Robert Forster | |
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Background information | |
Birth name | Robert Derwent Garth Forster |
Born | Brisbane, Queensland, Australia | 29 June 1957
Genres | Pop, country, indie rock |
Occupation(s) | Musician, music critic |
Instrument(s) | Vocals, guitar |
Labels | Beggars Banquet, Shock, Concubine, Yep Roc |
Website | robertforster |
Robert Derwent Garth Forster (born 29 June 1957) is an Australian singer-songwriter, guitarist and music critic. In December 1977 he co-founded an indie rock group, The Go-Betweens, with fellow musician Grant McLennan. In 1980, Lindy Morrison joined the group on drums and backing vocals, and by 1981 Forster and Morrison were also lovers. In 1988, "Streets of Your Town", co-written by McLennan and Forster, became the band's highest-charting hit in both Australia and the United Kingdom. The follow-up single, "Was There Anything I Could Do?", was a number-16 hit on the Billboard Modern Rock Tracks chart in the United States. In December 1989, after recording six albums, The Go-Betweens disbanded. Forster and Morrison had separated as a couple earlier, and Forster began his solo music career from 1990.
Forster's solo studio albums are Danger in the Past (1990), Calling from a Country Phone (1993), I Had a New York Girlfriend (1995), Warm Nights (1996), The Evangelist (2008), Songs To Play (2015), Inferno (2019) and The Candle and the Flame (2023). Allmusic's Stewart Mason described him, as having "a knack for crafty pop songs along with the brooding ballads he contributed to the Go-Betweens' albums, and his solo career has shown a healthy mix of the two styles". From 2000 to 2006, The Go-Betweens reformed and issued three more studio albums before Grant McLennan died on 6 May 2006, of a heart attack. In May 2001 "Cattle and Cane", from The Go-Between's Before Hollywood (1983) was selected by Australasian Performing Right Association (APRA) as one of the Top 30 Australian songs of all time. In 2008, 16 Lovers Lane (1988) was highlighted on Special Broadcasting Service (SBS) TV's The Great Australian Albums series as a classic example of 1980s rock music. Forster began writing as a music critic in 2005 for national current affairs magazine The Monthly and a columnist for its sister publication The Saturday Paper in 2014.
For his debut solo album, Danger in the Past, Forster was backed on vocals by Karin Bäumler of German pop group, Baby You Know. In the early 1990s Forster and Bäumler married, the couple has two children.
A portrait of Forster, by the artist known as what, won the 2019 Doug Moran National Portrait Prize. [1]
Robert Derwent Garth Forster was born on 29 June 1957 and grew up in Brisbane. [2] [3] His father was a fitter and turner, and his mother taught physical education. [4] : 77 He attended Brisbane Grammar School in Spring Hill, where he started to learn guitar and wrote poetry. [4] : 78–9 In 1975, he formed The Mosquitoes with Stephen Hollingsworth and the following year he was in The Godots with Malcolm Kelly. [5] In 1976 Forster met Grant McLennan in drama classes in his second year at the University of Queensland, they were both fans of Bob Dylan and the New York music scene. [3] [4] : 79–80 Forster enjoyed music by Mott the Hoople, Patti Smith, Ry Cooder, and The Velvet Underground. [6] In December 1977, the pair co-founded an indie rock group, The Go-Betweens, with Forster on guitar and McLennan on bass guitar, and both as singer-songwriters. [7] [8] Later Forster also provided keyboards and McLennan took up guitar. [8]
In May 1978 Forster's first recorded work was the group's debut single, "Lee Remick", released in September that year on the Able Label. [7] [9] It was a paean to the Hollywood actress of the same name. [6] Forster later recalled "I didn't have a girlfriend or any sort of romantic side to my life ... I wanted to write a love song. But who was I in love with? No-one. I had to find someone and I found Lee Remick". [6] He also wrote the B-side, "Karen", as an ode to the university's library staff, "[t]here was kindness in the library, then you walk out of the library into the harsh real world". [6] [10] Forster then wrote their second single, "People Say". [11] According to Australian musicologist, Ian McFarlane, both singles were "sparsely produced, poorly played yet passionately performed folksy, post-punk pop songs. They were sunny, catchy and hopelessly romantic, earning the band immediate local and international acclaim". [7]
