Spotlight (Madonna song)

Last updated

"Spotlight"
Spotlight Madonna.png
Single by Madonna
from the album You Can Dance
B-side "Where's the Party"
ReleasedApril 25, 1988
Genre Dance-pop, synth-pop
Length6:23
Label
Songwriter(s)
Producer(s) Stephen Bray
Madonna singles chronology
"The Look of Love"
(1987)
"Spotlight"
(1988)
"Like a Prayer"
(1989)
Licensed audio
"Spotlight" on YouTube

"Spotlight" is a song by American singer Madonna from her first remix album You Can Dance (1987). It was released as a single in Japan on April 25, 1988 by Sire Records and Warner-Pioneer Japan. Initially rejected during her True Blue album recording sessions, the song was written by Madonna, Stephen Bray and Curtis Hudson who had presented the original to the singer. The song was remixed by John "Jellybean" Benitez.

Contents

"Spotlight" features instrumentation from drums, bass synths and handclaps, accompanied by vocal echos, a piano segment and violin phrases in the musical interlude. The lyrics talk about how one can be famous if one sings about it. The song received mixed reviews from critics. After its release, it reached number 68 on the Japanese Oricon weekly singles chart, as well as number three on its international singles chart. Although not released in the United States, the song managed to chart on Billboard 's Airplay chart peaking at #32 in early 1988. The song was used in a Mitsubishi VCR commercial, in which she appeared.

Background

In 1983, Curtis Hudson and Lisa Stevens of the group Pure Energy had written the song "Holiday", which Madonna recorded and released as the third single from her self-titled debut album. [1] After the single's commercial success, Hudson wrote a song sounding like "Holiday", in case Warner Bros., Madonna's record company, wanted to release a similar sounding single. [2] He named it "Spotlight" and offered it to Madonna, who recorded the song for her 1986 album True Blue but it was ultimately not included on the album.

Composition

"Spotlight was originally produced by Stephen Bray and was remixed by John "Jellybean" Benitez for the You Can Dance compilation. Curtis Hudson, who was given credit as a songwriter since he had the demo copyrighted, recalled that much of the demo's production was changed in the final version, including the rhythm and the basic groove. [2]

"Spotlight" begins with the sound of drums, bass synths and handclaps, followed by Madonna uttering the words "Spotlight, shine bright". After the first verse, the sound of keyboard is heard during the effect. [3] It continues like this through the second verse, which is followed by an interlude featuring vocal echos, a piano segment and violin phrases. Madonna follows the music played by the piano and utters the words "Pa-da-pa-da-pappa pappa pa pa" in the same melody. [3] The lyrics deal with Madonna making the listener remember that "Everybody is a Star" and that if one wants to be famous and be under the "Spotlight", the person should sing about it and reality may catch up with him or her. [3] According to the sheet music for the song, it is set in the time signature of common time, with a tempo of 100 beats per minute. It is set in the key of F major with Madonna's voice spanning from the notes of C5 to B5. "Spotlight" has a basic sequence of Am–C–Am–C–G–F as its chord progression. [4]

Critical response

Mark Bego, author of Madonna: Blonde Ambition wrote that "Spotlight" was a "typical Madonna 'look-at-me' dance routine, that sounds flat besides the heavy remixes in You Can Dance." [5] Stephen Thomas Erlewine from Allmusic said that the song "sounds dated—this is quite clearly extended mixes from the mid 80's—but that's part of the charm." [6] Dave Barry from The Miami Herald commented that although You Can Dance sounds like "old Madonna", "Spotlight" sounds surprisingly fresh to his ears. [7] Joe Brown from The Washington Post commented that the song should have been a "flat reject". [8] Don McLeese from Chicago Sun-Times called the song "exuberant". [9] From the Dallas Observer , Hunter Hauk deemed it "the bastard brother of 'Into the Groove'. It's just as infectious, but it didn't get the support it deserved". [10]

