"Mother Popcorn (You Got to Have a Mother for Me) Part 1" | ||||
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Single by James Brown | ||||
from the album It's a Mother | ||||
B-side | "Mother Popcorn (You Got to Have a Mother for Me) Part 2" | |||
Released | June 1969 | |||
Recorded | May 13, 1969 , King Studios, Cincinnati, OH | |||
Genre | Funk | |||
Length |
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Label | King 6245 | |||
Songwriter(s) |
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Producer(s) | James Brown | |||
James Brown chartingsingles chronology | ||||
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"Mother Popcorn (You Got to Have a Mother for Me)" is a song recorded by James Brown and released as a two-part single in 1969. A #1 R&B and #11 Pop hit, [1] [2] it was the highest-charting of a series of recordings inspired by the popular dance the Popcorn which Brown made that year, including "The Popcorn", "Lowdown Popcorn", and "Let a Man Come In and Do the Popcorn". The "mother" of the song's title was, in the words of biographer RJ Smith, "[Brown's] honorific for a big butt". [3]
"Mother Popcorn" has a beat and structure similar to Brown's 1967 hit "Cold Sweat", but a faster tempo and a greater amount of rhythmic activity (including much agitated 16th note movement from the horn section) give it a more frenetic quality than the earlier song. Critic Robert Christgau singled out "Mother Popcorn" as the turning point in Brown's funk music in which he "began to concern himself more and more exclusively with rhythmic distinctions." [4] The song features a saxophone solo by Maceo Parker, which starts at the end of Part 1 in the single version of the song.
Vicki Anderson recorded the answer song "Answer to Mother Popcorn (I Got a Mother for You)", also in 1969.
with the James Brown Orchestra:
A James Brown Production [5]
Brown performs a live version of "Mother Popcorn" on his album Sex Machine .
On January 13, 1969 Brown recorded a song at the RCA Studios in Los Angeles, California under the title "You Got to Have a Mother for Me". It had most of the same lyrics as "Mother Popcorn" but a completely different instrumental component, and was rejected for release as a single in favor of the later recording, which retained the earlier song title as a subtitle. The original "You Got to Have a Mother for Me" was first issued on the 1988 James Brown compilation album Motherlode .
Aerosmith covered "Mother Popcorn" during a live set in 1973 [6] that was recorded, and eventually releated on their album Live! Bootleg . It was also covered by Frank Black on the 1998 tribute album James Brown Super Bad @ 65, and by The Blues Brothers in a medley with "Do You Love Me" on Made in America .
"Funky Drummer" is a single released by James Brown in 1970. Its drum break, improvised by Clyde Stubblefield, is one of the most frequently sampled music recordings.
"I Got You (I Feel Good)" is a song by American singer James Brown. First recorded for the album Out of Sight and then released in an alternate take as a single in 1965, it was his highest-charting song and is arguably his best-known recording. In 2013, the 1965 recording was inducted into the Grammy Hall of Fame.
"Say It Loud – I'm Black and I'm Proud" is a funk song performed by James Brown, and written with his bandleader Alfred "Pee Wee" Ellis in 1968. It was released as a two-part single which held the number-one spot on the R&B singles chart for six weeks, and peaked at number ten on the Billboard Hot 100. Both parts of the single were later included on James Brown's 1968 album A Soulful Christmas and on his 1969 album sharing the title of the song. The song became an unofficial anthem of the Black Power movement.
"Papa's Got a Brand New Bag" is a song written and recorded by James Brown. Released as a two-part single in 1965, it was Brown's first song to reach the Billboard Hot 100 Top Ten, peaking at number eight, and was a number-one R&B hit, topping the charts for eight weeks. It won Brown his first Grammy Award, for Best Rhythm & Blues Recording.
"Soul Power" is a song by James Brown. Brown recorded it with the original J.B.'s and it was released as a three-part single in 1971. Like "Get Up Sex Machine" and other hits from this period it features backing vocals by Bobby Byrd. It charted #3 R&B and #29 Pop.
"There Was a Time" is a song written and performed by James Brown.
Live! Bootleg is a double live album by American hard rock band Aerosmith, released in October 1978. While most of the performances were drawn from concerts in 1977 and 1978, "I Ain't Got You" and "Mother Popcorn" were taken from a radio broadcast of a Boston performance on March 20, 1973.
"Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. 1 R&B hit, and reached number seven on the Pop Singles chart. The complete recording, more than seven minutes long, was included on an album of the same name.
"Super Bad", originally titled Call Me Super Bad, is a 1970 song by James Brown. Originally released as a three-part single, it went to #1 on the R&B chart and number 13 on the Billboard Hot 100. The song's lyrics include the refrain "I've got soul and I'm super bad." The positive use of the word "bad" is an example of linguistic reappropriation, which Brown had done before in "Say It Loud - I'm Black and I'm Proud".
"Try Me", titled "Try Me (I Need You)" in its original release, is a song recorded by James Brown and the Famous Flames in 1958. It was a #1 R&B hit and charted #48 Pop—the group's first appearance on the Billboard Hot 100. It was Brown and the Flames' second charting single, ending a two-year dry spell after the success of "Please, Please, Please".
"Think" is a rhythm and blues song written by Lowman Pauling and originally recorded by his group The "5" Royales. Released as a single on King Records in 1957, it was a national hit and reached number nine on the U.S. R&B chart.
"Give It Up or Turnit a Loose" is a funk song recorded by James Brown. Released as a single in 1969, the song was a #1 R&B hit and also made the top 20 pop singles chart. "Give It Up or Turnit a Loose" appeared as an instrumental on the Ain't It Funky (1970) album, removing Brown's vocals and adding guitar overdubs, while the vocal version was released on It's a New Day – Let a Man Come In (1970).
"Papa Don't Take No Mess" is a funk song performed by James Brown. An edited version of the song released as a two-part single in 1974 was Brown's 17th and final number one R&B hit and peaked at number thirty-one on the Hot 100. The full-length version, nearly 14 minutes long, appeared on the double album Hell.
"I Got the Feelin'" is a funk song by James Brown. Released as a single in 1968, it reached No. 1 on the R&B chart and #6 on the pop chart. It also appeared on a 1968 album of the same name.
"Doing It to Death", also known as "Gonna Have a Funky Good Time", is a funk song recorded by The J.B.'s featuring James Brown. A 10-minute, two-part version of "Doing It to Death" was included on a J.B.'s album of the same name. The complete, unedited and nearly 13-minute-long original recording of the song was first issued on the 1995 J.B.'s compilation Funky Good Time: The Anthology. Performances of the song also appear on the albums Live at Chastain Park and Live at the Apollo 1995.
"Lost Someone" is a song recorded by James Brown in 1961. It was written by Brown and Famous Flames members Bobby Byrd and Baby Lloyd Stallworth. Like "Please, Please, Please" before it, the song's lyrics combine a lament for lost love with a plea for forgiveness. The single was a #2 R&B hit and reached #48 on the pop chart. According to Brown, "Lost Someone" is based on the chord changes of the Conway Twitty song "It's Only Make Believe". Although Brown's vocal group, The Famous Flames did not actually sing on this tune, two of them, Bobby Byrd, and "Baby Lloyd " Stallworth, co-wrote it with Brown, and Byrd plays organ on the record, making it, in effect, a James Brown/Famous Flames recording.
"Out of Sight" is a funk song recorded by James Brown in 1964. A twelve-bar blues written by Brown under the pseudonym "Ted Wright", the stuttering, staccato dance rhythms and blasting horn section riffs of its instrumental arrangement were an important evolutionary step in the development of funk music.
"Talkin' Loud and Sayin' Nothing" is a funk song written by James Brown and Bobby Byrd. Recorded in 1970 by Brown and the original J.B.'s with Byrd on backing vocals and updated with a new melody, it was twice released as a two-part single in 1972. It also appeared on the album There It Is.
"Lowdown Popcorn" is a funk instrumental recorded by James Brown. It was the third hit single Brown recorded in 1969 that was inspired by the popular dance the Popcorn, preceded by the instrumental "The Popcorn" and the song "Mother Popcorn". It charted #16 R&B and #41 Pop.
"Get It Together" is a song performed by James Brown. Released in October 1967 as a two-part single, it charted #11 R&B and #40 Pop. Both parts also appeared on the album I Can't Stand Myself When You Touch Me. Donald A. Guarisco of Allmusic described the song as "a taut, minimalist tune that combines soulful but frantically paced verse melodies with a bubbling, two-note staccato chorus."