Liberty Belle and the Black Diamond Express | ||||
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Studio album by | ||||
Released | March 1986 | |||
Studio | Berry Street Studio, London WC1, England | |||
Genre | Rock, alternative rock, indie rock | |||
Length | 36:53 | |||
Label | Beggars Banquet | |||
Producer | Richard Preston, The Go-Betweens | |||
The Go-Betweens chronology | ||||
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Singles from Liberty Belle and the Black Diamond Express | ||||
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Liberty Belle and the Black Diamond Express, the fourth album by The Go-Betweens, was released in March 1986 in the UK on Beggars Banquet Records, the record label that would release the remainder of the original group's LPs through their break-up in 1989. The album was recorded at Berry Street Studios in London, England. The original release consisted of ten songs. The UK CD release in 1986 (BEGA 72) had the original ten tracks, plus two bonus tracks: "The Life At Hand" and "Little Joe". In 2004, LO-MAX Records released an expanded CD which included a second disc of eleven bonus tracks and music videos for the songs "Spring Rain" and "Head Full of Steam" (Single Version). [1]
The band had signed a deal with an English branch of the label Elektra, which closed two weeks into the album's recording. Robert Forster said, "Elektra pays for the record and doesn't even know it. We've got an album that's ours, we can sell it to anyone. Free album." [2] Soon after, they signed with Beggars Banquet.
Drummer Lindy Morrison later said, "This is my favourite album. This is a really, really fabulous album. We produced this ourselves and it's got the best songs, and I think every single song is a classic. And if we had produced those songs the way radio demands – like, if we'd used drum machines and just had synthesisers do most of the stuff – I think we could have got a hit." [3]
The band entered the studio determined to create the album they envisioned. Forster later wrote, "If this was to be our last shot, it had to be on our terms. There'd be no drum machines, no piecemeal recording, no acquiescence to higher authority. Our intention was to expand on the crisp, woody sound of Before Hollywood , to include a grander, more exotic range of instrumentation." [4]
Both Grant McLennan and Forster praised the contributions of Dean B. Speedwell. McLennan said, "We used another person on that record, like we had on Before Hollywood, a kind of keyboard-y dude called Dean B. Speedwell, and he was such a musician that we could say 'Well, we want vibes like Lionel Hampton' and he could do it, or we wanted a bassoon part and he could play it." [5]
Later McLennan said, "There was quite a fundamental musical change in the band towards simplification. Something we've been accused of in the past, of being almost a pop band, almost an art band, you know, now we're simplifying. Thinking more of 4/4." Similarly. Forster claimed to have had a revelation in the wake of Spring Hill Fair . He said, "I'm writing a lot less complicated music, and it's giving me space to put myself in it." [6]
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
Blender | [8] |
Mojo | [9] |
NME | 10/10 [10] |
PopMatters | 8/10 [11] |
The Rolling Stone Album Guide | [12] |
Select | 5/5 [13] |
Spin Alternative Record Guide | 8/10 [14] |
Uncut | [15] |
The Village Voice | A− [16] |
In his review for The Village Voice , Robert Christgau wrote that "there are no popsters writing stronger personal love songs. I doubt there are any page poets envisioning more plangently, either." [16] BBC Music said, "If you like lyrics, and rambling imagery, you'll love these songs. There are ten of them in thirty six minutes. Only the flat production lets them down; something they often had trouble with. But alongside Spring Hill Fair this is their best album." [17]
AllMusic noted, "Robert Forster's endearingly fey persona, equal parts Bryan Ferry and gangly bookstore clerk, reaches full flower on the Go-Betweens' fourth album, which tempers the angularity and occasional claustrophobia of the band's previous work with a new airiness and nervous romanticism. The lighter sound can be partly attributed to the growing influence of co-leader Grant McLennan." [7] Mojo said the album was "organic, homespun, with echoes of Australian country in its classicist rock novellas". [18]
All tracks are written by G. McLennan, R. Forster
No. | Title | Length |
---|---|---|
1. | "Spring Rain" | 3:10 |
2. | "The Ghost and the Black Hat" | 2:36 |
3. | "The Wrong Road" | 4:57 |
