"Mountains" is a 1986 song by American musician Prince and The Revolution, from his eighth album, Parade (1986), and the soundtrack to the film Under the Cherry Moon. It was written by The Revolution members Wendy & Lisa together with Prince. The extended 12" single version of the song runs nearly ten minutes. It reached number 23 in the US but only 45 in the UK. The B-side was the instrumental "Alexa de Paris", one of the few tracks from this project featuring a guitar solo. Both songs appear in the film Under the Cherry Moon, with the video for "Mountains" playing as the credits roll. The version shown on MTV to promote the single was in color as opposed to the film's black-and-white version.
"I Wanna Be Your Lover" is a song by American recording artist Prince. It was released on August 24, 1979, as the lead single from his second album, Prince. The song was Prince's first major hit single in the United States, reaching number 11 on the Billboard Hot 100 on January 26, 1980, holding the number 11 position for two weeks, and peaking at number one on the Billboard Hot Soul Singles chart for two weeks.
"Let's Go Crazy" is a 1984 song by Prince and The Revolution, from the album Purple Rain. It is the opening track on both the album and the film Purple Rain. "Let's Go Crazy" was one of Prince's most popular songs, and was a staple for concert performances, often segueing into other hits. When released as a single, the song became Prince's second number-one hit on the Billboard Hot 100, and also topped the two component charts, the Hot R&B/Hip-Hop Songs and Hot Dance Club Play charts, as well as becoming a UK Top 10 hit. The B-side was the lyrically controversial "Erotic City". In the UK, the song was released as a double A-side with "Take Me with U".
"Sign o' the Times" is a song from American musician Prince's 1987 album of the same name, released as a single on February 18, 1987. The song was originally intended for two separate Prince studio albums meant to be released in 1986, both shelved: Dream Factory and Crystal Ball. Prince performed all vocals and instruments on the song. "Sign o' the Times" was reportedly written and composed on a Sunday, when Prince usually wrote his most introspective songs.
"Take Me with U" is a song by Prince and the Revolution, and the final US single released from their album, Purple Rain (1984).
"Delirious" is a song by American musician Prince, from his fifth studio album album, 1999 (1982). It was the album's third single, and Prince's second Top 10 hit, reaching No. 8 in the US during the fall of 1983. The success of the single was boosted by the runaway success of the previous single, "Little Red Corvette", and also because DJs often played the first three album tracks in sequence, which just happened to be the order of the singles released from the album.
"Thieves in the Temple" is a song by American musician Prince from the 1990 soundtrack album Graffiti Bridge. Added at the last minute, it was the final song recorded for the album. "Thieves in the Temple" topped the US R&B chart and became a number six hit in the US, and a number seven hit in the UK. The single also peaked at number nine on the dance chart.
"Controversy" is a song by American musician Prince, the lead single and title track to his 1981 album. The song addresses speculation about Prince at the time such as his sexuality, gender, religion, and racial background, and how he could not understand the curiosity surrounding him.
"America" is a song by Prince and The Revolution. It was the final US single from the group's 1985 album, Around the World in a Day.
"Let's Pretend We're Married" is a song by American musician Prince from his 1982 album 1999. It was the final US single from the album and peaked at number 52 in the US.
"Uptown" is the lead single from Prince's third album, Dirty Mind. Beginning with a lone drum intro, the track explodes into the keyboards of the chorus. The verses feature a more prominent funk guitar. The song breaks down to a more instrumental section toward the end that mainly consists of guitar, bass and drums with an occasional keyboard riff. The minimalist style of the song is representative of most of the Dirty Mind album. The song addresses the Uptown neighborhood of Minneapolis that was the city's hang-out spot for artists.
"Let's Work" is a song by Prince, released as the second single from his 1981 album Controversy. The song originates from a dance called "the Rock" that local kids were doing at the time in Minneapolis. Prince responded quickly with a track called "Let's Rock", and wished to quickly release it as a single. Warner Bros. refused, and a disappointed Prince did not include the song on Controversy, saying the phase had passed. Instead, the song was updated with new lyrics and possibly new music and became "Let's Work"—one of his most popular dance numbers.
"Why You Wanna Treat Me So Bad?" is the US follow-up single to Prince's first big hit, "I Wanna Be Your Lover". It is also Prince's first rock and roll-inspired single release. It did not make the top 40 of the Billboard Hot 100 charts, although it did reach #13 on the R&B Singles charts. The lyrics explore a relationship with a cruel lover. The song prominently features guitar and bass, with the keyboard featured in a less prominent role. A highlight of the song is a soaring guitar solo at the end, played by Prince himself.
"Still Waiting" was the third US single from Prince's second album, Prince. It was Prince's first ballad to be released as a single and was mildly popular on the R&B chart, reaching number 65. The ballad speaks from the perspective of a young man who has not yet found love but yearns for it. The track is mainly piano, acoustic guitar and synth-based and was often played live with extended instrumental solos and audience teasing. The song is a more traditional R&B ballad, before Prince established himself with trademark sexual romps like "Do Me, Baby" and "International Lover".
"Sexy Dancer" is a song by Prince, released in the UK as the second single from his self-titled second album. It was the first Prince single released outside the United States that was not released as a single stateside. The disco number has few lyrics but contains prominent bass guitar, grunts and screams. It also has elements of rock and R&B.
"Gotta Stop (Messin' About)" is a song by Prince, released in the UK as a follow-up single to support his third album, Dirty Mind. The single was not an album track, though it was written at the same time, and possessed a similar sound. "Gotta Stop Messin' About" marked the first time Prince released non-album tracks, which, especially as B-sides, would become a prominent part of his career.
"Do It All Night" was the lead single in the UK to support Prince's third album, Dirty Mind. The song is an ode to sex, and Prince exclaims that he wants to do it all night. The song opens with a simple keyboard hook before a prominent bass guitar kicks in, along with rhythm guitar and live drums. The song consists of two verses and several repeats of the chorus. Also featured is a keyboard solo in the bridge. The song opened Prince's Dirty Mind tour. The B-side of the track was the controversial Dirty Mind ode to oral sex, "Head".
"When You Were Mine" is a song written and released by Prince on his 1980 album, Dirty Mind. Though not released as a single, the song received a promotional 12" release. "When You Were Mine" was later the B-side for Prince's "Controversy" single in 1981.
"Cool" is a song by The Time, released as the second single from their eponymous debut album. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, and performed by Prince with Morris Day later adding his lead vocals. The song was co-written with Revolution guitarist Dez Dickerson and contains background vocals by keyboardist Lisa Coleman, however both were uncredited.
"Get It Up" is the debut single by American funk rock band the Time, from their 1981 self-titled debut album. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, composed and performed by Prince with Morris Day later adding his lead vocals. Revolution keyboardist Doctor Fink provided synth solos on the track, uncredited.
