"Kiss" | ||||
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Single by Prince and the Revolution | ||||
from the album Parade | ||||
B-side | "♥ or $" | |||
Released | February 5, 1986 [1] | |||
Recorded | April 27–28, 1985 | |||
Studio | Sunset Sound, Hollywood | |||
Genre | ||||
Length |
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Label | ||||
Songwriter(s) | Prince | |||
Producer(s) | Prince | |||
Prince and the Revolution singles chronology | ||||
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Music video | ||||
"Kiss" on YouTube |
"Kiss" is a song composed, written, and produced by American musician Prince. Released by the Paisley Park label as the lead single from Prince and the Revolution's eighth studio album, Parade (1986), on February 5, 1986, it was a No. 1 hit worldwide, holding the top spot of the US Billboard Hot 100 chart for two weeks. The single was certified gold in 1986 for shipments of 1,000,000 copies by RIAA. [5]
The song is ranked No. 85 on the Rolling Stone list of the 500 Greatest Songs of All Time in 2021, No. 464 in 2010, and No. 461 in 2004. [6] NME ranked the song at No. 4 in their list of The 150 Greatest Singles of All Time, [7] and voted "Kiss" the best single of 1986. [8]
Following Prince's death in April 2016, the song re-charted on the Billboard Hot 100 at No. 28 and jumped to No. 23 a week later. The song also reached No. 2 on the French Singles Chart. As of April 30, 2016, it had sold 1.33 million digital copies in the U.S. [9]
Age of Chance and Art of Noise also released versions of the song that were critical and chart successes.
"Kiss" started as a rough acoustic demo, with a verse and chorus written by Prince. He gave his demo to the funk band Mazarati (who approached him in the first place for an extra song for their debut album), and they worked on it with producer David Z at Sunset Sound Studio 2, while Prince was busy working in the studio next to them, Studio 3. [10] Z recalls having one of the band members play a piano part inspired by Bo Diddley's song "Say Man". [11] [12] In the Sound On Sound article for "Kiss", he recalled programming the song's beat on a LinnDrum drum machine, but the Mixonline article he refers to a Linn 9000. [12] [11] However, it's unlikely either of them were used as the drums sound more like the LM-1, Prince's usual drum machine. [13] In the end, Prince decided to finish the song, retaining David Z's unique, funky rhythm and background vocal arrangements by Mazarati's Bruce DeShazer and Marvin Gunn (David Z recounts how the band had expected a songwriting credit, and were "pissed" when it did not materialise); [11] he removed the bass line, and added the signature guitar and falsetto vocal. For the distinctive "ah-wah-ah" backing vocals, David Z adapted vocals by Brenda Lee - one of the biggest US chart toppers in the Sixties - from her 1959/1960 hit "Sweet Nothin's", a single from her eponymous album. [11] To make up for the absence of bass, the kick drum was run through an AMS RMX-16 reverb on the non-linear setting. [10] The underlying "keyboard chop" in the background is an acoustic guitar (played by David Z.) run through a Kepex noise gate triggered by the hi-hat track on the multitrack tape - this effect, however, was rather difficult to recreate live on keyboards. [10] [12] [14] The final, minimalist song was a hard sell to Warner Bros., but upon Prince's insistence, the song was released and added to Parade. [15]
Despite Warner Bros. not wanting to release it as a single, "Kiss" became Prince's third number-one US hit, following 1984's highly successful "When Doves Cry" and "Let's Go Crazy". It was also a big hit across the Atlantic, reaching number 6 on the UK Singles Chart. The song won Prince another Grammy Award for Best R&B Performance by a Duo or Group with Vocals, and was nominated for a Grammy Award for Best R&B Song. [16] The song became a staple at Prince's concerts and was usually sung partially by the audience.
The 12-inch single of the song is an extension of the album track. The extended section is based on the funky guitar line and contains much fuller instrumentation than the main track, including bass guitar, organ and horns. New lyrics are present from Prince, along with Jill Jones, that end with a humorous dialogue between a wife and her husband watching Prince on television. The B-side of "Kiss" was "♥ or $" ("Love or Money"), sung in a processed, higher-pitched vocal, which Prince would later use for his Camille material. The song relates to the theme in Under the Cherry Moon , and a bit of the song was heard in the film, as was a bit of the extended version of "Kiss". The extended "Kiss" was included on 2006's Ultimate ; "♥ or $" was re-released as a digital B-side on iTunes.[ when? ]
Revolution bassist Brownmark claims to have co-written the song with Prince: he most likely wrote the second verse as the first verse was on the demo Prince provided himself and Mazarati with to work from. Despite being promised a songwriting credit by Prince, he never got any proper credit and has not received any royalties from it. [17] [14]
The song is written in the key of A major and has a tempo of 112 beats per minute in common time. [18]
Robert Hilburn from Los Angeles Times wrote, "The single combines an ever-so-cool update of a classic James Brown guitar-accented funk riff with witty lyrics that suggest a bit more humility in Prince's sexually aggressive posture. You don't have to be rich to be my girl, he advises. You don't have to be cool to rule my world. Even the put-downs are tinged with humor: Act your age, not your shoe size, he tells one prospective lover." [19]
The accompanying music video for "Kiss" was filmed on February 13, 1986 at Laird International Studios in Culver City, California, [20] and directed by Rebecca Blake. In the plot of the video, Prince appears in a half shirt and leather jacket and then shirtless and performs dance choreography in a hall. The trousers he wears are strip-off pants. He is accompanied by the veiled dancer Monique Mannen wearing black lingerie and sunglasses while Revolution member Wendy Melvoin sits playing guitar.