In November 1979 The Go-Betweens relocated to London, they re-released their early material and followed with another single on the Scottish label Postcard Records entitled "I Need Two Heads" which was also written by Forster. [7] [12] It peaked at No. 6 on the United Kingdom Independent Charts. [7] The group remained in UK for almost a year but ran out of money and needed a drummer, so they returned to Brisbane. [13] By November 1980 Lindy Morrison (ex-Xero) had joined the group on drums and backing vocals. [7] [8] [13] By 1981 Forster and Morrison were also lovers, she later remembered "Robert never took part in any group discussions ... He would not stay in the house if there were other people present ... he and I would have cups of tea on the verandah and debate the place of politics in art". [6]
As a member of The Go-Betweens he contributed to all their studio albums, Send Me a Lullaby (February 1982), Before Hollywood (May 1983), Spring Hill Fair (September 1984), Liberty Belle and the Black Diamond Express (March 1986), Tallulah (June 1987) and 16 Lovers Lane (September 1988). [7] [8] Forster and McLennan wrote most of the tracks for the band's albums and alternated lead vocal duties. By December 1989 the group disbanded; Forster and Morrison had separated as a couple earlier and Forster began his solo music career from 1990. Back in 1982, The Go-Betweens' Forster, McLennan and Morrison had recorded, "After the Fireworks", as a collaboration with The Birthday Party's Nick Cave on vocals, Mick Harvey on piano and Rowland S. Howard on guitar. [14] [15] It was released that year as a single under the band name, Tuff Monks, on Au Go Go Records. [14]
After the disbandment of The Go-Betweens, Forster relocated to Germany in 1990 and recorded his debut solo album, Danger in the Past , in Berlin. [16] [17] It was produced by Harvey (Anita Lane) and issued on Beggars Banquet Records. [5] [16] Allmusic's Ned Raggett found the album showed "literate, understated rock & roll" with his "gently cracked, high vocals" and "setting and maintaining a variety of moods from sudden energy to soft rumination". [17] In November he issued a single, "Baby Stones", from the album. [16] Also that year he provided guitar for German pop group Baby You Know's debut album, To Live Is to Fly. [5] [18] Karin Bäumler featured on violin and vocals on To Live Is to Fly. [18] Bäumler also provided vocals for Forster's Danger in the Past. [17] Forster and Bäumler married in the early 1990s. [6] [19]
By 1993 Forster had returned to Brisbane to record his second solo album, Calling from a Country Phone , at Sunshine Studios with members of local pop group, Custard. [5] [16] It was produced by Forster and issued on Shock Records and Beggars Banquet in June. [5] [16] A single, "Drop", had appeared a month ahead of the album. [16] For touring he formed Robert Forster's Silver Backwash with David McCormack on guitar, Robert Moore on bass guitar and Glenn Thompson on drums. [5] [16] Although described as a "bustling country-pop" album by McFarlane, [16] according to Allmusic's Greg Adams its "folk-rock sound ... recalls Felt's Me and a Monkey on the Moon more than ... Nashville". [20] Forster also produced his third solo album, I Had a New York Girlfriend , which is a collection of cover versions recorded in Melbourne in 1994. [5] [16] Raggett felt it was "an interesting and at times defiantly anti-hip visit through a surprising, entertaining selection of songs". [21]
By 1995 Forster had formed a three-piece group, Warm Nights, with Thompson and Adele Pickvance on bass guitar. [22] Late that year Forster and McLennan performed together in Brisbane and the duo were accompanied by Pickvance and Thompson. [22] Forster denied it was a tribute show: "anyone that did the Australian Go-Betweens Show would be tighter ... people that start those [tribute] bands generally play a lot tighter than the bands that they're honouring or copying or whatever". [22] In May the following year the same line-up performed at Les Inrockuptibles 's 10th anniversary celebration in Paris. [23]
