"Gett Off" | ||||
---|---|---|---|---|
Single by Prince and the New Power Generation | ||||
from the album Diamonds and Pearls | ||||
B-side | "Horny Pony" | |||
Released | June 7, 1991 | |||
Recorded | May 10, 1991 [1] | |||
Studio | Paisley Park (Chanhassen, Minnesota) | |||
Genre | Funk [2] | |||
Length |
| |||
Label | ||||
Songwriter(s) | Prince | |||
Producer(s) | Prince | |||
Prince and the New Power Generation singles chronology | ||||
| ||||
Music video | ||||
"Gett Off" on YouTube |
"Gett Off" is a song written and produced by American musician Prince, released in June 1991 by Paisley Park and Warner Bros. as the lead single from his thirteenth album, Diamonds and Pearls (1991). The album was his first with his backing band the New Power Generation. "Gett Off" was a hit on both sides of the Atlantic, reaching number four in the United Kingdom; the maxi-single was too long and pricey to appear on the UK Singles Chart, so this release was classified as an album, peaking at number 33 on the UK Albums Chart in August 1991. [3] [4]
In the United States, the single reached number 21 on the Billboard Hot 100 and number six on the Billboard Hot R&B Singles chart. [5] In addition, it was Prince's seventh and final song to reach number one on the Billboard Hot Dance Club Songs chart. [6] The music video for the song was directed by Randee St. Nicholas. "Gett Off" was ranked at number 97 on VH1's list of the "100 Greatest Songs of the '90s". [7]
"Gett Off" evolved from several earlier compositions, starting with the song "Glam Slam" from 1988's Lovesexy . Prince created an unreleased remix in October 1990 called "Glam Slam '91", which used the chorus of "Glam Slam", but with new music and lyrics that borrowed partially from Graffiti Bridge's "Love Machine". Prince toyed with the song some more, adding a new chorus, and involving the newly formed New Power Generation. The song was renamed "Gett Off", which was very similar to a B-side/remix called "Get Off" from the maxi single release of "New Power Generation", also from Graffiti Bridge. "Gett Off" also uses a few musical segments from "Get Off". The new track features vocal contributions from Rosie Gaines and Tony M.,[ citation needed ] and flute by long-time Prince associate Eric Leeds. Prince also contributes a guitar solo.
Prince delivered the song exclusively to nightclubs on his 33rd birthday on a now valuable 12-inch single featuring the otherwise unavailable "Gett Off (Damn Near 10 Minutes Mix)" remix. It was so well-received that Prince decided to release the song commercially as a single with the rap song "Horny Pony" as its B-side, and also as a maxi single with several remixes, which varied from country to country. He also added it at the last minute to Diamonds and Pearls, replacing "Horny Pony" (on the packaging for Diamonds and Pearls, "Horny Pony" is written in red over "Gett Off", to fit in with the narrative track listing that was already finished.) Coincidentally, "Gett Off" contains a sample from 'Horny Pony'. As well as being conceived from other compositions, it served as the musical blueprint for "Blue Light" and "Get Wild".
Larry Flick from Billboard wrote that "this delicious sleaze-speed funk dish cuts deep with an intense bass line, vocal shrieks, and racy lyrics." [8] A reviewer from Music Week said the song is "a brilliant curtain raiser for his new album. Cool and funky, it evokes memories of George Clinton and Gil Scott-Heron, while remaining totally original. Massive." [9] Machgiel Bakker from Music & Media called it a "hectic funk workout". [10] People Magazine wrote that the singer will "blind you with his brilliance, as he does on the conspicuously funky "Gett Off"." [11] NME ranked it number 32 in their list of "Singles of the Year" in December 1991. [12] David Fricke from Rolling Stone commented, "Dirty Mind goes house". [13]
Stephen Thomas Erlewine from AllMusic described it as a "slamming dancefloor rallying cry" and a "terrific" pop single. [14] Neil McKay from Sunday Life noted that it features "heavy dance".[ citation needed ]
Mike Diver for the BBC felt in his 2010 review, that it's "more explicit" and "borrows a line or two from James Brown but is undeniably Prince through and through". [15] Simon Price from The Guardian named it a "highlight" from the Diamonds and Pearls album, describing it as "hilariously immature". [16] Jeff Weiss from Pitchfork said the song "led to more unplanned pregnancies than anything Prince had recorded" since "Kiss". [17] Another The Guardian editor, Alexis Petridis, stated, "From its opening scream to its ferocious concluding guitar solo, Gett Off is prime-quality Prince: funny, lubricious, preposterously funky, every bit the equal of his best work." [18] Patrick Corcoran of Albumism felt that the song's "exhortation to "23 positions in a one night stand" was a lightning conduit for rampant male sexuality, unfettered by the playful androgyny of the past." [19]
An official music video was developed and released for the song. It is directed by Randee St. Nicholas [20] and is notable for the appearance of Diamond & Pearl, as well as Prince's Yellow Cloud Guitar.
