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Moonraker | ||||
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Soundtrack album by | ||||
Released | 1979 | |||
Recorded | April 1979 | |||
Length | 30:54 | |||
Label | United Artists Records | |||
Producer | John Barry | |||
John Barry chronology | ||||
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James Bond soundtrack chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Moonraker is the soundtrack for the eleventh James Bond film of the same name. [2]
Moonraker was the third of the three Bond films for which the theme song was performed by Shirley Bassey. Frank Sinatra was considered for the vocals, before Johnny Mathis was approached and offered the opportunity. Mathis was unhappy about the song and withdrew from the project, leaving the producers scrambling for a replacement. Kate Bush declined as she was due to embark on her British tour, so John Barry offered the song to Bassey just weeks before the release date. As a result, Bassey made the recordings at very short notice and never regarded the song 'as her own' as she had never had the chance to perform it or promote it first. Indeed, Bassey has seldom performed the song live in comparison to her other two Bond themes, "Goldfinger" and "Diamonds Are Forever". The film uses two versions of the title theme song, a ballad version heard over the main titles, and a disco version for the end titles. Confusingly, the United Artists single release labelled the tracks on the 7" single as "Moonraker (Main Title)" for the version used to close the film and "Moonraker (End Title)" for the track that opened the film. The song failed to make any real impact on the charts, which may partly be attributed to Bassey's failure to promote the single, given the last minute decision and the way in which it was quickly recorded to meet the schedule.
In November 2024, La La Land Records released a limited expanded edition containing previously unreleased music.
As with "We Have All the Time in the World" in 1969, Hal David wrote the lyrics. Paul Williams's original lyrics were discarded. Retrospective reviews have ranked "Moonraker" as one of the better Bond theme songs overall, however it is regarded as the weakest of the three Bond theme songs performed by Bassey. [3] [4]
Finally in 2005, Bassey sang the song for the first time outside James Bond on stage as part of a medley of her three Bond title songs. An instrumental strings version of the title theme was used in 2007 tourism commercials for the Dominican Republic.
The score for Moonraker marked a turning point in Barry's output, abandoning the Kentonesque brass of his earlier Bond scores and instead scoring the film with slow, rich string passages—a trend which Barry would continue in the 1980s with scores such as Raise the Titanic , Out of Africa and Somewhere in Time .
Moonraker uses for the first time since Diamonds Are Forever a piece of music called "007" (briefly, and late in track 7, "Bond Arrives in Rio and Boat Chase"), the secondary Bond theme composed by Barry which was introduced in From Russia with Love . This is the only time when the "007 Theme" is used in a Roger Moore Bond film; it is as of 2021 the last time it has been heard in a Bond film. Another link between the soundtracks of Moonraker and Diamonds Are Forever is the inclusion of a track titled "Bond Smells a Rat". (Never Say Never Again, Sean Connery’s last Bond film, also has a track of that title.) There is also strong use of a choir in the space sequences (a choir was briefly heard in the track Slumber Inc. in Diamonds Are Forever). Barry used a choir to great effect on The Lion in Winter (1968).
Unusually, the score was recorded in Paris—all of Barry's previous Bond scores had been recorded at London's CTS Studios. The film's production base was in France and it was decided the film would be scored there as well.
Some familiar pieces of music also appear in the film:
Dame Shirley Veronica Bassey is a Welsh singer. Known for her career longevity, powerful voice and recording the theme songs to three James Bond films, the only artist to perform more than one, Bassey is one of the most popular vocalists in Britain.
The Best of Bond... James Bond is the title of various compilation albums of music used in the James Bond films made by Eon Productions up to that time. The album was originally released in 1992 as The Best of James Bond, as a one-disc compilation and a two-disc 30th Anniversary Limited Edition compilation with songs that had, at that point, never been released to the public. The single disc compilation was later updated five times in 1999, 2002, 2008, 2012, and 2021. The 2008 version was augmented with the addition of a DVD featuring music videos and a documentary. Another two-disc edition, this time containing 50 tracks for the 50th anniversary of the franchise, was released in 2012.
John Barry Prendergast was an English composer and conductor of film music. Born in York, Barry spent his early years working in cinemas owned by his father. During his national service with the British Army in Cyprus, Barry began performing as a musician after learning to play the trumpet. Upon completing his national service, he formed a band in 1957, the John Barry Seven. He later developed an interest in composing and arranging music, making his début for television in 1958. He came to the notice of the filmmakers of the first James Bond film Dr. No, who were dissatisfied with a theme for James Bond given to them by Monty Norman. Noel Rogers, the head of music at United Artists, approached Barry. This started a successful association between Barry and the Bond series that lasted for 25 years.