Forster's next solo album, Warm Nights , was recorded in London in 1996 and produced by Edwyn Collins (The Proclaimers, Vic Godard, A House) – Collins also provided guitar alongside a five-member brass section. [5] [16] [24] The rhythm section were Pickvance and Thompson. It appeared in September that year and McFarlane described it as "a laid-back collection of summery pop". [16] Raggett found it is "a touch less obviously country-pitched in comparison – more of the deft, understated rock/pop". [24] The album's lead single, "Cryin' Love", included a music video which McFarlane states is "one of the most entertaining film clips for the year". [16] In mid-1997 Forster and McLennan briefly reformed The Go-Betweens for a series of gigs in the UK and Ireland. [16] [25]
In 2000, after both Forster and McLennan had each recorded four solo albums, The Go-Betweens reformed with Pickvance, to create a new studio album, The Friends of Rachel Worth , they were assisted by Janet Weiss (Sleater-Kinney, Quasi) on drums and backing vocals and Sam Coomes (Quasi) on keyboards. [5] [13] [26] It was issued in September with Bäumler credited for string arrangements, and production duties shared by Coomes, Forster, McLennan and Weiss. [27] Allmusic's Hal Horowitz praised their "[p]oetic, languid, spoken/sung vocals similar to Lou Reed weave between lovely melodies whose appeal unfolds with repeated listens"; [26] however it "sounds more like a combination of two solo albums rather than one from a cohesive unit". [26] The Village Voice 's critic, Robert Christgau, described them as "rather than lyric poets, as I once thought, Forster and McLennan are better conceived as short-story writers, with the concreteness and forward motion of voices and music compensating for imagistic technique and low word count". [28] He declared that Forster's tracks "are the catchiest and most fetching tracks on the album, taking up surfing dreams, a fond and funny envoi to Patti Smith, and a life-swapping fable that when you think about it may be a love song after all". [28]
The Go-Betweens line-up of Forster, McLennan, Pickvance and Thompson (he had rejoined in 2001) issued two more studio albums, Bright Yellow Bright Orange (2003) and Oceans Apart (2005), [13] Allmusic's Stewart Mason described Forster as having "a knack for crafty pop songs along with the brooding ballads he contributed to the Go-Betweens' albums, and his solo career has shown a healthy mix of the two styles". [29] Grant McLennan died on 6 May 2006 of a heart attack, aged 48. [30] [31]
In July 2007, Forster resumed his solo music career with live performances over four nights at the Queensland Music Festival. He picked three songs co-written with McLennan, including "Demon Days", which is the last track the pair wrote together, and recorded them alongside his own material for his first solo album in 11 years, The Evangelist , which was released on 26 April 2008 through Yep Roc Records. [13] [32] It had been recorded with Pickvance and Thompson at Good Luck Studios, London, from September to November 2007 (except a track, "A Place to Hide Away"). Allmusic's Thom Jurek noted that Forster "has never been this direct before, so unadorned and honest, and yes, vulnerable without the mask of his gift to weave a story, even in first person, and make himself seem a narrator". [33]
Since May 2005, Forster has had a parallel career as a music critic, he began writing for the Australian magazine, The Monthly and its sister publication The Saturday Paper in 2014. [34] Previously he had virtually no print experience, with only a column on hair care for a fanzine in the 1980s to his credit. [35] He was asked by then-editor of The Monthly, Christian Ryan, to write a regular column. [34] Forster later recalled "[m]usic journalism was something that always interested me but only as a reader. I thought about music and I would almost run ideas through my head when I listened to a record or saw a concert, but I never put any of thoughts to paper". [34] On 25 October 2006 Forster won the Pascall Prize for Critical Writing for his columns. [36] In 2009 he collated some of his critiques, written from 2005 to 2009, on international artists The Rolling Stones, Nana Mouskouri, Neil Diamond and Cat Power as well as Australian acts Nick Cave and the Bad Seeds, Mark Seymour and Paul Kelly. [37] It was published as The 10 Rules of Rock and Roll: Collected Music Writings 2005–09 on Black Inc books. [37]
