16 Lovers Lane

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16 Lovers Lane
16LoversLane.jpg
Studio album by
The Go-Betweens
ReleasedAugust 1988
RecordedMay 1988
Studio Studios 301 (Sydney)
Genre
Length37:04
Label Mushroom (AUS), Beggars Banquet (UK)
Producer Mark Wallis
The Go-Betweens chronology
Tallulah
(1987)		16 Lovers Lane
(1988)		 The Friends of Rachel Worth
(2000)
Singles from 16 Lovers Lane
  1. "Streets of Your Town"
    Released: July 1988
  2. "Was There Anything I Could Do?"
    Released: October 1988
  3. "Love Goes On"
    Released: 1989

16 Lovers Lane is the sixth album by Australian indie rock group The Go-Betweens, released in 1988 by Beggars Banquet Records. Prior to the recording of the album, longtime bassist Robert Vickers left the band when the other group members decided to return to Australia after having spent several years in London, England; he was replaced by John Willsteed. The album was recorded at Studios 301 in Sydney, between Christmas 1987 and Autumn 1988.

Contents

16 Lovers Lane was the final release from the original version of the band. The Go-Betweens broke up in 1989 and would produce no other material until Grant McLennan and Robert Forster reformed the band, with a completely different line-up, in 2000.

Details

In late 1987, the band relocated from the UK to Sydney. The relationship between guitarist Robert Forster and drummer Lindy Morrison had ended, whilst singer Grant McLennan and violinist Amanda Brown became more involved. Upon their return to Australia, the band added John Willsteed on bass and began preparing their sixth album.

The recording process for 16 Lovers Lane was different to previous releases. Between December 1987 and January 1988, McLennan and Forster began an intense songwriting process. They demoed all the songs in advance and then presented them to the producer and their bandmates, leaving less room for improvisation. McLennan stated: "We really sat down for the first time in years and wrote together in the sense that anything new we'd come up with the night before we'd go through and rearrange and discard or put it into something else. Our normal method was to write separately and the spend two weeks together, familiarising ourselves with each others songs and suggesting things. So this way was a completely different process and it was due to trying to get back to what started the band – closeness." [1]

McLennan said the band was also affected by moving back to Australia. "We'd spent five years in London—blackness, darkness, greyness and poverty—and suddenly for some reason we seemed to have more money in Sydney, and we all had places to live and being in a city where after five years we can go to the beach in ten minutes." [2] Forster agreed saying it brought on "a burst of energy, a burst of songs". [1]

McLennan said, "I had a vision for this record. It was, in some way, just sitting down with acoustic guitars in sunlight, writing songs, and then making a record. It was as simple as that. And I get that vibe from the record, a summer feeling". [3] Forster described the album as, "the perfect combination between London melancholy and Sydney sunshine". [2]

The songwriting duo demoed sixteen tunes acoustically and sent them to English producer Mark Wallis prior to his arrival in Australia. The book 100 Best Australian Albums states that Wallis' production maintained the acoustic feel, embellishing them sparingly and "affording them a sparkle and crispness that suggested the summer that was their inspiration". [1] Morrison was said to have "hated" Wallis, which may be a reflection of the fact that Wallis replaced Morrison with a drum machine on five of the songs on the album. [4] Both Morrison and Brown were unhappy with the pre-production process, which limited their contribution, but Forster defended it, saying: "The pre-production to every album can't always been the same. You can't keep doing the same things over and over". [5] Still, in the documentary Great Australian Albums (2008) episode one, on the album, Wallis says that the drumming on all of the tracks are a mix of programmed and real drums, and Morrison – not available all the time for family reasons – says that you can tell that the machine beats are still hers from the fact that "everything is so "simple". [6]

"Unbelievably brilliant, I think the whole album was incredible. Normally if you have an album with two singers and two writers, there's always one that you like better. Not in the case of The Go-Betweens, two equally talented guys, just like Lennon and McCartney."

−Steve Kilbey [7]

Elsewhere, Forster blamed others for the synthetic nature of the recordings. He said: "I wanted to make the kind of record I ended up making on Danger in the Past . I just wanted the band to be playing live, get us into a really big studio. Instead, it was one person in the studio with the rest of them playing pool. Lindy would be talking about drum machines, and her and Amanda were talking about triggering the violin to make synthesizer keyboard sounds. The only two live tracks on that album are both my songs, and I insisted on those." [8] In 2016, Forster wrote, "I had trouble with 16 Lovers Lane for a long time. It wasn't until the late nineties that I recognised it for what it was – a pop record". [9]

The original release of the album contained ten songs. Most of McLennan's lyrics were written about Brown. [10]

In 2004, LO-MAX Records issued a greatly expanded CD, which included a second disc of ten bonus tracks, and music videos for the songs "Streets of Your Town" (two versions) and "Was There Anything I Could Do?", which were filmed to promote 16 Lovers Lane at the time of its initial release.

