This article needs additional citations for verification .(October 2016) |
"Do It All Night" | ||||
---|---|---|---|---|
Single by Prince | ||||
from the album Dirty Mind | ||||
B-side | "Head" | |||
Released | March 6, 1981 | |||
Recorded | Minneapolis, May–June, 1980 | |||
Genre | Funk [1] | |||
Length | 3:42 | |||
Label | Warner Bros. | |||
Songwriter(s) | Prince | |||
Producer(s) | Prince | |||
Prince singles chronology | ||||
|
"Do It All Night" was the lead single in the UK to support Prince's third album, Dirty Mind . [2] The song is an ode to sex, and Prince exclaims that he wants to do it all night. The song opens with a simple keyboard hook before a prominent bass guitar kicks in, along with rhythm guitar and live drums. The song consists of two verses and several repeats of the chorus. Also featured is a keyboard solo in the bridge. The song opened Prince's Dirty Mind tour. The B-side of the track was the controversial Dirty Mind ode to oral sex, "Head".
Credits from Benoît Clerc and Guitarcloud. [3] [4]
"Glam Slam" is a song by American musician Prince, and the second single from his tenth album, Lovesexy (1988). The song has sexual overtones with a spiritual undertone and fits the Lovesexy theme of integrating God and sex. The song is complex musically, recalling "Life Can Be So Nice" from Parade. It ends with a chorus of strings. A 12" single remix of the song by Shep Pettibone and Steve Peck mainly includes dance beats and extra instrumentation and samples.
"Delirious" is a song by American musician Prince, from his fifth studio album album, 1999 (1982). It was the album's third single, and Prince's second Top 10 hit, reaching No. 8 in the US during the fall of 1983. The success of the single was boosted by the runaway success of the previous single, "Little Red Corvette", and also because DJs often played the first three album tracks in sequence, which just happened to be the order of the singles released from the album.
"Controversy" is a song by American musician Prince, the lead single and title track to his 1981 album. The song addresses speculation about Prince at the time such as his sexuality, gender, religion, and racial background, and how he could not understand the curiosity surrounding him.
"America" is a song by Prince and The Revolution. It was the final US single from the group's 1985 album, Around the World in a Day.
"Let's Pretend We're Married" is a song by American musician Prince from his 1982 album 1999. It was the final US single from the album and peaked at number 52 in the US.
"Uptown" is the lead single from Prince's third album, Dirty Mind. Beginning with a lone drum intro, the track explodes into the keyboards of the chorus. The verses feature a more prominent funk guitar. The song breaks down to a more instrumental section toward the end that mainly consists of guitar, bass and drums with an occasional keyboard riff. The minimalist style of the song is representative of most of the Dirty Mind album. The song addresses the Uptown neighborhood of Minneapolis that was the city's hang-out spot for artists.
"Let's Work" is a song by Prince, released as the second single from his 1981 album Controversy. The song originates from a dance called "the Rock" that local kids were doing at the time in Minneapolis. Prince responded quickly with a track called "Let's Rock", and wished to quickly release it as a single. Warner Bros. refused, and a disappointed Prince did not include the song on Controversy, saying the phase had passed. Instead, the song was updated with new lyrics and possibly new music and became "Let's Work"—one of his most popular dance numbers.
"Why You Wanna Treat Me So Bad?" is the US follow-up single to Prince's first big hit, "I Wanna Be Your Lover". It is also Prince's first rock and roll-inspired single release. It did not make the top 40 of the Billboard Hot 100 charts, although it did reach #13 on the R&B Singles charts. The lyrics explore a relationship with a cruel lover. The song prominently features guitar and bass, with the keyboard featured in a less prominent role. A highlight of the song is a soaring guitar solo at the end, played by Prince himself.
"Still Waiting" was the third US single from Prince's second album, Prince. It was Prince's first ballad to be released as a single and was mildly popular on the R&B chart, reaching number 65. The ballad speaks from the perspective of a young man who has not yet found love but yearns for it. The track is mainly piano, acoustic guitar and synth-based and was often played live with extended instrumental solos and audience teasing. The song is a more traditional R&B ballad, before Prince established himself with trademark sexual romps like "Do Me, Baby" and "International Lover".