In May 2001, "Cattle and Cane", co-written by Forster and McLennan, [38] from The Go-Between's Before Hollywood (1983), was selected by Australasian Performing Right Association (APRA) as one of the Top 30 Australian songs of all time. [39] In 2008, 16 Lovers Lane (1988) was highlighted on Special Broadcasting Service (SBS) TV's The Great Australian Albums series as a classic example of 1980s rock music. [40] On 25 June 2010, the Brisbane City Council celebrated the opening of the Go Between Bridge with a concert featuring performances by Forster, Angus & Julia Stone, Josh Pyke and Bob Evans. [41] In May 2013 Forster performed at Primera Persona, Barcelona, he was backed by local indie musicians, Part Company. [42] He described his writing to Time Out Barcelona 's Marta Salicrú "[m]y work is very autobiographical – I'm a singer-songwriter ... My songs reflect on and talk about my life and how I've lived it. But I'm not one of those lyricists who explains everything. My stories aren't obvious. There are some singer-songwriters who say too much". [42] His repertoire included new songs, which he hoped to record. [42]
Title | Details |
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Danger in the Past |
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Calling from a Country Phone |
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I Had a New York Girlfriend |
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Warm Nights |
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The Evangelist |
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Songs to Play |
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Inferno |
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The Candle and the Flame |
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Title | Details |
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Intermission: The Best of the Solo Recordings 1990-1997 (with Grant McLennan) |
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The ARIA Music Awards is an annual awards ceremony held by the Australian Recording Industry Association. They commenced in 1987.
Year | Nominee / work | Award | Result |
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2008 | The Evangelist | Best Adult Contemporary Album | Nominated |
2016 | Songs to Play | Best Adult Contemporary Album | Nominated |
The Queensland Music Awards (previously known as Q Song Awards) are annual awards celebrating Queensland, Australia's brightest emerging artists and established legends. They commenced in 2006. [46]
Year | Nominee / work | Award | Result (wins only) |
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2008 [47] | "From Ghost Town" | Published song of the Year | Won |
The Go-Betweens were an Australian indie rock band formed in Brisbane, Queensland, in 1977. The band was co-founded and led by singer-songwriters and guitarists Robert Forster and Grant McLennan, who were its only constant members throughout its existence. Drummer Lindy Morrison joined the band in 1980, and its lineup would later expand to include bass guitarist Robert Vickers and multi-instrumentalist Amanda Brown. Vickers was replaced by John Willsteed in 1987, and the quintet lineup remained in place until the band split two years later. Forster and McLennan reformed the band in 2000 with a new lineup that did not include any previous personnel aside from them. McLennan died on 6 May 2006 of a heart attack and the Go-Betweens disbanded again. In 2010, a toll bridge in their native Brisbane was renamed the Go Between Bridge after them.
Belinda "Lindy" Morrison is an Australian musician, activist and social worker originally from Brisbane, Queensland. After starting her career working for a new Queensland branch of the Aboriginal Legal Service in 1972, and starting to play drums at about the same time, she became the drummer for female-led punk band Zero in 1978 and then joined Robert Forster and Grant McLennan to became the third member of the Go-Betweens in 1980.
Grant William McLennan was an Australian alternative rock singer-songwriter-guitarist. He co-founded the Go-Betweens with Robert Forster in Brisbane in 1977 and issued four solo albums: Watershed (1991), Fireboy (1992), Horsebreaker Star (1994) and In Your Bright Ray (1997). He collaborated with other artists on side projects. In May 2001, the Australasian Performing Right Association called his "Cattle and Cane" (1983) one of its top 30 Australian songs of all time.