Since its inception in 1962, the James Bond film series from Eon Productions has featured many musical compositions, many of which are now considered classic pieces of British film music. The best known piece is the "James Bond Theme" composed by Monty Norman. Other instrumentals, such as "On Her Majesty's Secret Service", and various songs performed by British or American artists such as Shirley Bassey's "Goldfinger", Nancy Sinatra's "You Only Live Twice", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill", Tina Turner's "GoldenEye" also become identified with the series.
The "James Bond Theme" is the main signature theme music of the James Bond films and has been used in every Bond film since Dr. No in 1962. Composed in E minor by Monty Norman, the piece has been used as an accompanying fanfare to the gun barrel sequence in every Eon Productions Bond film besides Casino Royale.
Doctor Holly Goodhead is a fictional character from the James Bond franchise, portrayed by Lois Chiles. She does not appear in any of the Ian Fleming novels, only in the film version of Moonraker (1979), but her character is similar to that of Gala Brand, the female lead in the original novel Moonraker (1955).
Moonraker is a 1979 spy-fi film, the eleventh in the James Bond series produced by Eon Productions, and the fourth to star Roger Moore as the fictional MI6 agent James Bond. The third and final film in the series to be directed by Lewis Gilbert, it co-stars Lois Chiles, Michael Lonsdale, Corinne Cléry, and Richard Kiel. In the film, Bond investigates the vanishing of a Space Shuttle, leading him to Hugo Drax, the owner of the shuttle's manufacturing firm. Along with astronaut Dr. Holly Goodhead, Bond follows the mystery from California to Venice, Rio de Janeiro, the Amazon rainforest, and finally into outer space to prevent a plot to wipe out the world population and repopulate humanity with a master race.
Thunderball is the soundtrack album for the fourth James Bond film Thunderball.
The Spy Who Loved Me is the soundtrack for the tenth James Bond The Spy Who Loved Me. The soundtrack is one of only two Bond soundtracks to be nominated for the Academy Award for Best Original Score. The other score nominated was Skyfall (2012).
Diamonds Are Forever is the soundtrack by John Barry for the seventh James Bond film of the same name.
"Goldfinger" is the title song from the 1964 James Bond film of the same name. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release. The single release of the song gave Bassey her only Billboard Hot 100 top forty hit, peaking in the Top 10 at No. 8 and No. 2 for four weeks on the Adult Contemporary chart, and in the United Kingdom the single reached No. 21.
"All Time High" is a song by American singer-songwriter Rita Coolidge that serves as the theme song to the James Bond film Octopussy (1983). Written by John Barry and Tim Rice and produced by Stephen Short and Phil Ramone, the song was released through A&M Records in 1983.
Live and Let Die is the soundtrack to the eighth James Bond film of the same name, scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney and Wings. It was the first Bond film score to not involve John Barry.
Tomorrow Never Dies: Music from the Motion Picture is the soundtrack of the 18th James Bond film of the same name.
The Man with the Golden Gun is the soundtrack for the ninth James Bond film of the same name.
Goldfinger is the soundtrack of the 1964 film of the same name, the third film in the James Bond film series, directed by Guy Hamilton. The album was composed by John Barry and distributed by EMI. Two versions were released initially, one in the United States and the United Kingdom, which varied in terms of length and which tracks were within the soundtrack. In 2003, Capitol-EMI records released a remastered version that contained all the tracks within the film.
A View to a Kill is the soundtrack for the film of the same name, the 14th instalment in the James Bond film series.
The Bond Collection, a.k.a. Bassey Sings Bond, is a 1987 studio album by Shirley Bassey, notable for having been released without the artist's consent and subsequently withdrawn from sales by court order.
"You Only Live Twice" is the theme song to the 1967 James Bond film of the same name. It was written by Leslie Bricusse with music by veteran Bond film composer John Barry. It was performed by Nancy Sinatra. Widely recognised for its striking opening bars, featuring a simple 2-bar theme in the high octaves of the violins and lush harmonies from French horns, it is considered by some among the best Bond film songs. Shortly after Barry's production, Sinatra's producer Lee Hazlewood released a more guitar-based single version.
The Liquidator is a soundtrack album to the motion picture The Liquidator by Argentine composer, pianist and conductor Lalo Schifrin recorded in 1965 and released on the MGM label. An expanded edition of the soundtrack was released by Film Score Monthly in 2006. Shirley Bassey, then well known for her Goldfinger title song performed two versions of the theme; a hard driving main title theme and a softer romantic version called My Liquidator. Due to the delayed release of the film, the soundtrack was issued later in 1966