"Dirty Mind" is the follow-up single in the US, and title track to Prince's third album, released in 1980. The song is built around a keyboard riff created by Doctor Fink, which dominates the song. The demo-like song lacks a chorus, and is a stark departure of the smooth R&B sound of Prince's first two albums. The lyrics concern sexual thoughts, which are fairly representative of the other songs from the album. The single's B-side is the ballad "When We're Dancing Close and Slow", from the previous year's Prince. "Dirty Mind" reached number sixty-five on the soul chart. Along with the tracks "Uptown" and "Head", "Dirty Mind" reached number five on the dance chart.
"Do Me, Baby" is a 1981 ballad performed by Prince, from his fourth album, Controversy. Although it was credited as being written by him, it is alleged to have been written by his former bassist and childhood friend André Cymone. It was released as the third and final US single from the album. It was later included on his 1993 compilation The Hits/The B-Sides. In 1986, the song was notably covered by R&B singer Meli'sa Morgan. It was featured in one of the opening scenes of the 2007 film Rush Hour 3, with Chris Tucker's character singing along while listening to it on his headphones and simultaneously directing traffic with the dance sequences of Michael Jackson.
"Sexy Dancer" is a song by Prince, released in the UK as the second single from his self-titled second album. It was the first Prince single released outside the United States that was not released as a single stateside. The disco number has few lyrics but contains prominent bass guitar, grunts and screams. It also has elements of rock and R&B.
"Gotta Stop (Messin' About)" is a song by Prince, released in the UK as a follow-up single to support his third album, Dirty Mind. The single was not an album track, though it was written at the same time, and possessed a similar sound. "Gotta Stop Messin' About" marked the first time Prince released non-album tracks, which, especially as B-sides, would become a prominent part of his career.
"The Future" is a song from American musician Prince's 1989 Batman soundtrack, and the final single released from the album. The single was not the album version, but a remixed version by S'Express' Mark Moore and William Orbit. "The Future" was released as a single only in Europe. The standard European 7-inch single was backed with the album version of "Electric Chair", but on the maxi-single, "Electric Chair" was also remixed by Moore and Orbit. Moore and Orbit's remix of "The Future" is house-inspired, whereas Prince's original is minimalistic. Moore and Orbit substituted a muted, pulsating beat in place of the original elements of Prince's song. Moore and Orbit also removed Prince's original bassline, synthline, and snippets of sampled dialogue. This would be the last time Orbit would work with Prince for several years. In most countries, neither "The Future" nor its B-side were a hit on the pop or dance floors. The single peaked at #9 in the Dutch charts.
"Erotic City " is a song by the musician Prince. It was released as the B-side to the 1984 single "Let's Go Crazy" and the 12" version of the 1986 single "Girls & Boys". The dance mix of "Erotic City" was released as a 3" and 5" CD single in Germany in 1989 and on June 29, 1990, respectively. The artwork for the single features the same image of Prince that was used for the cover of "I Would Die 4 U". The extended version of the latter was included as the B-side of "Erotic City". The song was released in two versions—the extended remix was released as the B-side to "Let's Go Crazy", while the edit was included on The Hits/The B-Sides.
"When You Were Mine" is a song written and released by Prince on his 1980 album, Dirty Mind. Though not released as a single, the song received a promotional 12" release. "When You Were Mine" was later the B-side for Prince's "Controversy" single in 1981.
"Get It Up" is the debut single by the Time, from their 1981 self-titled debut album. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, composed and performed by Prince with Morris Day later adding his lead vocals. Revolution keyboardist Doctor Fink provided synth solos on the track, uncredited.
"Baby I'm a Star" is a song written and recorded by American musician Prince from his album Purple Rain. It is also the B-side on the "Take Me with U" single.
"International Lover" is a song by American musician Prince from the album 1999. It was the song for which he received his first Grammy Award nomination.
"Partyup" is a song performed by Prince on his 1980 album, Dirty Mind. It was based on a groove that had been created by his friend Morris Day, who would eventually become the lead singer of The Time.