The lyrics "I like 'em fat, I like 'em proud, you've got to have a mother for me..." and the music that accompanies them in the fourth verse of "Gett Off" are paraphrased from the 1969 James Brown song "Mother Popcorn". Prince alludes to the borrowing in a vocal aside ("Reminds me of something James used to say..."). The musical quotation is preceded by a crackling noise mimicking the sound of an old vinyl record and a sample of Brown's song.
7-inch releases
12-inch releases
| CD maxi single releases
|
Personnel are adapted from Benoît Clerc and Guitarcloud [21] [22]
Weekly charts
| Year-end charts
|
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | June 7, 1991 | Limited U.S. 12" Single | [56] | |
United Kingdom | August 19, 1991 |
| [57] | |
Japan | December 21, 1991 | CD | [58] |
The New Power Generation, also known as the NPG, was the backing band of musician Prince from 1990 to 2013. They were replaced by 3rdeyegirl as his backing band in 2013. In 2015, the New Power Generation reunited as Prince's backing band for his final studio album before his death, Hit n Run Phase Two. They reunited once again in 2017 for a US and European tour.
Diamonds and Pearls is the thirteenth studio album by American recording artist Prince, and the first with his backing band The New Power Generation. It was released on October 1, 1991, by Paisley Park Records and Warner Bros. Records. The album produced several hit singles, including "Gett Off", "Cream", "Money Don't Matter 2 Night", "Insatiable", and the title track. Dancers Lori Werner and Robia LaMorte, known as "Diamond" and "Pearl" respectively, appeared on the holographic cover. Diamond and Pearl also appeared in the music videos for "Cream", "Strollin'", "Gett Off", and the title track, and also participated in Prince's Diamonds and Pearls Tour.
"Cream" is a song by American singer-songwriter Prince and his backing band the New Power Generation, released in September 1991 by Paisley Park and Warner as the second single from Prince's 13th studio album, Diamonds and Pearls (1991). In a 2004 MTV special, Prince joked that he wrote the song while looking at himself in the mirror. "Cream" became Prince's fifth and last number-one single on the US Billboard Hot 100, staying at the top for two weeks. The song entered the top 10 in 15 other countries worldwide, peaking within the top three in Australia, Canada, Norway, and Switzerland. Its music video was directed by Rebecca Blake.
Rosie Gaines is an American singer, songwriter and record producer from Pittsburg, California. Gaines is a former band member of Prince's group the New Power Generation. She duetted with singer Prince on the hit song "Diamonds and Pearls". She released a number of dance hits, the most notable being "Closer Than Close", which made the top 10 on the UK Singles Chart in 1997.
"Diamonds and Pearls" is the title track of American musician Prince and The New Power Generation's 1991 album and was released as a single in November 1991. The song is an upbeat ballad, given a rock edge with guitar and heavy drumming. It also features the vocals of NPG member Rosie Gaines. The ballad is an expression of love and not lust, as is the theme on some of the other singles from the album. It was a top 10 hit, reaching number three in the US and the top spot on the R&B chart. The pearls in the accompanying music video come from Connie Parente, a Los Angeles jewelry collector and designer.
"Glam Slam" is a song by American musician Prince, and the second single from his tenth album, Lovesexy (1988). The song has sexual overtones with a spiritual undertone and fits the Lovesexy theme of integrating God and sex. The song is complex musically, recalling "Life Can Be So Nice" from Parade. It ends with a chorus of strings. A 12" single remix of the song by Shep Pettibone and Steve Peck mainly includes dance beats and extra instrumentation and samples.
"Thieves in the Temple" is a song by American musician Prince from the 1990 soundtrack album Graffiti Bridge. Added at the last minute, it was the final song recorded for the album. "Thieves in the Temple" topped the US R&B chart and became a number six hit in the US, and a number seven hit in the UK. The single also peaked at number nine on the dance chart.
"New Power Generation", or "N.P.G.", is a song by American musician Prince from the 1990 album and film Graffiti Bridge. It is an anthem for his backing band, The New Power Generation, who were officially co-credited on his album covers for a time, and continued to back him up until 2013, albeit with a changing lineup. The song saw minimal chart attention, and was not as successful as its predecessor, "Thieves in the Temple".
"Money Don't Matter 2 Night" is a song by American musician Prince and the New Power Generation from their 1991 album, Diamonds and Pearls. The song was released in March 1992 by Paisley Park and Warner. Co-written with Rosie Gaines, the lyrics deal directly with money, poverty, and greed, and overall, the song is a smooth delivery with layered vocals by Prince. It peaked at number 23 on the US Billboard Hot 100 and number 19 on the UK Singles Chart. The accompanying music video was directed by Spike Lee.
