"Thieves in the Temple" | ||||
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Single by Prince | ||||
from the album Graffiti Bridge | ||||
B-side |
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Released | July 17, 1990 | |||
Recorded | February 11, 1990 | |||
Studio | Paisley Park Studios, Chanhassen, Minnesota | |||
Genre | ||||
Length | 3:20 (album/7" version) 8:08 (12" remix) 3:37 (7" short video mix) | |||
Label | Paisley Park/Warner Bros. | |||
Songwriter(s) | Prince | |||
Producer(s) | Prince | |||
Prince singles chronology | ||||
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Graffiti Bridge singles chronology | ||||
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Music video | ||||
"Thieves in the Temple" on YouTube |
"Thieves in the Temple" is a song by American musician Prince from the 1990 soundtrack album Graffiti Bridge . Added at the last minute,it was the final song recorded for the album. "Thieves in the Temple" topped the US R&B chart and became a number six hit in the US, [1] and a number seven hit in the UK. The single also peaked at number nine on the dance chart. [2]
The track has a unique sound,starting quietly with echoed keyboards and vocals before the main section of the song booms in with a pulsating synth bass,syncopated drum machines,Middle Eastern melodies and opera-like layered vocals. Prince also samples a harmonica solo from a recording by The Chambers Brothers. The vocals are emotional,and accuse the subject of rejecting Prince and lying to him. The "temple" in the title recalls the ever-present spirituality in many of Prince's songs. The maxi single contains extended lyrics that continue the theme before diverging into more dance-oriented material.
The maxi single also contains a Junior Vasquez remix called "Thieves in the House",which is distinctly more dance-oriented. It also contains samples from earlier Prince songs "Eye No" and "Batdance",as well as a dub version of the house track. The accompanying music video for the song was pulled from the film,but an extended video exists which mirrors the extended remix.
Bill Coleman from Billboard wrote,"Latest release finds the elusive Purple One returning to fine form with a catchy,solid rock-n-funk-textured pop number that bodes well for the forthcoming Graffiti Bridge package." [3] Paul Lester from Melody Maker named it Single of the Week,commenting,"'Thieves in the Temple' is a good Prince single. Not as brilliant one (like 'If I Was Your Girlfriend','When Doves Cry'),not really a great one ('Pop Life','Alphabet Street'),but a good one all the same. Taut,muscular funk with splashes and layers and just enough detail to ensure you'll want to return to it againg and again." [4] David Giles from Music Week felt the song "contains few musical surprises,consisting of the usual polite funk motifs and massed harmonies." [5]
In an 2020 retrospective review,Andy Healy from Albumism stated that the song is arguably one of Prince's "strongest moments on record" and a "haunting dance track",that "hits hard with its inventive drum programming (just pay attention to the hi-hat pattern) and the layered vocals hook you straight away." He added,"Concise and packing a punch,the album version is an absolute masterpiece that is unbelievably improved upon in the extended 12" cut." [6]
Stephen Thomas Erlewine from AllMusic called "Thieves in the Temple" "sinewy",picking it as one of the songs that "make Graffiti Bridge a thoroughly enjoyable listen." [7] In 2019,Alexis Petridis from The Guardian noted that "its sound is slinky and luscious,the chorus is great –but it's no When Doves Cry." [8] In 2020, Rolling Stone described it as a "brooding,spiritual meditation on lies,rejection and soul-searching",stating that "with a Middle Eastern flavor,almost operatic vocals and an agitated feel,it was a decidedly new vibe for Prince." [9] A reviewer from Sunday Tribune stated that "it's a great title,the song is well catchy after a few plays and Prince sings beautifully." [10]
Credits from Benoît Clerc and Guitarcloud [11] [12]
Weekly charts
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"When Doves Cry" is a song by American musician Prince, and the lead single from his sixth studio album Purple Rain. According to the DVD commentary of the film Purple Rain (1984), Prince was asked by director Albert Magnoli to write a song to match the theme of a particular segment of the film that involved intermingled parental difficulties and a love affair. The next morning, Prince had composed two songs, one of which was "When Doves Cry". According to Prince's biographer Per Nilsen, the song was inspired by his relationship with Vanity 6 member Susan Moonsie.
Graffiti Bridge is the twelfth studio album by American recording artist Prince and is the soundtrack album to the 1990 film of the same name. It was released on August 20, 1990, by Paisley Park Records and Warner Bros. Records.
"The Arms of Orion" is a 1989 song by American musician Prince and Scottish singer and actress Sheena Easton. It was the third single to be taken from Prince's 1989 Batman soundtrack album. It was a #36 pop hit for them on the Billboard Hot 100 charts in 1989.
"1999" is a song by American musician Prince, the title track from his 1982 album of the same name. Originally peaking at number 44 on the Billboard Hot 100, a mid-1983 re-release later reached number 12 in the US, while a January 1985 rerelease, a double A-side with "Little Red Corvette", later peaked at number 2 in the UK.
"I Feel for You" is a song written by American musician Prince that originally appeared on his 1979 self-titled album. The most successful and best-known version was recorded by R&B singer Chaka Khan and appeared on her 1984 album of the same name. It became the recipient of two Grammy Awards for Best R&B Song and Best Female R&B Vocal Performance for Khan.
"Let's Go Crazy" is a 1984 song by Prince and The Revolution, from the album Purple Rain. It is the opening track on both the album and the film Purple Rain. "Let's Go Crazy" was one of Prince's most popular songs, and was a staple for concert performances, often segueing into other hits. When released as a single, the song became Prince's second number-one hit on the Billboard Hot 100, and also topped the two component charts, the Hot R&B/Hip-Hop Songs and Hot Dance Club Play charts, as well as becoming a UK Top 10 hit. The B-side was the lyrically controversial "Erotic City". In the UK, the song was released as a double A-side with "Take Me with U".
