King Heroin

Last updated
"King Heroin"
Single by James Brown
from the album There It Is
B-side "Theme From King Heroin"
ReleasedMarch 1972 (1972-03)
RecordedJanuary 17 & 18, 1972, A&R Studios, New York, NY
Genre Soul
Length3:56
Label Polydor
14116
Songwriter(s)
Producer(s) James Brown
James Brown chartingsingles chronology
"Talking Loud and Saying Nothing - Part I"
(1972)
"King Heroin"
(1972)
"There It Is Part 1"
(1972)

"King Heroin" is an anti-drug song by James Brown, David Matthews, Manny Rosen and Charles Bobbit. Brown recorded this poem set to music at a studio in New York with session musicians in January 1972 and released it as a single in March. It was his fifth single for Polydor Records and reached number six on the U.S. Hot Soul Singles chart and number 40 on the Billboard Hot 100 in the spring. [1] [2] The song was included on Brown's 1972 album There It Is .

Contents

Background

The poem was originally written by Rosen, who worked at the Stage Delicatessen on Seventh Avenue in midtown Manhattan. It was written from the point of view of the drug, and explained in graphic detail by first-person narrative the effects heroin addiction has on people who use it, from fashion models neglecting their looks, to "the most virile of men losing their sex," to committing murder, to cold turkey withdrawal. Rosen's poem was then set to music by Brown, his arranger David Matthews, and Brown's manager Charles Bobbit. Brown added an intro to start off the piece, referring to heroin as "one of our most deadly killers in the country today"; and towards the end, he noted, "This is a revolution of the mind" – referring to the title of his 1971 live concert album recorded at the Apollo Theater in New York.

"King Heroin" was another of Brown's stabs of socially conscious music, along the lines of such previous efforts as "Don't Be a Drop-Out" and "Say It Loud – I'm Black and I'm Proud." His narrative style on this song is also considered to be a forerunner of rap music.

An advertisement for the single said "Play this record. To your station it means 3 minutes and 58 seconds. To some listener it may mean a lifetime." [3]

Personnel

with studio band:

Chart positions

Chart (1972)Peak
position
U.S. Billboard Hot 10040
U.S. Billboard R&B6

Other versions and uses

The song was included in the 1991 box set Star Time and the 1996 compilation CD Make It Funky – The Big Payback: 1971–1975 .

The song was covered by James Chance and The Contortions in 1981, Van Hunt in 2006, and The Scallions (featuring The Impossebulls) in 2007. [6]

Among the songs that sampled "King Heroin" [7] were Truth Hurts' 2010 recording "Smoke," [8] J Dilla's 2010 release "Heroin Joint," Quetzal's 2009 record "I Need the Street (Pernety Blues)," D'Nell's 2005 record "Different Day," Deichkind's 2000 release "Slangdaddy." [9] and Home Brew's 2012 recording "Radio" and "Radio Outro." [10] [11]

The German band Virus recorded an organ-heavy rock cover of the song on their album Thoughts (1971) and released an edited version of the song as a 7". [12]

Related Research Articles

<span class="mw-page-title-main">Funky Drummer</span> 1970 single by James Brown

"Funky Drummer" is a single released by James Brown in 1970. Its drum break, improvised by Clyde Stubblefield, is one of the most frequently sampled music recordings.

<span class="mw-page-title-main">Fred Wesley</span> American jazz trombonist (born 1943)

Fred Wesley is an American trombonist who worked with James Brown in the 1960s and 1970s and Parliament-Funkadelic in the second half of the 1970s.

<span class="mw-page-title-main">James Brown discography</span> Cataloging of published recordings by James Brown

This is a discography chronicling the musical career of James Brown. Brown joined Bobby Byrd's vocal group The Flames in 1953, first as a drummer, and then as leading front man. Later becoming The Famous Flames, they signed with Federal Records in 1956 and recorded their first hit single, "Please, Please, Please", which sold over a million copies.

<span class="mw-page-title-main">Say It Loud – I'm Black and I'm Proud</span> 1968 single by James Brown

"Say It Loud – I'm Black and I'm Proud" is a funk song performed by James Brown, and written with his bandleader Alfred "Pee Wee" Ellis in 1968. It was released as a two-part single which held the number-one spot on the R&B singles chart for six weeks, and peaked at number ten on the Billboard Hot 100. Both parts of the single were later included on James Brown's 1968 album A Soulful Christmas and on his 1969 album sharing the title of the song. The song became an unofficial anthem of the Black Power movement.

