"GoldenEye" | ||||
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Single by Tina Turner | ||||
from the album GoldenEye: Original Motion Picture Soundtrack from the United Artists film and Wildest Dreams | ||||
Released | November 6, 1995 | |||
Recorded | September 1995 [1] | |||
Studio | Olympic Sound (London, UK) | |||
Genre | Electronica [2] | |||
Length |
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Label |
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Songwriter(s) | ||||
Producer(s) | Nellee Hooper | |||
Tina Turner singles chronology | ||||
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James Bond theme singles chronology | ||||
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Music video | ||||
"GoldenEye" on YouTube |
"GoldenEye" is a song written by Irish musicians Bono and the Edge and performed by American singer Tina Turner. It served as the theme for the 1995 James Bond film GoldenEye . Produced by Nellee Hooper and released as a single on November 6,1995 by Virgin (US) and Parlophone (UK),the track was a chart hit in Europe. It topped the Hungarian Singles Chart and reached the top five in Austria,Finland,France,Italy and Switzerland,as well as number 10 on the UK Singles Chart. "GoldenEye" was less successful outside Europe,reaching number 43 in Canada,number 63 in Australia,and number two on the US Billboard Bubbling Under Hot 100. The music video for the song was directed by Jake Scott.
Depeche Mode was initially approached in 1994 to sing the main theme song for GoldenEye, but were coming to the end of their Devotional Tour and could not meet the schedule. Instead, the producers got Tina Turner to agree to do the song. After being informed of Turner's involvement, Bono and the Edge of Irish rock band U2 were next to join, and agreed to write the song. The track was produced and mixed by British producer/remixer/composer Nellee Hooper, best known for his work with Massive Attack, Madonna, U2, and Björk. The track reached number ten on the UK Singles Chart and became a top-five hit in several European countries. [3] [4]
"GoldenEye" was first released on the original motion picture soundtrack and the following year it was included on Turner's album Wildest Dreams . The song has been covered by Nicole Scherzinger for the 2010 remake of the GoldenEye 007 video game. [5]
Larry Flick from Billboard described "GoldenEye" as a "gloriously over-the-top James Bond theme" [6] and a "tingly, feline performance" by Turner. He found that producer Nellee Hooper "captures the essence of the movie, wrapping the track in sweeping strings and horns that are fondly reminiscent" of the 1964 movie Goldfinger , and added that U2's Bono and the Edge "get in on the fun, writing a tune that's fraught with cryptic lyrical twists and romantic intrigue." [7] James Masterton for Dotmusic said that "like most Bond themes it tends towards the sweeping style of the early John Barry efforts yet still manages to retain its own identity." [8] Nisid Hajari from Entertainment Weekly stated that the James Bond myth "certainly allows for the trinity of Sex, Danger, and Elegance to verge on melodrama." He noted the song's "self-conscious vocals and maudlin horns and strings", that "blithely crosses the line". [9]
A reviewer from Liverpool Echo felt that Turner "manages to sound like Shirley Bassey". [10] David Cook from The Michigan Daily wrote that "it's amazing how similar this song sounds to other opening songs from previous James Bond movies — there must be some magic formula to making all of the sound so Bondlike." [11] Pan-European magazine Music & Media deemed it a "perfect candidate" for the soundtrack of 007's "latest adventure", stating that Turner "and her raw R&B power easily fit in the Shirley Bassey tradition." They also noted that the composers "stayed close to the traditional James Bond sound". [12] Music Week gave the song top score with five out of five, writing that the singer's voice "soars above a swirling orchestra in this powerful single with a classic Bond feel." [13] Jeff Farance from The News-Journal , while reviewing the movie, felt that the title sequence is "pure Bond, with Tina Turner belting out the title song in the grand tradition of magnificent music for 007." [14] Mark Sutherland from NME said that "Tina Turner turns in the traditional Shirley Bassey-esque theme with a performance so dramatic that there's no way anything on screen will ever be able to match it." [15]
The accompanying music video for "GoldenEye" was directed by English film director Jake Scott [16] and edited by David D. Williams. [17] It was produced by Caroline True and Ellen Jacobson-Clarke, [17] and made its debut at the end of October 1995. [18] [19] The video features Turner, wearing a long white strapless dress, either sitting on a chair or walking on a catwalk in front of a large golden eye. [17] In between there are several scenes from the movie. The video also features Sudanese model Alek Wek. [20]
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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France (SNEP) [61] | Silver | 125,000* |
Germany (BVMI) [62] | Gold | 300,000 [63] |
Switzerland (IFPI Switzerland) [64] | Gold | 25,000^ |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
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United States | October 31, 1995 | Contemporary hit radio | Virgin | [65] |
United Kingdom | November 6, 1995 |
| Parlophone | [66] |
Like many Bond themes before it, Tina Turner's version was not the only recorded song for the film. Swedish pop band Ace of Base also recorded a song that was optioned to the studio. Ace of Base's "The GoldenEye" was later reworked into "The Juvenile" which appeared on their Da Capo album in 2002. [67]
The Best of Bond... James Bond is the title of various compilation albums of music used in the James Bond films made by Eon Productions up to that time. The album was originally released in 1992 as The Best of James Bond, as a one-disc compilation and a two-disc 30th Anniversary Limited Edition compilation with songs that had, at that point, never been released to the public. The single disc compilation was later updated five times in 1999, 2002, 2008, 2012, and 2021. The 2008 version was augmented with the addition of a DVD featuring music videos and a documentary. Another two-disc edition, this time containing 50 tracks for the 50th anniversary of the franchise, was released in 2012.