4. | "To Reach Me" | 3:37 |
5. | "Twin Layers of Lightning" | 4:25 |
6. | "In the Core of the Flame" | 2:57 |
7. | "Head Full of Steam" | 3:36 |
8. | "Bow Down" | 3:47 |
9. | "Palm Sunday (On Board the SS Within)" | 3:19 |
10. | "Apology Accepted" | 4:25 |
11. | "Spring Rain" (video on 2004 expanded CD) | |
12. | "Head Full of Steam" (single version - video on 2004 expanded CD) | |
Total length: | 36:53 |
All tracks are written by G. McLennan, R. Forster, except where noted
No. | Title | Length |
---|---|---|
1. | "Life at Hand" | 3:34 |
2. | "Don't Let Him Come Back" (new version) | 2:39 |
3. | "Apology Accepted" (radio session) | 3:48 |
4. | "I Work in a Health Spa" | 3:42 |
5. | "Bow Down" (early version) | 4:09 |
6. | "Casanova's Last Words" | 2:39 |
7. | "Head Full of Steam" (single version) | 3:38 |
8. | "Little Joe" | 3:28 |
9. | "Wrong Road" (early version) | 3:18 |
10. | "Reunion Dinner" | 4:49 |
11. | "I'm Gonna Knock on Your Door" (Aaron Schroeder and Sid Wayne) | 1:53 |
Total length: | 37:37 |
Year | Country | Label | Format | Catalogue No. |
1986 | UK | Beggars Banquet | LP | BEGA 72 |
Cassette | BEGC 72 | |||
CD | BEGA 72 CD | |||
AUS | True Tone | LP | 826 714-1 | |
Cassette | 826 714-4 | |||
US | Big Time | LP | 10030-1 | |
GER | Rebel Rec. | RE 0024 | ||
CA | Vertigo | VOG-1-3369 | ||
JP | Japan | 25JAL-3059 | ||
1988 | UK | Beggars Banquet | BBL 72 | |
1996 | CD | BBL 2004 CD | ||
AUS | Silk Sheen | SILK 005 | ||
2004 | UK | LO-MAX | LO-MAX CD002 | |
AUS | EMI Australia | 3696022 | ||
US | Jetset | TWA70CD | ||
The Go-Betweens were an Australian indie rock band formed in Brisbane, Queensland, in 1977. The band was co-founded and led by singer-songwriters and guitarists Robert Forster and Grant McLennan, who were its only constant members throughout its existence. Drummer Lindy Morrison joined the band in 1980, and its lineup would later expand to include bass guitarist Robert Vickers and multi-instrumentalist Amanda Brown. Vickers was replaced by John Willsteed in 1987, and the quintet lineup remained in place until the band split two years later. Forster and McLennan reformed the band in 2000 with a new lineup that did not include any previous personnel aside from them. McLennan died on 6 May 2006 of a heart attack and the Go-Betweens disbanded again. In 2010, a toll bridge in their native Brisbane was renamed the Go Between Bridge after them.
Belinda "Lindy" Morrison is an Australian musician, activist and social worker originally from Brisbane, Queensland. After starting her career working for a new Queensland branch of the Aboriginal Legal Service in 1972, and starting to play drums at about the same time, she became the drummer for female-led punk band Zero in 1978 and then joined Robert Forster and Grant McLennan to became the third member of the Go-Betweens in 1980.
16 Lovers Lane is the sixth album by Australian indie rock group The Go-Betweens, released in 1988 by Beggars Banquet Records. Prior to the recording of the album, longtime bassist Robert Vickers left the band when the other group members decided to return to Australia after having spent several years in London, England; he was replaced by John Willsteed. The album was recorded at Studios 301 in Sydney, between Christmas 1987 and Autumn 1988.
Grant William McLennan was an Australian alternative rock singer-songwriter-guitarist. He co-founded the Go-Betweens with Robert Forster in Brisbane in 1977 and issued four solo albums: Watershed (1991), Fireboy (1992), Horsebreaker Star (1994) and In Your Bright Ray (1997). He collaborated with other artists on side projects. In May 2001, the Australasian Performing Right Association called his "Cattle and Cane" (1983) one of its top 30 Australian songs of all time.
Before Hollywood is the second album by Australian rock band the Go-Betweens, released in May 1983. The album reached No. 2 on the UK Independent Charts and a single, "Cattle and Cane" reached No. 4. In 2001 "Cattle and Cane" was voted as one of the 30 all-time best Australian songs in an Australasian Performing Right Association poll of 100 music industry personalities.
Spring Hill Fair is The Go-Betweens' third album, released on 27 September 1984 in the UK on Sire Records. The LP was recorded during a "very wet May" at Studio Miraval in Le Val, France. Prior to the recording of the album, bass player Robert Vickers had joined the group, enabling Grant McLennan to move to lead guitar. The original release consisted of ten songs. In 2002, Circus released an expanded CD which included a second disc of ten bonus tracks and a music video for the song, "Bachelor Kisses".