<i>The Payback</i> 1973 studio album by James Brown

The Payback is the 37th studio album by American musician James Brown. The album was released in December 1973, by Polydor Records. It was originally scheduled to become the soundtrack for the blaxploitation film Hell Up in Harlem, but was rejected by the film's producers, who dismissed it as "the same old James Brown stuff." A widely repeated story—including by Brown himself—that director Larry Cohen rejected the music as "not funky enough" is denied by Cohen. On the DVD commentary track for Black Caesar, Cohen states that executives at American International Pictures were already unhappy with Brown for delivering songs much longer than expected on Black Caesar and Slaughter's Big Rip-Off and opted for a deal with Motown Records instead. Cohen said the absence of Brown's music from Harlem still "breaks [his] heart."

"Soul Power" is a song by James Brown. Brown recorded it with the original J.B.'s and it was released as a three-part single in 1971. Like "Get Up Sex Machine" and other hits from this period it features backing vocals by Bobby Byrd. It charted #3 R&B and #29 Pop.

<span class="mw-page-title-main">The Payback (song)</span> 1974 single by James Brown

"The Payback" is a funk song by James Brown, the title track from his 1973 album of the same name. The song's lyrics, originally written by trombonist and bandleader Fred Wesley but heavily revised by Brown himself soon before it was recorded, concern the revenge he plans to take against a man who betrayed him. The song is notable for its sparse, open arrangement and its use of wah-wah guitar – a relative rarity in Brown's previous funk recordings. Released as a two-part single in February 1974, it was the first in an unbroken succession of three singles by Brown to reach #1 on the R&B charts that year – the last chart-toppers of his career. It also peaked at number 26 on the Billboard Hot 100. It was his second, and final, single to be certified gold by the RIAA.

<span class="mw-page-title-main">Hot Pants (James Brown song)</span> 1971 single by James Brown

"Hot Pants (She Got to Use What She Got to Get What She Wants)" is a funk song by James Brown. Brown recorded the song in 1971 and released it that year as a three-part single on his People Records label, which was then distributed by his primary label King. It was a number-one R&B hit and reached number fifteen on the Billboard Hot 100 pop chart in the U.S. along with reaching number ten on the Cashbox magazine charts. "Hot Pants" was Brown's final release under King's purview before he (and the People label) moved to Polydor Records. The song's lyrics are an ode to the captivating power of the title garment, which members of the band first saw on their 1970 European tour.

<span class="mw-page-title-main">Make It Funky</span> 1971 single by James Brown

"Make It Funky" is a jam session recorded by James Brown with The J.B.'s. It was released as a two-part single in 1971, which reached No. 1 on the U.S. R&B chart and No. 22 on the U.S. Pop chart.

"Papa Don't Take No Mess" is a funk song performed by James Brown. An edited version of the song released as a two-part single in 1974 was Brown's 17th and final number one R&B hit and peaked at number thirty-one on the Hot 100. The full-length version, nearly 14 minutes long, appeared on the double album Hell.

<span class="mw-page-title-main">Funky President (People It's Bad)</span> 1974 single by James Brown

"Funky President (People It's Bad)" is a funk song by James Brown. Released as a single in 1974, it charted No. 4 R&B. It also appeared on the album Reality. According to Brown the "funky president" of the song's title was meant to refer to U.S. President Gerald Ford, who had succeeded Richard Nixon in the White House shortly before it was recorded.

"My Thang" is a funk song written and recorded by James Brown. Unlike most of his songs, this song was released not as a two-part single, but instead issued with three different B-sides. It spent two weeks at number one on the R&B singles chart - Brown's second #1 in a row, following "The Payback" - and reached No. 29 on the Billboard Hot 100 in July 1974. The song also appeared on Brown's 1974 double album Hell.

<i>Love, Power, Peace: Live at the Olympia, Paris, 1971</i> 1992 live album by James Brown

Love, Power, Peace: Live at the Olympia, Paris, 1971 is a live album by James Brown. It is the only recording that documents one of his live performances with the original J.B.'s lineup featuring Bootsy and Catfish Collins. Love, Power, Peace was originally intended for a 1972 release as a vinyl triple album, but was cancelled after the key members of the original J.B.'s left Brown to join Parliament-Funkadelic. The album was finally released for the first time in 1992, edited down for a single compact disc; the full show, using Brown's original mixdown was later released in July 2014 on Sundazed Records.