Worlds Apart is a 7" vinyl EP by the Australian indie group The Go-Betweens, released on 7 November 2005 on LO-MAX Records in the UK only. It contains a collaboration with Sushil K. Dade, "The City of Lights", which was included on his 2006 album, Secrets of the Clockhouse. "The City of Lights" was recorded in Glasgow in 2005 with Dade producing. "Finding You", "Ashes on the Lawn" and "Crystal Shacks" were recorded during the Oceans Apart sessions at the Good Luck Studios in London between November 2004 and January 2005. "Sleeping Giant", however, was recorded in Brisbane in 2004.
Amanda Gabrielle Brown is an Australian composer, multi-instrumentalist, singer and songwriter. She was the violinist of Australian indie rock band The Go-Betweens (1986–1989): recorded on their studio albums, Tallulah (1987) and 16 Lovers Lane (1988). Brown has also worked as a session musician and, since 2000, as a screen music composer. She won the AACTA Award for Best Original Music Score in 2020 for Babyteeth (2019) and also Best Original Music Score in a Documentary for Brazen Hussies (2020). At the APRA-AGSC Screen Music Awards of 2009 she won Best Music for a Documentary for Sidney Nolan: Mask and Memory (2008) and Best Music for a Television Series or Serial for The Secrets She Keeps at the 2020 ceremony.
Far Out Corporation were an Australian rock band formed in Brisbane, Queensland in November 1997. They were led by singer-guitarist Grant McLennan, formerly in The Go-Betweens. McLennan started the group with Ross MacLennan on drums (ex-Turtlebox), bass player Adele Pickvance and Powderfinger's guitarist Ian Haug. It was a side project for most of its members, other than Ross MacLennan, as they were in other bands which were in hiatus. The group's name is a reference to the rock supergroup, Far Corporation.
FOC or Far Out Corporation was the only studio album released by Australian collaborative rock group, Far Out Corporation, in October 1998. Its title is an initialism of the group's name. It is the sole album from the group, which was produced by Tim Whitten and the FOC at Airlock Studios, East Brisbane, via Polydor Records.
Glenn Thompson is an Australian musician who first came to prominence in Brisbane, Queensland, playing in the popular local bands Madam Bones Brothel with Pearly Black and John Rodgers, and COW with Robert Moore and David McCormack. Thompson played drums with Robert Forster of The Go-Betweens on his second solo album Calling from a Country Phone in 1993. He then toured Europe in 1994 with Forster and members of German band Baby You Know, Robert Pöschl and Michael Schott. For Robert Forster's world tour of 1996, Thompson was joined by Adele Pickvance on bass. Thompson and Pickvance were called Warm Nights after Forster's fourth solo release which was also titled Warm Nights.
Robert Michael Medew is an Australian singer-songwriter who fronted The Screaming Tribesmen, which formed in Brisbane in 1981. Medew has written or co-written a number of independent hits, "Igloo", "Date with a Vampyre" and "I Got a Feeling", which peaked at number seven on the Billboard Hot Modern Rock Tracks college charts.
"Cattle and Cane" is a song by the Australian alternative rock band The Go-Betweens, released as the first single from their second album Before Hollywood. It was released as a single in the United Kingdom by Rough Trade Records in February 1983 and reached No. 4 on the UK Independent Chart. The single and album were both released in Australia on Stunn, a small label allied with EMI. The Stunn pressings were of poor quality and their distribution limited.
"Darling It Hurts" is a song by Australian rock group Paul Kelly and the Coloured Girls released in September 1986 as the second single from their first double album, Gossip. The song, written by Kelly with lead guitarist Steve Connolly, reached No. 25 on the Australian Kent Music Report Singles Chart in October. It was issued in 1987 on A&M Records in the United States, where it reached No. 19 on the Billboard Mainstream Rock Chart. Due to possible racist connotations the band changed its name, for international releases, to Paul Kelly and the Messengers. According to Allmusic's Mike Gagne, "Kelly's pain can be felt as he describes an ex-girlfriend of his who has turned to prostitution."