Tallulah is the fifth album by The Go-Betweens. It was released in May 1987 in the UK on Beggars Banquet Records. Prior to the recording of the album, the group had expanded to a five-piece with the addition of multi-instrumentalist Amanda Brown. The original release consisted of ten songs. In 2004, LO-MAX Records released an expanded CD which included a second disc of ten bonus tracks and music videos for the songs, "Right Here" and "Bye Bye Pride".
The Friends of Rachel Worth is the seventh album by Brisbane indie band The Go-Betweens, released in 2000, 12 years after their sixth, 16 Lovers Lane. For this album, Robert Forster and Grant McLennan were joined by all members of American indie rock bands Sleater-Kinney and Quasi as well as new bassist Adele Pickvance. The album was recorded in Portland, Oregon at Jackpot! Recording Studio by Larry Crane.
Robert Derwent Garth Forster is an Australian singer-songwriter, guitarist and music critic. In December 1977 he co-founded an indie rock group, The Go-Betweens, with fellow musician Grant McLennan. In 1980, Lindy Morrison joined the group on drums and backing vocals, and by 1981 Forster and Morrison were also lovers. In 1988, "Streets of Your Town", co-written by McLennan and Forster, became the band's highest-charting hit in both Australia and the United Kingdom. The follow-up single, "Was There Anything I Could Do?", was a number-16 hit on the Billboard Modern Rock Tracks chart in the United States. In December 1989, after recording six albums, The Go-Betweens disbanded. Forster and Morrison had separated as a couple earlier, and Forster began his solo music career from 1990.
"Cut It Out" is a song by the Australian alternative band The Go-Betweens that was released as the second single their fifth studio album Tallulah. It was released as a 7" and 12" vinyl single on the Beggars Banquet label in the United Kingdom on 11 May 1987, with "Time in the Desert" as the B-side.
1978–1990 is a 1990 compilation album by Australian band The Go-Betweens. The album draws together music spanning the band's career from their beginnings in Brisbane to their 1989 breakup, including singles, B-sides, songs recorded for broadcast and previously unreleased material.
The Evangelist is the fifth solo album by Australian singer-songwriter Robert Forster, released by YepRoc in 2008.
Bellavista Terrace: Best of the Go-Betweens is a compilation album by Australian band The Go-Betweens.
"Bachelor Kisses" is a song by the Australian alternative rock band The Go-Betweens that was released as the second single from their third album Spring Hill Fair in 1984. The single was issued in the UK and Australia on Sire Records. "Bachelor Kisses" was the Go-Betweens' first real attempt at a commercial single.
Robert Vickers is an Australian bass guitarist, who is best known as a member of the Australian musical group The Go-Betweens.
"Spring Rain" is a song by the Australian alternative rock band The Go-Betweens that was released as the lead single from their fourth album Liberty Belle and the Black Diamond Express in 1986. The single was issued by Beggars Banquet in the UK and Truetone in Australia, failing to chart in the UK, but reached number 92 in Australia.
"Bye Bye Pride" is a song by Australian alternative band The Go-Betweens that first appeared on their fifth studio album Tallulah. It was released as a 7" and 12" vinyl single on the Beggars Banquet label in the United Kingdom in August 1987, with "The House That Jack Kerouac Built" as the B-side. In Australia it was released in 1987 by True Tone Records, with "Time In The Desert" as the B-Side. "Time In The Desert" was originally released as the B-side of the band's earlier single, "Cut It Out". True Tone subsequently in 1988 re-released the single with a new B-side, "The Clarke Sisters".
"Right Here" is a song by the Australian alternative band The Go-Betweens that was released as the lead single from their fifth album Tallulah. It was released as a 7" and 12" vinyl single on the Beggars Banquet label in the United Kingdom on 23 February 1987, with "When People Are Dead" as the B-side. In Australia it was released by True Tone Records, also as a 7" and 12" single. It was also released In Germany by Rebel Rec. and in the United States as a promotional single by Big Time Records.
"Head Full of Steam" is a song by the Australian alternative rock band The Go-Betweens that was released as the second single from their fourth album Liberty Belle and the Black Diamond Express. It was released as a 7" and 12" vinyl single on the Beggars Banquet label in the United Kingdom in May 1986, with "Don't Let Him Come Back" as the B-side. In Australia it was released in 1987 by True Tone Records, with "Little Joe" as the B-Side.
Quiet Heart: The Best of the Go-Betweens is a compilation album by Australian alternative rock band, the Go-Betweens. It peaked at No. 51 on the ARIA Albums, No. 48 on the ARIA Physical Albums, and No. 15 on the ARIA Australian Artists Albums charts. Ian Wallace of Australian Recording Industry Association (ARIA) described how, "[it] is the first collection that spans the band's entire recorded output... A second disc features a live recording from 1987."