"Kiss" is widely considered one of Prince's finest songs. In 2016, Paste ranked the song number two on their list of the 50 greatest Prince songs, [21] and in 2022, American Songwriter ranked the song number three on their list of the 10 greatest Prince songs. [22]
In 2022, it was included in the list "The story of NME in 70 (mostly) seminal songs", at number 28: Mark Beaumont wrote that with this song, "Prince took his crown while the Hip-Hop Wars raged". [23]
Credits from Duane Tudahl, Benoît Clerc and Guitarcloud [24] [25] [26]
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"Kiss" | ||||
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Single by Age of Chance | ||||
from the album Beneath the Pavements the Dancefloor | ||||
B-side | "Crash Conscious" | |||
Released | November 1986 | |||
Studio | Fon, Sheffield | |||
Length | 3:04 | |||
Label |
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Songwriter(s) | Prince | |||
Age of Chance singles chronology | ||||
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Music video | ||||
"Kiss" on YouTube |
An industrial [64] cover of the song was released in November 1986 [65] by Age of Chance. Bass player Geoff Taylor described it as: "We basically removed the sex and replaced it with lump hammers." [66]
The band worked out the music from hearing it in clubs and consulted Smash Hits for the lyrics, [67] although they changed them substantially. [68]
The band first recorded the track for a Peel session in June 1986, when the Prince version was still in the UK charts. They were inspired by The Fire Engines having covered Heaven 17's "(We Don't Need This) Fascist Groove Thang" for their first Peel session while that song was still in the charts. John Peel got many listener requests to play Age of Chance's version of "Kiss" again, [69] and it made No. 2 in Peel's Festive Fifty for 1986. [70]
The single version was recorded at Chakk's Fon Studios in Sheffield and released on the Fon label in the UK in November 1986. Its success led to a contract with Virgin Records, who released the single in the rest of the world. [71]
The single was accompanied by a video which received some airplay on MTV in the United States.
The sleeve was one of the first major productions by The Designers Republic, helping make their reputation. It was available in white, pink, orange or green. [66]
The band recorded a remix called "Kisspower" with Alan Smyth of Fon Studios in November 1986, using Fon's Akai S900 sampler. It included samples from the Prince original, Bruce Springsteen, Run–D.M.C. and other artists. Virgin wanted to release it but it was vetoed by Simon Draper of Virgin America over copyright concerns. [69] It was eventually released as a run of 500 white label promotional copies. [66] If released, it would have been one of the first mainstream sample-based singles, six months before "Pump Up the Volume" and "Say Kids What Time Is It?". [71] "Kisspower" was acclaimed as a "landmark" and a "cut'n'paste trailblazer" by musician's magazine Electronic Sound. [69]
On release, the single achieved Single Of The Week in Sounds 15 November 1986, which described it as "The first white band on an independent label to deliver a record that successfully crosses the alertness of hip hop and electro" and emphasised the quality of the artwork. [65]
Greil Marcus in The Village Voice 10 March 1987 called it a "trash masterpiece ... Instant party, with an edge of menace." [72]
Simon Reynolds described the single in Blissed Out: The raptures of rock as "anti-anti-pop, a gesture against indie stasis." [73]
The single reached No. 1 on the UK Indie Charts in late 1986. [64] It spent 11 weeks on the mainstream pop charts in the United Kingdom, starting at 6 December 1986 and peaking at No. 50 in early 1987. [78]
In New Zealand it charted for four weeks, peaking at No. 21. [79]
In the United States, it spent six weeks on the Billboard Dance Club Play chart, peaking at No. 35 on 23 May 1987. [80]
"Kiss" | ||||
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Single by Art of Noise featuring Tom Jones | ||||
from the album The Best of The Art of Noise | ||||
B-side | "E.F.L." | |||
Released | October 10, 1988 [81] | |||
Recorded | 1987 | |||
Genre | Electronic | |||
Length | 3:30 | |||
Label | Polydor | |||
Songwriter(s) | Prince | |||
Producer(s) | ||||
Art of Noise singles chronology | ||||
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Tom Jones singles chronology | ||||
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Music video | ||||
"Kiss" on YouTube |
In 1988,British synth-pop group the Art of Noise released a cover of the song,featuring Welsh singer Tom Jones on vocals. Jones had added the song to his Vegas live show and the Art of Noise contacted him after seeing him perform it on TV. [82]
The song became the band's biggest hit to that point,reaching No. 5 on the UK Singles Chart (higher than the original in that country),top 10 in several countries and No. 18 on the US dance chart. [83] It was also No. 1 in New Zealand and Spain.