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [11]
Blender Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [12]
The Buffalo News Star full.svgStar full.svgStar full.svgStar half.svg [13]
Mojo Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [14]
NME 6/10 [15]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [16]
Record Mirror 5/5 [17]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [18]
Uncut Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [19]
The Village Voice A− [20]

In a contemporary review for The Village Voice , Robert Christgau described 16 Lovers Lane as the Go-Betweens' "straightest and catchiest bunch of love songs" and called the band "still the romantic poets good popsters ought to be." [20] Record Mirror critic Johnny Dee lauded the album as "classic, tearful, moving." [17] In Spin , Evelyn McDonnell wrote that the band reminded her of "whooping cranes: great gangling creatures capable of heights of gracefulness when in flight and passionate spasms when in heat. Similarly, the Go-Betweens infuse portentious poetry into giddy pop structures, then throw the uncertain songs in the air, whispering 'Fly or fuck.'" [21] On the album's more ornate production, McDonnell felt that Wallis' "tendency to over-embellish" resulted in occasional "putrid moments", [21] while Michael Azerrad of Rolling Stone observed "a strangely pleasant flirtation with banality in the album's honeyed melodies, soft strings and wistful, understated vocals", despite the songs conveying "a depth of emotion and a height of intellect rarely found in pop". [18]

In 2010, 16 Lovers Lane was listed at No. 12 in the book 100 Best Australian Albums . [22] The authors called the album "the band's high-water mark", commenting that "Forster and McLennan knew they'd nailed it" and that the songs were "their most direct, accessible and heartfelt ever", with "Forster, particularly, having learnt a new restraint. Gone was the bravado and archness that had informed much of his earlier work and in its place was an openness and honesty." [1]

16 Lovers Lane was included in the book 1001 Albums You Must Hear Before You Die . [23] In 2021, it was listed at No. 15 in Rolling Stone Australia 's "200 Greatest Australian Albums of All Time" countdown. [24]

Track listing

All tracks are written by Grant McLennan and Robert Forster

Original 1988 release
No.TitleLength
1."Love Goes On"3:19
2."Quiet Heart"5:20
3."Love Is a Sign"4:12
4."You Can't Say No Forever"3:57
5."The Devil's Eye"2:05
6."Streets of Your Town"3:36
7."Clouds"4:02
8."Was There Anything I Could Do?"3:06
9."I'm All Right"3:10
10."Dive for Your Memory"4:17
11."Streets of Your Town" (Australian video on 2004 expanded CD) 
12."Streets of Your Town" (US/UK video on 2004 expanded CD) 
13."Was There Anything I Could Do?" (video on 2004 expanded CD) 
2004 CD Cover of 16 Lovers Lane Gb 16loverslane.JPG
2004 CD Cover of 16 Lovers Lane

All tracks are written by G. McLennan, R. Forster, except where noted

2004 bonus disc
No.TitleLength
1."Love Goes On" (single version  – re-mixed by Tom Visconti at Good Earth Studios, London in May 1988)3:18
2."Wait Until June" (recorded at Electric Avenue Studios Sydney in 1988)3:03
3."Mexican Postcard" (recorded at Bloomsbury London in August 1988)2:13
4."Rock and Roll Friend" (recorded at Bloomsbury London in August 1988)3:34
5."Casanova's Last Words" (recorded at Electric Avenue Studios Sydney in 1988)2:38
6."You Won't Find It Again" (recorded at Trackdown Studios, Sydney on 14 January 1988)3:21
7."Running the Risk of Losing You" (live  – recorded at Max's Petersham Inn, Sydney on 15 December 1989)3:06
8."Apples in Bed" (recorded at Damian Gerrard Studios, Ultimo in April 1988)2:37
9."Head Over Heels" (recorded at Damian Gerrard Studios, Ultimo in April 1988)2:27
10."You're a Big Girl Now" (Bob Dylan  – recorded at McCabe's Guitar Shop in Santa Monica, California on 11 November 1988)3:41

Release history

RegionDateLabelFormatCatalogue
AustraliaAugust 1988 Mushroom LP L38950
CD D38950
United Kingdom Beggars Banquet LPBEGA 95
CassetteBEGC 95
CDBEGA 95CD
United States1988 Capitol CDP 7 91230 2
GermanyRebel Rec.SPV 85-2875
United Kingdom1996Beggars BanquetBBL 2006 CD
AustraliaSilk SheenSILK 007
EuropeLabels724384173029
United Kingdom2004 LO-MAX LO-MAX CD004
Australia EMI Australia 0946 3 69600 2 9
United States Jetset TWA72CD

Personnel

The Go-Betweens

Additional musicians

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"Love Goes On" is a song by the Australian indie rock group The Go-Betweens issued as the third and final single from their 1988 album 16 Lovers Lane. The song was released in January 1989 by Beggars Banquet Records in the UK, with "Clouds" as the B-side. "Love Goes On" was the last single issued by the band before their split in December 1989.