Dennis Hunt from Los Angeles Times commented that "[You Can Dance] is an attractive package for dance fans—particularly with the inclusion of a new cut, 'Spotlight'". He went on to add that the "lyrics of 'Spotlight' aren't great, but they're still more interesting than the others. Still, the words, like those of most dance songs, are just window dressing that's secondary to the beat. The big attraction of 'Spotlight' is a long, hard-driving, closing passage that's guaranteed to turn dancers on." [11] Jan DeKnock, while writing for Orlando Sentinel , noted that the song was already receiving airplay from radio stations. [12] In March 2023, Billboard ranked the song as Madonna's 94th greatest ever, as Joe Lynch called it a "lyrically simplistic affair that’s elevated by a pounding opener, sparkling keys and a charmingly earnest vocal that makes even the silliest sentiment sound like a viable philosophy for conquering the world". [13]

Chart performance

"Spotlight" was not officially released as a single in the United States; therefore it was not eligible at the time to appear on Billboard's Hot 100. Even so, it managed to garner enough airplay to appear on the publication's Hot 100 Airplay survey in early 1988. It debuted on the Airplay chart at 37 on the issue dated January 16, 1988. [14] After three weeks, "Spotlight" reached a peak of 32, but fell to 40 the next week before exiting the chart. [15] [16] It had also reached the Hot Crossover 30 chart beginning on the issue dated December 12, 1987, peaking at 15 for two consecutive weeks beginning January 9, 1988 and spending eight total weeks on the chart. [17] [18] [19] [20] The song was released commercially in Japan on April 25, 1988. [21] "Spotlight" peaked at number 68 on the Oricon weekly singles chart, remaining on the chart for five weeks. [21] It also charted on the Oricon international singles chart, reaching a peak of three on May 19, 1988, staying on the chart for ten weeks. [22]

Media appearance

"Spotlight" was featured in the last of a series of Japanese TV commercials Madonna filmed for electronics company Mitsubishi. The commercial promoted their VCR model F-5.3. [23] In the commercial, Madonna was featured as coming out of a car and sitting down on a sofa, while watching a film on the VCR, as "Spotlight" is played in the background. The song was also used as cross-promotion for the Japanese leg of her 1987 Who's That Girl World Tour under the campaign name of "Dreams Come True". [24]

Track listings and formats

  1. "Spotlight" (Single Edit) – 4:32
  2. "Where's The Party" (Remix Single Edit) – 4:13
  1. "Where's The Party" (Extended Remix) – 7:11
  2. "Where's The Party" (Dub) – 6:22
  3. "Spotlight" (Extended Remix) – 6:34
  4. "Spotlight" (Dub) – 4:49

Credits and personnel

Credits adapted from You Can Dance liner notes. [28]

Charts

Chart (1988)Peak
position
Japanese Singles (Oricon) [21] 68
Japanese International Singles (Oricon) [22] 3
US Radio Songs (Billboard) [15] 32
US Hot Crossover 30 (Billboard) [18] 15
US Radio & Records CHR & Pop Charts [29] 31

Related Research Articles

<span class="mw-page-title-main">Who's That Girl (Madonna song)</span> 1987 single by Madonna

"Who's That Girl" is a song by American singer Madonna from the soundtrack of the 1987 film Who's That Girl. Written and produced by Madonna and Patrick Leonard, it was released in Europe as the soundtrack's lead single on June 29, 1987; in the United States, a release was issued the following day. In 2009, it was included on Madonna's third greatest hits compilation, Celebration.

<span class="mw-page-title-main">Justify My Love</span> 1990 single by Madonna

"Justify My Love" is a song by American singer Madonna from her first greatest hits album, The Immaculate Collection (1990). The song was written by Lenny Kravitz and Ingrid Chavez, with additional lyrics by Madonna; Kravitz also handled the production alongside André Betts. It was released as the lead single from the album on November 6, 1990, by Sire and Warner Bros. Records. Chavez was not credited on the song, which led to a lawsuit against Kravitz, eventually reaching an out-of-court settlement. Musically considered as a hip hop, dance, trip-hop, and experimental pop track, it features spoken word vocals by Madonna as she releases her inner freak, touching on sexual fantasies and implying the position of a woman as the one sexually in control.