"What's Love Got to Do with It" is a song written by Graham Lyle and Terry Britten, and recorded by Tina Turner for her fifth studio album, Private Dancer (1984). Capitol Records released it as a single from Private Dancer in May 1984 and it eventually became Turner's biggest-selling single.
"Let's Stay Together" is a song by American singer Al Green from his 1972 album of the same name. It was produced and recorded by Willie Mitchell, and mixed by Mitchell and Terry Manning. Released as a single in 1971, "Let's Stay Together" reached number 1 on the Billboard Hot 100, and remained on the chart for 16 weeks and also topped Billboard's R&B chart for nine weeks. Billboard ranked it as the number 11 song of 1972.
Since its inception in 1962, the James Bond film series from Eon Productions has featured many musical compositions, many of which are now considered classic pieces of British film music. The best known piece is the "James Bond Theme" composed by Monty Norman. Other instrumentals, such as "On Her Majesty's Secret Service", and various songs performed by British or American artists such as Shirley Bassey's "Goldfinger", Nancy Sinatra's "You Only Live Twice", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill", Tina Turner's "GoldenEye" also become identified with the series.
"It Takes Two" is a hit single recorded in late 1965 by American singer-songwriter Marvin Gaye and American soul singer Kim Weston for Motown's Tamla label.
"River Deep – Mountain High" is a song by Ike & Tina Turner released on Philles Records as the title track to their 1966 studio album. Produced by Phil Spector and written by Spector, Jeff Barry and Ellie Greenwich. Rolling Stone ranked "River Deep – Mountain High" No. 33 on their list of the 500 Greatest Songs of All Time. NME ranked it No. 37 on their list of the 500 Greatest Songs of All Time. The Rock and Roll Hall of Fame added it to the list of the 500 Songs That Shaped Rock and Roll. The song was inducted into the Grammy Hall of Fame in 1999.
"Proud Mary" is a song by American rock band Creedence Clearwater Revival, written by vocalist and lead guitarist John Fogerty. It was released as a single in January 1969 by Fantasy Records and on the band's second studio album, Bayou Country. The song became a major hit in the United States, peaking at No. 2 on the Billboard Hot 100 in March 1969, the first of five singles to peak at No. 2 for the group.
"Nutbush City Limits" is a semi-autobiographical song written by Tina Turner which commemorates her rural hometown of Nutbush in Haywood County, Tennessee, United States. Originally released as a single on United Artists Records in August 1973, it is one of the last hits that husband-wife R&B duo Ike & Tina Turner released together.
Wildest Dreams is the ninth solo studio album by Tina Turner, released on April 22, 1996, by Parlophone internationally and Virgin Records in the US. Six singles were released from the album: the theme for the 1995 James Bond film GoldenEye, "GoldenEye"; "Whatever You Want"; "On Silent Wings" featuring Sting; "Missing You"; "Something Beautiful Remains"; and "In Your Wildest Dreams", a duet with Barry White. It has earned double platinum certifications in the United Kingdom and in Europe.
"Missing You" is a song co-written and recorded by English musician John Waite. It was released in June 1984 as the lead single from his second album, No Brakes (1984). It reached number one on Billboard's Album Rock Tracks and on the Hot 100, as well as number 9 on the UK Singles Chart. "Missing You" was the only record in 1984 to spend only a single week at the top of the Hot 100. The song was nominated for the 1985 Best Pop Vocal Performance Male Grammy Award.