The song alternates between two distinct rhythms:a fast-paced 4
4 rock beat,panned entirely to the left channel;and a half-speed quiet storm-inspired percussion section. The guitar and horns break in the middle of the track musically references the themes to Dragnet and Peter Gunn (two songs the Art of Noise covered with much commercial success) as well as their own breakthrough hit,"Close (to the Edit)" and "Paranoimia",their 1986 collaboration with Max Headroom. Jones changes the lyric line of "Women,Not Girls rule my world" to "Women and Girls,rule my world."
This version was later included as part of an episode of the series Listed on MuchMoreMusic,which was on the Top 20 cover songs. It can also be heard during the main title sequence of the movie My Stepmother Is an Alien as well as a scene in Kids in the Hall:Brain Candy .[ citation needed ]
Weekly charts
| Year-end charts
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The song had 46 covers ranging from pop (Anna Kidd,Mikayla Ayres) to soul (Jeff Michel) and jazz (Aleksandra Crossan). [104]
"When Doves Cry" is a song by American musician Prince,and the lead single from his sixth studio album Purple Rain. According to the DVD commentary of the film Purple Rain (1984),Prince was asked by director Albert Magnoli to write a song to match the theme of a particular segment of the film that involved intermingled parental difficulties and a love affair. The next morning,Prince had composed two songs,one of which was "When Doves Cry". According to Prince's biographer Per Nilsen,the song was inspired by his relationship with Vanity 6 member Susan Moonsie.
"Mountains" is a 1986 song by American musician Prince and The Revolution,from his eighth album,Parade (1986),and the soundtrack to the film Under the Cherry Moon. It was written by The Revolution members Wendy &Lisa together with Prince. The extended 12" single version of the song runs nearly ten minutes. It reached number 23 in the US but only 45 in the UK. The B-side was the instrumental "Alexa de Paris",one of the few tracks from this project featuring a guitar solo. Both songs appear in the film Under the Cherry Moon,with the video for "Mountains" playing as the credits roll. The version shown on MTV to promote the single was in color as opposed to the film's black-and-white version.
"1999" is a song by American musician Prince,the title track from his 1982 album of the same name. Originally peaking at number 44 on the Billboard Hot 100,a mid-1983 re-release later reached number 12 in the US,while a January 1985 rerelease,a double A-side with "Little Red Corvette",later peaked at number 2 in the UK.
"Batdance" is a song by American musician Prince,from the 1989 Batman soundtrack. Helped by the film's popularity,the song reached number one in the US,becoming Prince's fourth American number-one single and served as his first number-one hit since "Kiss" in 1986.
"Gett Off" is a song written and produced by American musician Prince,released in June 1991 by Paisley Park and Warner Bros. as the lead single from his thirteenth album,Diamonds and Pearls (1991). The album was his first with his backing band the New Power Generation. "Gett Off" was a hit on both sides of the Atlantic,reaching number four in the United Kingdom;the maxi-single was too long and pricey to appear on the UK Singles Chart,so this release was classified as an album,peaking at number 33 on the UK Albums Chart in August 1991.
"Raspberry Beret" is a song written by American musician Prince and the lead single from Prince &the Revolution's 1985 album Around the World in a Day.
"I Feel Love" is a song by the American singer Donna Summer. Produced and co-written by Giorgio Moroder and Pete Bellotte,it was recorded for Summer's fifth studio album,I Remember Yesterday (1977). The album concept was to have each track evoke a different musical decade;for "I Feel Love",the team aimed to create a futuristic mood,employing a Moog synthesizer.
"Girls &Boys" is a 1986 song by American musician Prince and the Revolution,from his eighth studio album,Parade (1986),the soundtrack to the film Under the Cherry Moon. The song was released as a single in the UK,and as the B-side to "Anotherloverholenyohead" in the US.