<span class="mw-page-title-main">Material Girl</span> 1984 single by Madonna

"Material Girl" is a song recorded by American singer Madonna for her second studio album, Like a Virgin (1984). It was released on January 23, 1985, by the Sire label as the second single from Like a Virgin. It also appears slightly remixed on the 1990 greatest hits compilation, The Immaculate Collection, and in its original form on the 2009 greatest hits compilation, Celebration. The song was written by Peter Brown and Robert Rans, while Nile Rodgers produced the track. Madonna explained that the concept of the song was indicative of her life at that time, and she liked it because she felt it was provocative.

<i>You Can Dance</i> 1987 remix album by Madonna

You Can Dance is the first remix album by American singer and songwriter Madonna. It was released on November 17, 1987, by Sire Records. The album contains remixes of tracks from her first three studio albums—Madonna (1983), Like a Virgin (1984) and True Blue (1986)—and a new track, "Spotlight".

<span class="mw-page-title-main">Dress You Up</span> 1985 single by Madonna

"Dress You Up" is a song by American singer Madonna from her second studio album, Like a Virgin (1984). It was released as the album's final single on July 24, 1985, by Sire Records. Written by Andrea LaRusso and Peggy Stanziale, and produced by Nile Rodgers, who also played guitar on the track, it was the final song to be added to the album. Rodgers had asked the writers to compose something similar to the work of his band Chic but, due to LaRusso and Stanziale being busy with other projects, the composition took time. When the lyrics were submitted, the producer initially rejected them, as he felt there was no time to compose a melody; Madonna, however, liked the lyrics and convinced him to include the song on Like a Virgin. Musically, "Dress You Up" is a dance-pop song whose lyrics are an extended metaphor for fashion and lust, comparing dressing up with passion.

<span class="mw-page-title-main">Causing a Commotion</span> 1987 single by Madonna

"Causing a Commotion" is a song by American singer Madonna from the soundtrack album to the 1987 film Who's That Girl. It was released as the album's second single on August 25, 1987, by Sire Records. Its Silver Screen Single Mix later appeared on the EP The Holiday Collection (1991). Written and produced by Madonna and Stephen Bray, the song was inspired by her relationship with then-husband Sean Penn, and his abusive and violent nature. Containing a dance-oriented, up-tempo groove, the song begins with the chorus and is accompanied by a four-note descending bassline and staccato chords in the verses.

<span class="mw-page-title-main">Lucky Star (Madonna song)</span> 1983 single by Madonna

"Lucky Star" is a song by American singer Madonna from her self-titled debut studio album (1983). Produced by Reggie Lucas, it was written by Madonna with the intention that her friend Mark Kamins would play it in his sets at Danceteria, where he was the resident DJ. In 1982, Madonna was signed on by Sire Records for the release of two 12" singles; after the success of first single "Everybody", the label approved the recording of an album, and the singer decided to work with Lucas. However, problems between Madonna and the producer arose and he ended up leaving the project; she then called John "Jellybean" Benitez, her boyfriend at the time, to work on the remaining songs.

<span class="mw-page-title-main">Holiday (Madonna song)</span> 1983 single by Madonna

"Holiday" is a song by American singer Madonna from her self-titled debut album (1983). It was written by Curtis Hudson and Lisa Stevens-Crowder for their own musical act Pure Energy, and produced by John "Jellybean" Benitez. Hudson came up with the lyrics of the song while watching negative news on television, and together with Stevens-Crowder worked on the music. They recorded a demo, which was turned down by their label Prism Records. Afterwards, Benitez pitched the track and offered it to several artists, including former The Supremes singer Mary Wilson, but it was rejected. Around the same time, Benitez was working with Madonna on her album; after realizing they needed a song for the project, Benitez thought of "Holiday" and approached Hudson and Stevens-Crowder.