"The Best" is a song by Welsh singer Bonnie Tyler from her seventh studio album, Hide Your Heart (1988). It was written by Mike Chapman and Holly Knight. Produced by Desmond Child, Tyler's version became a top-10 hit in Norway but was a minor hit elsewhere.
"Goldfinger" is the title song from the 1964 James Bond film of the same name. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release. The single release of the song gave Bassey her only Billboard Hot 100 top forty hit, peaking in the Top 10 at No. 8 and No. 2 for four weeks on the Adult Contemporary chart, and in the United Kingdom the single reached No. 21.
Rock singer Tina Turner released nine studio albums, three live albums, two soundtracks, and six compilation albums. Widely referred to as the "Queen of Rock 'n' Roll", Turner had reportedly sold around 100 to 150 million records worldwide, making her one of the best-selling female artists in music history. According to Recording Industry Association of America, Turner has certified sales of 10 million albums in the US, alone.
"I Don't Wanna Fight" is a song by American singer and actress Tina Turner. The track was written by British singer Lulu, her brother Billy Lawrie, and Steve DuBerry. The song was first offered to singer Sade, who sent it on to Turner. Turner recorded it in 1993 as part of the soundtrack for her autobiographical film, What's Love Got to Do with It. Lulu's version appears as a B-side to her 1993 single "How 'Bout Us" as well as on the 2003 album The Greatest Hits.
"In Your Wildest Dreams" is a duet by American singers Tina Turner and Barry White, released from Turner's ninth solo studio album, Wildest Dreams (1996). The original European album version features spoken vocals by actor Antonio Banderas, while for the single version and US edition of the Wildest Dreams album, Turner re-recorded the track with White.
"When the Heartache Is Over" is a song by American recording artist Tina Turner. Written by Graham Stack and John Reid for her tenth and final solo studio album, Twenty Four Seven (1999), it was released as the album's leading single on October 18, 1999. The song was a moderate hit in late 1999 and early 2000, reaching number 10 in the UK and the top 20 in several other European countries. The song is produced by British producers Brian Rawling and Mark Taylor.
"On Silent Wings" is a song by American singer-songwriter Tina Turner with guest vocals from English musician Sting. Released in May 1996 in support of Turner's ninth album, Wildest Dreams (1996), the single performed well on the US and Canadian adult contemporary charts, peaking at numbers 24 and 13 respectively. The dance version of "On Silent Wings", remixed by Soul Solution, charted at number 47 on the US Billboard Dance Club Play chart. Like much of Turner's later work, "On Silent Wings" enjoyed greater success in the United Kingdom, peaking at number 13 on the UK Singles Chart.
"Chains" is a song by Australian singer Tina Arena from her third studio album, Don't Ask (1994). It was composed by Arena, Pam Reswick and Steve Werfel and produced by David Tyson. "Chains" peaked at number four on Australia's ARIA Singles Chart, reached number six in the United Kingdom, and charted well throughout Europe, earning her numerous awards in the process. The power ballad was also a hit in North America, peaking at number 38 on the US Billboard Hot 100 and number 20 on the Canadian RPM Top Singles chart. The track was re-released featuring Jessica Mauboy and the Veronicas following a rendition of the track at the 2015 ARIA Awards where Arena was inducted into the ARIA Hall of Fame.
"Writing's on the Wall" is a song by English singer Sam Smith, written for the release of the 2015 James Bond film Spectre. The song was released as a digital download on 25 September 2015. The song was written by Smith and Jimmy Napes, and produced by the latter alongside Steve Fitzmaurice and Disclosure.
"We Don't Need Another Hero (Thunderdome)" is a song written by Graham Lyle and Terry Britten. It was recorded by American singer Tina Turner for the soundtrack album to the 1985 film Mad Max Beyond Thunderdome, which starred Mel Gibson and Turner. On the heels of Turner's multiplatinum album Private Dancer (1984), the song was released as a 7-inch single, an extended version was released as a 12-inch single and on the film's soundtrack album. In the United Kingdom, a shaped picture disc was also issued. The power ballad received a Golden Globe Award nomination for Best Original Song and a Grammy Award nomination for Best Female Pop Vocal Performance. As songwriters, Lyle and Britten received the Ivor Novello Award for Best Song Musically and Lyrically.
...Nellee Hopper creates a musical tapestry fit for the electronica-saturated '90s without overindulging in technological gimmickry.