"Fading Like a Flower (Every Time You Leave)" is a power ballad by Swedish pop duo Roxette from their third studio album, Joyride (1991). Written by Per Gessle and produced by Clarence Öfwerman, the song was released as the second single from Joyride on 29 April 1991, by EMI Records. It became the duo's fifth consecutive Top 10 hit single in the United States, peaking at No. 2 on the Billboard Hot 100. The single reached the Top 10 in an additional 12 countries.
"Insatiable" is a song by American musician Prince and The New Power Generation, from their 1991 album Diamonds and Pearls. It is a slow, simmering ballad that often draws comparisons to 1989's "Scandalous!". The B-side was "I Love U in Me", which was originally the B-side to "The Arms of Orion". "Insatiable" was only released in the US as a 7" single, a 12" promo was sent only to Urban radio stations, and the track was not released to Pop radio stations. It performed well on the R&B chart, reaching number 3, but did not break the top 40 on the US Pop chart. Its single sales were moderate, and it received heavy airplay on Urban and UAC radio stations, but it did not make the Hot 100 Airplay.
"Thunder" is a song by American musician Prince and the New Power Generation, from their 1991 album Diamonds and Pearls. It was issued as a limited, individually numbered 12-inch single picture disc in the UK and Ireland only, and the edited version was available only on the promotional single.
"Sexy MF" is a song by American musician Prince and the New Power Generation, released as a single from their 1992 album Love Symbol. The music and most of the lyrics were composed by Prince, while Levi Seacer Jr. came up with the chorus and the song's title. Tony M. also delivers a rap, which he wrote. The song and its refrain "You sexy motherfucker" caused some controversy, and edited versions were produced for radio, the music video and the US version of the album. The song was recorded in Paisley Park's Studio A in December 1991.
"My Name Is Prince" is a song by American musician Prince and his backing band the New Power Generation, released in September 1992 by Paisley Park and Warner Bros. as the second single from their 1992 Love Symbol album. The song is about Prince himself and his musical prowess. The rap sequence is performed by NPG member Tony M. The intro to the song features vocal samples from Prince's earlier songs "I Wanna Be Your Lover", "Partyup", and "Controversy". Its music video was directed by Parris Patton and featured Kirstie Alley and Lauren Green.
"The Morning Papers" is a song by American musician Prince and the New Power Generation from their 1992 album Love Symbol. It was released as the fourth worldwide single from the album in March 1993 by Paisley Park and Warner Bros.; the B-side is "Live 4 Love", a track from Prince's previous album, Diamonds and Pearls (1991). The UK CD single included "Love 2 the 9's" as well, also from Love Symbol. "The Morning Papers" peaked at numbers 44 and 35 on the US Billboard Hot 100 and Cash Box Top 100.
"The Greatest Romance Ever Sold" is a song recorded by American musician Prince, under his unpronounceable stage name called the "Love Symbol". It was released as the only single from his twenty-third studio album Rave Un2 the Joy Fantastic (1999). It was issued on October 5, 1999, in several different formats, including a 12-inch single, CD single, and a maxi single. Prince solely wrote and produced it, while Mike Scott provided guitar strings for the track. Several music critics found the single reminiscent to the works on his previous studio album, Diamonds and Pearls (1991).
"Finally" is a song by American singer-songwriter CeCe Peniston, released in September 1991 by A&M Records as her debut single from her first album of the same name (1992). Co-written by her, it received critical acclaim, becoming Peniston's first hit song, peaking at number five on the US Billboard Hot 100 in January 1992. Prior to that, the track was a major success on the Billboard Hot Dance Club Play chart, where it spent two weeks at number one in late 1991. In addition, a dance remix of the song, the "Choice Mix", peaked at number two on the UK Singles Chart in March 1992. The remix appeared on many dance music compilations in the early '90s. Its music video was directed by Claude Borenzweig. Billboard ranked "Finally" among the "500 Best Pop Songs of All Time" in 2023.
"Come and Talk to Me" is a song by American R&B group Jodeci from their debut album Forever My Lady (1991). The song was the fourth single released in promotion for the album in March 1992. As the third number one R&B hit for Jodeci, "Come and Talk to Me" spent two weeks at the number 1 spot on the R&B chart for and peaked at 11 on the Hot 100. The song also topped the R&B year-end chart for 1992.
"Power of Love/Love Power" is a single by American singer-songwriter Luther Vandross. It was released on April 9, 1991 as the lead single from his 1991 album of the same name. The song spent two weeks at number one on the US R&B chart, and peaked at number four on the US pop chart, becoming his biggest pop solo hit.
Prince released several hundred songs both under his own name and under pseudonyms and/or pen names, as well as writing songs which have been recorded by other artists. Estimates of the actual number of songs written by Prince range anywhere from 500 to well over 1,000. He has released 117 singles, 41 promotional singles, 24 internet singles, and eight internet downloads.
Musically, "Cream" is a very cool little sideways move for Prince. It's nothing like the hard, percussive funk of "Gett Off