<span class="mw-page-title-main">Crazy for You (Madonna song)</span> 1985 single by Madonna

"Crazy for You" is a song recorded by American singer Madonna for the film Vision Quest (1985). It was released on March 2, 1985 by Geffen Records as the lead single from the film's soundtrack album. Film producers Jon Peters and Peter Guber, along with music director Phil Ramone, decided to use Madonna after listening to her previous recordings, employing John Bettis and Jon Lind to write the song. After reading the script of the film, Bettis and Lind wrote the song about the situation in which the lead characters meet at a nightclub. Initial recording sessions did not impress Bettis and Lind, and they felt that "Crazy for You" would be dropped from the soundtrack. However, a new version was recorded to their liking.

<span class="mw-page-title-main">Angel (Madonna song)</span> 1985 single by Madonna

"Angel" is a song by American singer Madonna from her second studio album Like a Virgin (1984). It was released on April 10, 1985, by Sire Records as the album's third single. Written by Madonna and Steve Bray, it was one of the first songs developed for the project and, according to Madonna, was inspired by a girl who is saved by an angel, and she falls in love with him. "Angel" was released as a 12-inch single with "Into the Groove" in some countries and charted likewise. A music video was not filmed for "Angel", and instead, a promotional clip comprising segments of her previous videos was released in the United Kingdom.

<span class="mw-page-title-main">Into the Groove</span> 1985 single by Madonna

"Into the Groove" is a song recorded by American singer Madonna, and featured on the 1985 film Desperately Seeking Susan. Written and produced by both Madonna and Stephen Bray, the main inspiration behind the song was the dance floor; the singer wrote it while watching a Latin American man whom she was attracted to. Its instrumentation features synthesizers and drum machines, with Madonna's voice being double tracked on the chorus. Sexual innuendos and undertones are present throughout the lyrics, which are written as an invitation to dance with the singer. Originally written for her friend Mark Kamins, Madonna later decided to use it on the film, as one of the scenes needed a dance song. It was later added to the 1985 international re-issue of her second studio album, Like a Virgin (1984), and remixed for her compilations You Can Dance (1987) and The Immaculate Collection (1990).

<span class="mw-page-title-main">Live to Tell</span> 1986 single by Madonna

"Live to Tell" is a song by American singer Madonna from her third studio album, True Blue (1986). The song was originally composed by Patrick Leonard as an instrumental for the score of Paramount's film Fire with Fire, but Paramount rejected it. Leonard then presented the track to Madonna, who decided to use it for At Close Range, a film starring her then-husband Sean Penn. Madonna wrote the lyrics, co-composed the melodies and co-produced it with Leonard. "Live to Tell" was released as True Blue's lead single on March 26, 1986, by Sire Records; afterwards, it was included on Madonna's compilation albums The Immaculate Collection (1990), Something to Remember (1995), and Celebration (2009). A pop ballad, the song includes instrumentation from guitars, keyboards, drums and a synthesizer, while the lyrics deal with deceit, mistrust and childhood scars; Madonna also recalled in an interview that she thought about her relationship with her parents while writing the lyrics.

<span class="mw-page-title-main">Love Don't Live Here Anymore</span> 1978 single by Rose Royce

"Love Don't Live Here Anymore" is a song written by Miles Gregory and originally recorded by Rose Royce. It was produced by former Motown songwriter and producer Norman Whitfield for Whitfield Records. Lead vocals were sung by Gwen Dickey and the song was released as the second single from their third studio album Strikes Again. The song was developed as a result of producer Whitfield's interest to work with Paul Buckmaster, the British arranger and composer. Together they asked songwriter Miles Gregory to write a song for them. Gregory's undergoing medical care for his deteriorating physical health became the inspiration behind the song. "Love Don't Live Here Anymore" incorporated the use of the Pollard Syndrum TwinDrum, and was one of the first songs to effectively use the sound reverbs of the instrument. The song was mainly recorded at music contractor Gene Bianco's house, where Dickey was present during the recording.

<span class="mw-page-title-main">Rescue Me (Madonna song)</span> 1991 single by Madonna

"Rescue Me" is a song by American singer Madonna from her first greatest hits album, The Immaculate Collection (1990). Written and produced by Madonna and Shep Pettibone, the song was released as the second single from The Immaculate Collection on February 26, 1991, in the United States, and as the third single on April 7 in the United Kingdom. A dance-pop and gospel-house track, the song is accompanied by the sound of thunder and rain, with the lyrics talking of romantic love rescuing the singer.