"Batdance" is a song by American musician Prince, from the 1989 Batman soundtrack. Helped by the film's popularity, the song reached number one in the US, becoming Prince's fourth American number-one single and served as his first number-one hit since "Kiss" in 1986.
"Gett Off" is a song written and produced by American musician Prince, released in June 1991 by Paisley Park and Warner Bros. as the lead single from his thirteenth album, Diamonds and Pearls (1991). The album was his first with his backing band the New Power Generation. "Gett Off" was a hit on both sides of the Atlantic, reaching number four in the United Kingdom; the maxi-single was too long and pricey to appear on the UK Singles Chart, so this release was classified as an album, peaking at number 33 on the UK Albums Chart in August 1991.
"Raspberry Beret" is a song written by American musician Prince and the lead single from Prince & the Revolution's 1985 album Around the World in a Day.
"Alphabet St." is a song from American musician Prince's tenth album, Lovesexy (1988). It was the first single from that album and the album's only top 10 single, reaching the top 10 in both the UK and US. Initially written as an acoustic blues song, the song's final version includes a rap by Cat Glover and is full of samples. "Alphabet St." generally echoes themes from the rest of Lovesexy.
"Diamonds and Pearls" is the title track of American musician Prince and The New Power Generation's 1991 album and was released as a single in November 1991. The song is an upbeat ballad, given a rock edge with guitar and heavy drumming. It also features the vocals of NPG member Rosie Gaines. The ballad is an expression of love and not lust, as is the theme on some of the other singles from the album. It was a top 10 hit, reaching number three in the US and the top spot on the R&B chart. The pearls in the accompanying music video come from Connie Parente, a Los Angeles jewelry collector and designer.
"Partyman" is a song by American musician Prince from his 1989 Batman album, and the follow-up to his number one hit, "Batdance". The song is one of the few on the album to be prominently featured in the film, accompanying the scene in which the Joker and his minions deface exhibits in the Gotham City Art Museum before meeting Vicki Vale.
"Controversy" is a song by American musician Prince, the lead single and title track to his 1981 album. The song addresses speculation about Prince at the time such as his sexuality, gender, religion, and racial background, and how he could not understand the curiosity surrounding him.
"New Power Generation", or "N.P.G.", is a song by American musician Prince from the 1990 album and film Graffiti Bridge. It is an anthem for his backing band, The New Power Generation, who were officially co-credited on his album covers for a time, and continued to back him up until 2013, albeit with a changing lineup. The song saw minimal chart attention, and was not as successful as its predecessor, "Thieves in the Temple".
"Money Don't Matter 2 Night" is a song by American musician Prince and the New Power Generation from their 1991 album, Diamonds and Pearls. The song was released in March 1992 by Paisley Park and Warner. Co-written with Rosie Gaines, the lyrics deal directly with money, poverty, and greed, and overall, the song is a smooth delivery with layered vocals by Prince. It peaked at number 23 on the US Billboard Hot 100 and number 19 on the UK Singles Chart. The accompanying music video was directed by Spike Lee.
"My Name Is Prince" is a song by American musician Prince and his backing band the New Power Generation, released in September 1992 by Paisley Park and Warner Bros. as the second single from their 1992 Love Symbol album. The song is about Prince himself and his musical prowess. The rap sequence is performed by NPG member Tony M. The intro to the song features vocal samples from Prince's earlier songs "I Wanna Be Your Lover", "Partyup", and "Controversy". Its music video was directed by Parris Patton and featured Kirstie Alley and Lauren Green.
"7" is a song by American musician Prince and the New Power Generation, from their 1992 Love Symbol Album. It was released in late 1992 as the third single from the album, and became the most successful in the United States. It features a sample of the 1967 Lowell Fulsom song "Tramp" and is composed of heavy drums and bass in an acoustic style. It has a distinct Middle Eastern style of music, and a Hindu reincarnation theme, and an opera-like chorus which features Prince's multi-tracked vocals. The lyrics have religious and apocalyptic themes. The song is ambiguous and can be interpreted in many ways, as the "7" mentioned in the chorus could be the song referring to the Seven Deadly Sins or the seven Archon of Gnosticism or the seven names of God in the Old Testament. The song received positive reviews and peaked within the top forty of many of its major markets.
"Nothing Compares 2 U" is a song written by the American musician Prince for his band the Family. It first appeared on their only album, The Family (1985). Its lyrics express the feelings of longing expressed by an abandoned lover.
"The Morning Papers" is a song by American musician Prince and the New Power Generation from their 1992 album Love Symbol. It was released as the fourth worldwide single from the album in March 1993 by Paisley Park and Warner Bros.; the B-side is "Live 4 Love", a track from Prince's previous album, Diamonds and Pearls (1991). The UK CD single included "Love 2 the 9's" as well, also from Love Symbol.
"The Future" is a song from American musician Prince's 1989 Batman soundtrack, and the final single released from the album. The single was not the album version, but a remixed version by S'Express' Mark Moore and William Orbit. "The Future" was released as a single only in Europe. The standard European 7-inch single was backed with the album version of "Electric Chair", but on the maxi-single, "Electric Chair" was also remixed by Moore and Orbit. Moore and Orbit's remix of "The Future" is house-inspired, whereas Prince's original is minimalistic. Moore and Orbit substituted a muted, pulsating beat in place of the original elements of Prince's song. Moore and Orbit also removed Prince's original bassline, synthline, and snippets of sampled dialogue. This would be the last time Orbit would work with Prince for several years. In most countries, neither "The Future" nor its B-side were a hit on the pop or dance floors. The single peaked at #9 in the Dutch charts.
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