"Lee Remick" is the debut single by Australian indie group The Go-Betweens. It was released in September 1978 by the Australian independent record label, Able Label, with only 700 copies of the 7" vinyl record produced.
"Spring Rain" is a song by the Australian alternative rock band The Go-Betweens that was released as the lead single from their fourth album Liberty Belle and the Black Diamond Express in 1986. The single was issued by Beggars Banquet in the UK and Truetone in Australia, failing to chart in the UK, but reached number 92 in Australia.
"Was There Anything I Could Do?" is a song by Australian indie group The Go-Betweens that was issued as the second single from their 1988 album 16 Lovers Lane. The song was released 3 October 1988 by Beggars Banquet Records in the UK and Mushroom Records in Australia but failed to chart in either region. It was released as a promotional single in the US by Capitol Records and charted on Billboard's Modern Rock Tracks charts in the United States, peaking at No. 16.
"Bye Bye Pride" is a song by Australian alternative band The Go-Betweens that first appeared on their fifth studio album Tallulah. It was released as a 7" and 12" vinyl single on the Beggars Banquet label in the United Kingdom in August 1987, with "The House That Jack Kerouac Built" as the B-side. In Australia it was released in 1987 by True Tone Records, with "Time In The Desert" as the B-Side. "Time In The Desert" was originally released as the B-side of the band's earlier single, "Cut It Out". True Tone subsequently in 1988 re-released the single with a new B-side, "The Clarke Sisters".
"Head Full of Steam" is a song by the Australian alternative rock band The Go-Betweens that was released as the second single from their fourth album Liberty Belle and the Black Diamond Express. It was released as a 7" and 12" vinyl single on the Beggars Banquet label in the United Kingdom in May 1986, with "Don't Let Him Come Back" as the B-side. In Australia it was released in 1987 by True Tone Records, with "Little Joe" as the B-Side.
"Part Company" is a song by the Australian alternative rock band The Go-Betweens that was released as the first single from their third album Spring Hill Fair. The single was issued in August 1984 by Sire Records with "Just a King in Mirrors" as the B-side. In the UK a 12" single was also released on Sire. The single failed to make an impact on the charts.
"Hammer the Hammer" was released as a stand-alone single by Australian indie group The Go-Betweens. It was released as a 7" vinyl record on the Missing Link Records label in Australia in June 1982 and by Rough Trade Records in the United Kingdom in July, with "By Chance" as the B-side. Forster considered that "By Chance" was a personal break-through for him. Pitchfork Media describes "By Chance" as sounding "more than a bit like the early Smiths.
"Caroline and I" is a song by the Australian indie rock band The Go-Betweens that was released as the lead single from their eighth studio album Bright Yellow Bright Orange. It was released as a promotional CD single on the Circus Records label in the United Kingdom in February 2003 and by Trifekta Records in Australia on 9 June 2003.
"Going Blind" is a song by the Australian indie rock band The Go-Betweens that was released as the lead single from their seventh album The Friends of Rachel Worth. It was released as a CD single by W. Minc Records in Australia, on the Circus Records label in the United Kingdom and Jetset Records in the United States in September 2000. "Going Blind" was The Go-Betweens' first single since "Love Goes On" in 1989.
This is a roller-coaster ride through the history and present of popular music, from The Rolling Stones, Nana Mouskouri and Neil Diamond to Cat Power, Antony and the Johnsons and the Yeah Yeah Yeahs, and covering such Australian mainstays as Nick Cave and the Bad Seeds, Mark Seymour, Paul Kelly and the Countdown spectacular.
Poster promoting the concert to celebrate the opening of the Go Between bridge in Brisbane, Queensland, Friday, June 25, 2010. The poster includes a colour image of a vinyl record behind an arch shape, representing the bridge. Text includes details of the event. The performers featured in the concert include Angus & Julia Stone, Robert Forster, Josh Pyke and Bob Evans.