<span class="mw-page-title-main">Rain (Madonna song)</span> 1993 single by Madonna

"Rain" is a song by American singer Madonna from her fifth studio album Erotica (1992). The song was released on July 19, 1993, by Maverick Records as the album's fifth single internationally and the fourth single in North America. It was later included on her ballad compilation album Something to Remember (1995). The song was written and produced by Madonna and Shep Pettibone. A pop and R&B ballad, "Rain" features a more "friendly" composition than the other singles released from the album. Lyrically, the song likens rain to the empowering effect of love, and as with water's ability to clean and wash away pain. Like the other songs on Erotica, sexual contact is also a possible interpretation of the song.

<span class="mw-page-title-main">Gambler (song)</span> 1985 single by Madonna

"Gambler" is a song by American singer Madonna from the soundtrack album to the 1985 film Vision Quest. The song was written solely by Madonna, while the production was handled by John "Jellybean" Benitez at her request. It was released as the second single from the film's soundtrack album on October 3, 1985, by Geffen Records. "Gambler" was never released as a single in the United States, at the request of Madonna's own Sire Records. The music video of the song is an excerpt from the film.

<span class="mw-page-title-main">Keep It Together (song)</span> 1990 single by Madonna

"Keep It Together" is a song by American singer Madonna from her fourth studio album, Like a Prayer (1989). It was released as the fifth and final single from the album in the United States, Canada and Japan on January 30, 1990, by Sire Records. Written and produced by Madonna and Stephen Bray, the main inspiration behind "Keep It Together" was Madonna's relationship with her family—whom she dearly missed after her divorce from Sean Penn. The song was dedicated to the American band Sly and the Family Stone. The lyrics deal with the realization of how important Madonna's family has been to her life. A pop, funk and deep funk song consisting of an upbeat rhythm and groove, "Keep It Together" features instrumentation from percussion, banjo and a conga.

<span class="mw-page-title-main">Sidewalk Talk</span> 1984 single by John Benitez

"Sidewalk Talk" is a song by American record producer John "Jellybean" Benitez from his first extended play, Wotupski!?! (1984). It was released on October 21, 1984, by EMI Records as the first single from the EP. The song was written by Madonna and produced by Benitez. They had initially met in 1983 and Benitez worked as a producer on Madonna's self-titled debut album. When he started work on his debut EP, Wotupski!?!, Madonna wrote "Sidewalk Talk" for him. The song features bass and electric guitars, synthesizers, piano as well drums. Lead vocals are sung by Catherine Buchanan, and additional chorus vocals by Madonna.

<span class="mw-page-title-main">Each Time You Break My Heart</span> 1986 single by Nick Kamen

"Each Time You Break My Heart" is a song recorded by British singer Nick Kamen, for his eponymous debut studio album (1987). It was released by Sire Records on 2 November 1986 as his debut single in 7-inch and 12-inch maxi formats. Kamen had gained popularity by starring in a 1985 Levi's television commercial, later deciding to delve into the music business and signed a record deal with Sire. "Each Time You Break My Heart" was the lead single from his album, written and produced by Madonna and Stephen Bray. It was originally set to be included on Madonna's third studio album, True Blue (1986), but failed to make the final tracklist. Madonna also provided background vocals on the track.

<span class="mw-page-title-main">Physical Attraction (Madonna song)</span> 1983 single by Madonna

"Physical Attraction" is a song by American singer Madonna. It was included on her debut studio album Madonna (1983). Written and produced by Reggie Lucas, the song was released as a double A-side single with "Burning Up" on March 9, 1983.

