same name. The musical was based on the life of Argentinian leader Eva Perón. Written by Tim Rice and Andrew Lloyd Webber, the song is presented during a sequence where Eva throws her husband's mistress out on the streets. The latter sings the track, wondering about her future and concluding that she would be fine. The songwriters enlisted Dickson to record the track after hearing her previous work.
"You Must Love Me" is a song recorded by American singer and songwriter Madonna. It was written by Andrew Lloyd Webber and Tim Rice, for the 1996 film adaptation of the musical, Evita, based on the life of Argentinian leader Eva Perón. The song was released on October 21, 1996, by Warner Bros. as the lead single from the film's soundtrack. After years of not working together due to their individual projects, Lloyd Webber and Rice collaborated on creating a new track for the film, with the hopes of obtaining an Academy Award nomination for Best Original Song. According to Lloyd Webber, the song's purpose was to showcase Perón's emotional state at the time as well as her relationship with her husband Juan Perón.
Evita is the soundtrack album to the 1996 musical film of the same name, performed mostly by American singer Madonna. It was released by Warner Bros. Records on October 28, 1996 in the United Kingdom and on November 12, 1996 in the United States. Directed by Alan Parker, the film was based on Tim Rice and Andrew Lloyd Webber's 1978 musical Evita about First Lady of Argentina Eva Perón, portrayed by Madonna. The soundtrack consists of reworked songs from its original 1976 concept album as well as a new song, "You Must Love Me". Additional performers on the soundtrack include Antonio Banderas, Jonathan Pryce and Jimmy Nail.
Marti Pellow is a Scottish singer. He was the lead singer of the Scottish pop group Wet Wet Wet for 28 years: from their formation in 1982 until their split in 1997, and again from their reformation in 2004 to his departure in 2017. He has also recorded albums as a solo artist, and performed as an actor in musical theatre productions in both the West End and on Broadway.
Evita is a 1996 American musical-historical film based on the 1976 concept album of the same name produced by Tim Rice and Andrew Lloyd Webber, which also inspired a 1978 musical. The film depicts the life of Eva Perón, detailing her beginnings, rise to fame, political career and death at the age of 33. Directed by Alan Parker, and written by Parker and Oliver Stone, Evita stars Madonna as Eva, Jonathan Pryce as Eva's husband Juan Perón, and Antonio Banderas as Ché, an everyman who acts as the film's narrator.
Evita may refer to:
Elena Silvia Roger is an Argentine actress who won the 2009 Laurence Olivier Award for Best Actress in a Musical for her portrayal of Édith Piaf in Piaf. She has also appeared in the West End in Evita, Boeing-Boeing, and Passion.
Eva Perón, former First Lady of Argentina, has been a consistent presence in popular culture in her homeland and internationally ever since her debut as an actress. The following lists cover various media to include items of historic interest, enduring works of art, and recent representations in popular culture.
Won't Change Places is an album by Marti Webb released in 1981 as a follow-up to Tell Me on a Sunday.
Evita is a concept album released in 1976 and produced by Andrew Lloyd Webber and Tim Rice. Having successfully launched their previous show, Jesus Christ Superstar, on record in 1970, Lloyd Webber and Rice returned to the format for Evita. The album was recorded at Olympic Studios in London from April to September 1976 and released in the United Kingdom on 19 November 1976.
Madalena Alberto is a Portuguese actress, singer and composer who has developed her career in the West End. Alberto received rave reviews for her role as Eva Perón in Evita in the West End, where the show arrived after its UK Tour. Alberto played the role of Fantine in the 25th Anniversary production of Les Misérables.