The Raelettes were an American girl group formed in 1958 to provide backing vocals for Ray Charles. They were reformed from the group The Cookies. Between 1966 and 1973, the Raelettes recorded on Tangerine Records as a separate act produced and accompanied by Charles.
"You Really Got Me" is a song by English rock band the Kinks, written by frontman Ray Davies. The song, originally performed in a more blues-orientated style, was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions were recorded, with the second performance used for the final single. Lead guitarist Dave Davies performs the song’s famous guitar solo. Although it was long rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo, this has been debunked by Page himself.
"What'd I Say" is an American rhythm and blues song by Ray Charles, released in 1959. As a single divided into two parts, it was one of the first soul songs. The composition was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it.
"The Tears of a Clown" is a song written by Hank Cosby, Smokey Robinson, and Stevie Wonder and originally recorded by Smokey Robinson & the Miracles for the Tamla Records label subsidiary of Motown, first appearing on the 1967 album Make It Happen. The track was re-released in the United Kingdom as a single in July 1970, and it became a number-one hit on the UK Singles Chart for the week ending September 12, 1970. Subsequently, Motown released a partially re-recorded and completely remixed version as a single in the United States as well, where it quickly became a number-one hit on both the Billboard Hot 100 and R&B Singles charts.
"Mama Told Me Not to Come", also written as "Mama Told Me (Not to Come)", is a song by American singer-songwriter Randy Newman written for Eric Burdon's first solo album in 1966. Three Dog Night's 1970 cover topped the US pop singles chart. Tom Jones and Stereophonics' version also reached No. 4 on the UK Singles Chart in 2000.
"Hit the Road Jack" is a song written by the rhythm and blues singer Percy Mayfield and recorded by Ray Charles. The song was a US number 1 hit in 1961, and won a Grammy Award for Best Rhythm and Blues Recording, becoming one of Charles' signature songs.
"Sweet Home Chicago" is a blues standard first recorded by Robert Johnson in 1936. Although he is often credited as the songwriter, several songs have been identified as precedents. The song has become a popular anthem for the city of Chicago despite ambiguity in Johnson's original lyrics. Numerous artists have interpreted the song in a variety of styles.
"Call It Stormy Monday (But Tuesday Is Just as Bad)" (commonly referred to as "Stormy Monday") is a song written and recorded by American blues electric guitar pioneer T-Bone Walker. It is a slow twelve-bar blues performed in the West Coast blues-style that features Walker's smooth, plaintive vocal and distinctive guitar work. As well as becoming a record chart hit in 1948, it inspired B.B. King and others to take up the electric guitar. "Stormy Monday" became Walker's best-known and most-recorded song.
The Genius Hits the Road is a 1960 album by Ray Charles. The concept album focuses on songs written about various parts of the United States. It peaked at number nine on the pop album charts and produced a US #1 single, "Georgia on My Mind".
"Roadhouse Blues" is a song by the American rock band the Doors from their 1970 album Morrison Hotel. It was released as the B-side of "You Make Me Real", which peaked at No. 50 on the U.S. Billboard Hot 100 and No. 41 in Canada. "Roadhouse Blues" charted in its own right on the Cash Box Top 100, peaking at No. 76. The song became a concert staple for the group and it has been covered by numerous artists.
"Mother Popcorn (You Got to Have a Mother for Me)" is a song recorded by James Brown and released as a two-part single in 1969. A #1 R&B and #11 Pop hit, it was the highest-charting of a series of recordings inspired by the popular dance the Popcorn which Brown made that year, including "The Popcorn", "Lowdown Popcorn", and "Let a Man Come In and Do the Popcorn". The "mother" of the song's title was, in the words of biographer RJ Smith, "[Brown's] honorific for a big butt".
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and recorded October 26, 1961. Although it became a blues standard, music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". "Boom Boom" was both an American R&B and pop chart success in 1962 and a UK top-twenty hit in 1992.
In Person is a live album recorded by Ray Charles on May 28, 1959 on a rainy night in Atlanta, Georgia at Morris Brown College's Herndon Stadium. All tracks from this album together with those from Ray Charles at Newport were also released on the 1987 Atlantic compilation CD, Ray Charles Live.
"Crying Time" is a song from 1964 written and originally recorded by the American country music artist Buck Owens. It gained greater success in the version recorded by Ray Charles, which won two Grammy Awards in 1967. Numerous other cover versions have been performed and recorded over the intervening years.
"My First Night with You" is a song written by Kenneth "Babyface" Edmonds and Diane Warren. It was originally recorded by Canadian singer Deborah Cox for her self-titled debut studio album (1995). In 1998, American singer Mýa covered the song for her self-titled debut studio album, serving as the album's third and final single. The album version was produced by Daryl Simmons, allowing Mýa to put her own spin on the record, while the Ric Wake pop-produced version was marketed at pop and adult contemporary radio. The lyrics of the ballad speak of a non-sexual experience with a man.
"Farther Up the Road" or "Further on Up the Road" is a blues song first recorded in 1957 by Bobby "Blue" Bland. It is an early influential Texas shuffle and features guitar playing that represents the transition from the 1940s blues style to the 1960s blues-rock style.
"Driving Wheel", also called "Drivin' Wheel" or "Driving Wheel Blues", is blues song first recorded by Roosevelt Sykes in 1936. It was an influential early blues composition and has been recorded by numerous artists, including Junior Parker and Al Green, whose renditions were hits on the record charts.
"Here We Go Again" is a country music standard written by Don Lanier and Red Steagall that first became notable as a rhythm and blues single by Ray Charles from his 1967 album Ray Charles Invites You to Listen. It was produced by Joe Adams for ABC Records/Tangerine Records. To date, this version of the song has been the biggest commercial success, spending twelve consecutive weeks on the US Billboard Hot 100 chart, peaking at number 15.
"Beggin & Pleadin" is song by American recording artist Brandy. It was written by Ronald Colson, Warren "Oak" Felder, Kirby Lauryen, Steve Mostyn, Andrew "Pop" Wansel, and Brandy, while production was helmed by Pop & Oak, Mostyn, and Colson. "Beggin & Pleadin'" is influenced by 1950s blues, particularly the music of Ray Charles. The song is unconventionally built on a modern trap beat, and samples John Lee Hooker's song "Boom Boom". Autobiographical in nature, the lyrics are a point of view account of a female protagonist, who sings cathartically about her mercurial temperament, following an inflammatory argument with her fiancé.
Marjorie Hendrix was an American rhythm and blues singer and founding member of the Raelettes, who were the backing singers for Ray Charles, the father of her child, Charles Wayne Hendrix.