References

  1. Howe, Sean (July 29, 2013). "Madonna's Debut Album at Thirty: An Oral History". Rolling Stone. Retrieved November 29, 2013.
  2. 1 2 Kantor, Justin (February 3, 2012). "Interview: Curtis Hudson & Lisa Stevens, Songwriters of Madonna's 'Holiday'". Blogcritics. p. 2. Retrieved November 29, 2013.
  3. 1 2 3 Rooksby 2004 , p. 29
  4. Madonna: You Can Dance (songbook) (1 ed.). Amazon, Warner Brothers Publications Inc. January 1, 1988. ASIN   B000XPVK4C.
  5. Bego 2000 , p. 155
  6. Erlewine, Bogdanov & Woodstra 2002 , p. 686
  7. Barry, Dave (March 4, 1988). "Madonna's New LP is Mostly Old Madonna". The Miami Herald . Retrieved May 20, 2010.
  8. Brown, Joe (December 18, 1988). "Angst You Can Dance To". The Washington Post . Retrieved May 20, 2010.
  9. McLeese, Don (November 23, 1988). "The Chain evokes a numbing reaction". Chicago Sun-Times . Archived from the original on February 20, 2016. Retrieved May 20, 2010.
  10. Huk, Haunter (February 3, 2012). "The 20 Best Madonna Songs You Won't Hear at the Super Bowl". Dallas Observer . Retrieved June 5, 2019.
  11. Hunt, Dennis (November 29, 1987). "Great Balls of Fire — Good Vibrations — Maybe Baby Running on Empty Madonna's Mixology". Los Angeles Times . Retrieved May 20, 2010.
  12. DeKnock, Jan (November 22, 1987). "Idol Lets 'Mony' Do Talking All The Way To Top Of Chart". Orlando Sentinel . Retrieved May 20, 2010.
  13. Lynch, Joe; Unterberger, Andrew; Gracie, Bianca; Feeney, Nolan; Atkinson, Katie (March 8, 2023). "Madonna's 100 Greatest Songs (Critics' Picks)". Billboard . Retrieved March 13, 2023.
  14. "Hot 100 Sales & Airplay" (PDF). Billboard. Vol. 100, no. 3. January 16, 1988. p. 69. ISSN   0006-2510 . Retrieved April 26, 2015.
  15. 1 2 "Hot 100 Sales & Airplay" (PDF). Billboard. Vol. 100, no. 6. February 6, 1988. p. 73. ISSN   0006-2510 . Retrieved April 26, 2015.
  16. "Hot 100 Sales & Airplay" (PDF). Billboard. Vol. 100, no. 7. February 13, 1988. p. 73. ISSN   0006-2510 . Retrieved April 26, 2015.
  17. "Hot Crossover 30" (PDF). Billboard. Vol. 99, no. 50. December 12, 1987. p. 14. ISSN   0006-2510 . Retrieved April 26, 2015.
  18. 1 2 "Hot Crossover 30" (PDF). Billboard. Vol. 100, no. 2. January 9, 1988. p. 16. ISSN   0006-2510 . Retrieved April 26, 2015.
  19. "Hot Crossover 30" (PDF). Billboard. Vol. 100, no. 3. January 16, 1988. p. 16. ISSN   0006-2510 . Retrieved April 26, 2015.
  20. "Hot Crossover 30" (PDF). Billboard. Vol. 100, no. 5. January 30, 1988. p. 16. ISSN   0006-2510 . Retrieved April 26, 2015.
  21. 1 2 3 スポットライト (in Japanese). Oricon. April 25, 1988. Archived from the original on October 24, 2012. Retrieved August 17, 2011.
  22. 1 2 Schilling 1997 , p. 149
  23. Rooksby 2004 , p. 201
  24. Rooksby 2004 , p. 203
  25. Spotlight (Japanese 7-inch Single liner notes). Madonna. Sire Records. 1987. 7-14727.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  26. Spotlight (Japanese 3-inch Mini CD Single liner notes). Madonna. Sire Records. 1987. 7-19985-0.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  27. Spotlight (US 12-inch Vinyl Single liner notes). Madonna. Sire Records. 1987. 4-84328.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  28. You Can Dance (Liner notes). Madonna. Warner Bros. Records. 1987.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  29. "Madonna". Radio & Records . Retrieved December 16, 2022.

Bibliography