"7" is a song by American musician Prince and the New Power Generation,from their 1992 Love Symbol Album. It was released in late 1992 as the third single from the album,and became the most successful in the United States. It features a sample of the 1967 Lowell Fulson song "Tramp" and is composed of heavy drums and bass in an acoustic style. It has a distinct Middle Eastern style of music,and a Hindu reincarnation theme,and an opera-like chorus which features Prince's multi-tracked vocals. The lyrics have religious and apocalyptic themes. The song is ambiguous and can be interpreted in many ways,as the "7" mentioned in the chorus could be the song referring to the Seven Deadly Sins or the seven Archon of Gnosticism or the seven names of God in the Old Testament. The song received positive reviews and peaked within the top forty of many of its major markets. Its music video was directed by Sotera Tschetter.
"Heaven" is a song by the Canadian singer and songwriter Bryan Adams recorded in 1983,written by Adams and Jim Vallance. It first appeared on the A Night in Heaven soundtrack album the same year and was later included on Adams' album Reckless in 1984. It was released as the third single from Reckless and reached number one on the U.S. Billboard Hot 100 in June 1985,over a year and a half after the song first appeared on record. The single was certified Gold in Canada in 1985.
"True Colors" is a song written by American songwriters Billy Steinberg and Tom Kelly. It was both the title track and the first single released from American singer Cyndi Lauper's second studio album of the same name (1986). Released in mid-1986,the song spent two weeks at number one on the US Billboard Hot 100,being Lauper's second and last single to occupy the top of the chart. It received a Grammy Award nomination for Best Female Pop Vocal Performance.
Age of Chance were a British alternative rock-dance crossover band from Leeds,England,active from 1983 to 1991. They were perhaps most known for their mutant metallic cover of Prince's "Kiss" which topped the UK Indie Chart in 1986,and peaked at No. 50 in the UK Singles Chart in January the following year. Despite signing for major label Virgin,and being favourites with the UK music press,they never enjoyed a major hit in the UK,although "Don't Get Mad…Get Even" reached No. 8 on the US Billboard Hot Dance/Club Play chart.
"Oops (Oh My)" is a song by American singer Tweet from her debut studio album,Southern Hummingbird (2002). It features vocals from American rapper Missy "Misdemeanor" Elliott,who co-wrote the song with Tweet,while production was handled by Timbaland. The song was released on January 11,2002,as the album's lead single.
"Show Me Love" is a song performed by American singer Robin S. The song was written by Allen George and Fred McFarlane,originally released in October 1990 by Champion Records in the United Kingdom. In 1992,it was remixed by Swedish house music production duo StoneBridge and Nick Nice,and re-released in many European countries as well as the United States and Japan. It became one of the most well known house anthems in the United Kingdom,and Robin's biggest hit to date. It helped to make house more mainstream. In 1993,it was included on Robin S.'s debut album of the same name. Confusion arose with the 1997 hit "Show Me Love" by Swedish singer Robyn,due to their homonymous names and identical titles.
"In Your Wildest Dreams" is a duet by American singers Tina Turner and Barry White,released from Turner's ninth solo studio album,Wildest Dreams (1996). The original European album version features spoken vocals by actor Antonio Banderas,while for the single version and US edition of the Wildest Dreams album,Turner re-recorded the track with White.
"Paranoimia" is a song by the English synth-pop group Art of Noise,released in April 1986 from their second studio album,In Visible Silence (1986). A better-known version was released as a single,featuring television character Max Headroom on vocals. This version was first included on the 1986 album Re-Works of Art of Noise.
"Oh Sheila" is a song by American R&B band Ready for the World. Released as a single in 1985,it reached number one on the US Billboard Hot 100,the Billboard Hot Black Singles chart,and the Billboard Hot Dance/Disco Club Play chart. It was the first of two chart toppers for the band on the Billboard R&B chart,preceding their 1986 number-one R&B hit "Love You Down".
"No More 'I Love You's'" is a song written by British musicians David Freeman and Joseph Hughes and recorded by them as the Lover Speaks. It was released in June 1986 as the lead single from their self-titled debut album. The song was covered by the Scottish singer Annie Lennox and became a commercial success for her in 1995,reaching number two on the UK Singles Chart.
"How to Dance" is a song by Austrian house music trio Bingoboys from their debut studio album,The Best of Bingoboys. The song features American female rapper Princessa. The song was first released in the United States in 1990 and was given a European release in March 1991. "How to Dance" peaked at number two in Austria and reached the top 10 in Australia,Denmark,Finland,and the Netherlands. In the US,it climbed to number 25 on the Billboard Hot 100 and topped the Billboard Hot Dance Club Play chart for one week in March 1991.
"Two to Make It Right" is a song by the American girl group Seduction,released as a single in late 1989. It appears on the group's first album,Nothing Matters Without Love featuring April Harris and Michelle Visage on lead vocals. "Two to Make It Right" peaked at number 2 on the Billboard Hot 100. The music video was directed by Stu Sleppin and produced by Bob Teeman.
...the Number One funk bomb "Kiss"...
...this perfect three-and-a-half-minute pop package...
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