References

  1. 1 2 3 4 O'Donnell, John; Creswell, Toby; Mathieson, Craig (2010). 100 Best Australian Albums . Prahran, Vic: Hardie Grant Books. p. 60. ISBN   978-1-74066-955-9.
  2. 1 2 Gavin Sawford (12 April 1996). "Gazing on a Sunny Afternoon". Rave. Stones Corner, QLD: Rave Magazine Pty Ltd: 7–8.
  3. ↑ Dave Dimartino (14 January 1989). "Critics' Faves Seek Commercial Hit With 1st Capitol Album". Billboard. New York City.
  4. ↑ The Mojo Collection: 4th Edition. Canongate Books. 2007. p. 530. ISBN   978-1-84767-643-6.
  5. ↑ David Burchill (2010). Sean Sennett and Simon Groth (ed.). Off The Record:25 Years of Music Street Press. St. Lucia, Queensland: University of Queensland Press. p. 43. ISBN   978-0-7022-3863-5.
  6. ↑ Great Australian Albums / 16 Lovers Lane - The Go-Betweens, archived from the original on 19 December 2021, retrieved 5 April 2021
  7. ↑ Steve Kilbey (16 June 2014). "Steve Kilbey Picks Five Great Australian Albums". Double J. Retrieved 7 July 2015.
  8. ↑ Clinton Walker (1996). Stranded: The Secret History of Australian Independent Music 1977–1991 . Pan MacMillan. p. 230. ISBN   0-7329-0883-3.
  9. ↑ Robert Forster (2016). Grant & I. Penguin. p. 194. ISBN   978-0-670-07822-6.
  10. ↑ "The Go-Betweens (16 Lovers Lane)". Great Australian Albums. Season 2. Episode 1. 6 September 2008.
  11. ↑ Jurek, Thom. "16 Lovers Lane – The Go-Betweens". AllMusic . Retrieved 9 September 2016.
  12. ↑ Lim, Dennis. "The Go-Betweens: (various reissues)". Blender . New York. Archived from the original on 5 April 2005. Retrieved 2 February 2017.
  13. ↑ Miers, Jeff (5 December 2004). "The Go-Betweens, '16 Lovers Lane,' expanded edition (Jetset)". The Buffalo News . Retrieved 14 December 2021.
  14. ↑ Paphides, Peter (October 2004). "The Go-Betweens: Liberty Belle and the Black Diamond Express / Tallulah / 16 Lovers Lane". Mojo . No. 131. London. p. 122.
  15. ↑ Barron, Jack (27 August 1988). "Proxy's Midnight Runners". NME . London. p. 33.
  16. ↑ Cranna, Ian (October 1988). "The Go-Betweens: 16 Lovers Lane". Q . No. 25. London.
  17. 1 2 Dee, Johnny (27 August 1988). "The Go-Betweens: 16 Lovers Lane". Record Mirror . London. p. 34.
  18. 1 2 Azerrad, Michael (9 February 1989). "The Go-Betweens: 16 Lovers Lane". Rolling Stone . New York. Archived from the original on 18 May 2007. Retrieved 14 December 2021.
  19. ↑ "The Go-Betweens: 16 Lovers Lane". Uncut . No. 86. London. July 2004. p. 120.
  20. 1 2 Christgau, Robert (24 January 1989). "Christgau's Consumer Guide". The Village Voice . New York. Retrieved 3 May 2016.
  21. 1 2 McDonnell, Evelyn (February 1989). "The Go-Betweens: 16 Lovers Lane". Spin . Vol. 4, no. 11. New York. pp. 71–72. Retrieved 7 July 2015.
  22. ↑ O'Donnell, John; Creswell, Toby; Mathieson, Craig (October 2010). 100 Best Australian Albums . Prahran, Vic: Hardie Grant Books. ISBN   978-1-74066-955-9.
  23. ↑ Hutcheon, David (2006). "The Go-Betweens: 16 Lovers Lane". In Dimery, Robert (ed.). 1001 Albums You Must Hear Before You Die. Universe Publishing. p. 592. ISBN   978-0-7893-1371-3.
  24. ↑ "Rolling Stone's 200 Greatest Australian Albums of All Time". Rolling Stone Australia . 6 December 2021. p. 10. Retrieved 6 December 2021.
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