"Talkin' Loud and Sayin' Nothing" is a funk song written by James Brown and Bobby Byrd. Recorded in 1970 by Brown and the original J.B.'s with Byrd on backing vocals and updated with a new melody, it was twice released as a two-part single in 1972. It also appeared on the album There It Is.

<i>Solid Gold: 30 Golden Hits</i> 1977 greatest hits album by James Brown

Solid Gold: 30 Golden Hits, also called 30 Golden Hits/21 Golden Years, is a greatest hits compilation album by James Brown. The double album set was initially released in 1977 on Polydor, and was re-released by the label in 1986. The album's liner notes listed the release dates and U.S. chart positions for each song and included an essay by Cliff White. This is the first compilation album to include Get Up(I Feel Like Being a) Sex Machine. According to Allmusic reviewer William Ruhlman, the collection was "state-of-the-art", an influential model "not only...for the many Brown compilations that would follow in later years, but also for the compilation boom in general". In 1981, Village Voice critic Robert Christgau described it as "an essential collection." Allmusic indicates that it supplies "the essence of James Brown", but also states "[i]t has since been superseded by the 1991 four-disc Star Time boxed set".

<i>Make It Funky – The Big Payback: 1971–1975</i> 1996 compilation album by James Brown

Make It Funky – The Big Payback: 1971–1975 is the fourth of several James Brown era overviews released by Polydor Records in 1996. Expanding on the 1984 LP compilation Doing It To Death – The James Brown Story 1970–1973, it covers 1971–1975.

<i>Revolution of the Mind: Live at the Apollo, Volume III</i> 1971 live album by James Brown

Revolution of the Mind: Live at the Apollo, Volume III is a live double album by James Brown released in 1971. As its subtitle suggests, it is Brown's third album recorded at the Apollo Theater, following the original Live at the Apollo (1963) and Live at the Apollo, Volume II (1968). After a triple album project recorded in France was cancelled because Brown had signed with a new label, Polydor, in 1971, Brown elected to do many of the same songs on a New York project. Unlike the cancelled live album, this was assembled from the best live takes from a week of shows, at the Apollo. Unlike previous releases live albums, this was criticized for poor sound balance and excessive eroticism. Note that “Escapism“/ “Make it Funky“, tracks four and five actually opened the show it was taken from. Despite flaws, it sold well and became one of the all-time most sampled sets.

"I'm a Greedy Man" is a song recorded by James Brown in 1971. It was released as a two-part single on Polydor Records, which charted #7 R&B and #35 Pop. The song also appeared on the album There It Is.

"I Cried" is a song written by James Brown and Bobby Byrd. It was originally recorded in 1963 by Tammy Montgomery, better known as Tammi Terrell, for Brown's Try Me Records. It was her first charting single, reaching #99 on the Billboard Hot 100.

"I Got Ants in My Pants (and I Want to Dance)" is a funk song by James Brown. Recorded in 1971 and released as a two-part single in November 1972 or January 1973, it charted #4 R&B and #27 Pop. It did not receive an album release. A remixed version was included on the 1988 compilation album Motherlode, Part 1 to Star Time and the whole cut again in Make It Funky: The Big Payback.

References

  1. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 85.
  2. White, Cliff (1991). "Discography". In Star Time (pp. 54–59) [CD booklet]. New York: PolyGram Records.
  3. "Hits of the Week" (PDF). Record World. February 19, 1972. p. 1. Retrieved 2023-04-02.
  4. Leeds, Alan, and Harry Weinger (1991). "Star Time: Song by Song". In Star Time (pp. 46–53) [CD booklet]. New York: PolyGram Records.
  5. Leeds, Alan M. (1996). Discography. In Make It Funky: The Big Payback 1971–1975 (pp. 16-19) [CD liner notes]. London: Polydor Records.
  6. Video of Scallions cover on YouTube
  7. "Search Results for "king heroin" | WhoSampled". www.whosampled.com. Retrieved 2016-04-12.
  8. Truth Hurts's Smoke sample of James Brown's King Heroin (with a list of other songs that sampled it)
  9. Truth Hurts's Smoke sample of James Brown's King Heroin (with a list of other songs that sampled it)
  10. "Home Brew, by Home Brew". Home Brew. Retrieved 2016-04-12.
  11. "Home Brew's Radio - Discover the Sample Source". WhoSampled. Retrieved 2016-04-12.
  12. Discogs (Virus were a psychedelic band originating from Bielefeld in Northern Germany, their history is not well documented)