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Sex Machine is a 1970 double album by James Brown. It showcases the playing of the original J.B.'s lineup featuring Bootsy and Catfish Collins, and includes an 11-minute rendition of the album's title song, different from the original recording of the title song which was released as a two-part single in 1970.
This is a discography chronicling the musical career of James Brown. Brown joined Bobby Byrd's vocal group The Flames in 1953, first as a drummer, and then as leading front man. Later becoming The Famous Flames, they signed with Federal Records in 1956 and recorded their first hit single, "Please, Please, Please", which sold over a million copies. Brown was discovered by Famous Flames founder Bobby Byrd, who recruited him for his vocal group.
"Soul Power" is a song by James Brown. Brown recorded it with the original J.B.'s and it was released as a three-part single in 1971. Like "Get Up Sex Machine" and other hits from this period it features backing vocals by Bobby Byrd. It charted #3 R&B and #29 Pop.
"There Was a Time" is a song written and performed by James Brown.
"Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. 1 R&B hit, and reached number seven on the Pop Singles chart. The complete recording, over 7 minutes long, was included on an album of the same name.
"Mother Popcorn " is a song recorded by James Brown and released as a two-part single in 1969. A #1 R&B and #11 Pop hit, it was the highest-charting of a series of recordings inspired by the popular dance the Popcorn which Brown made that year, including "The Popcorn", "Lowdown Popcorn", and "Let a Man Come In and Do the Popcorn".
"Unity" is a song recorded by Afrika Bambaataa and James Brown as a duet in 1984. It was the first recording in which Brown collaborated with a performer associated with hip hop, a then-new idiom heavily influenced by Brown's own funk music. The record's title and its cover showing the two performers clasping hands express solidarity between the two styles. The song's music is similar in its structure to Brown's own funk songs of the late 1960s and 1970s, but uses the drum machine and keyboard-generated timbres of electro. The song's rapped lyrics are on the themes of "Peace, unity, love, and having fun". The single charted #87 R&B.
"Think" is a rhythm and blues song written by Lowman Pauling and originally recorded by his group The "5" Royales. Released as a single on King Records in 1957, it was a national hit and reached number nine on the U.S. R&B chart.
"Give It Up or Turnit a Loose" is a funk song recorded by James Brown. Released as a single in 1969, the song was a #1 R&B hit and also made the top 20 pop singles chart. "Give It Up or Turnit a Loose" appeared as an instrumental on the Ain't It Funky (1970) album, removing Brown's vocals and adding guitar overdubs, while the vocal version was released onto Soul Classics (1972).
"Bewildered" is a popular song written in 1936 by Teddy Powell and Leonard Whitcup. It was a 1938 hit for Tommy Dorsey and His Orchestra.
"Licking Stick – Licking Stick" is a song written by James Brown, Bobby Byrd, and Alfred "Pee Wee" Ellis and recorded by Brown as a two-part single in 1968. Byrd provides backing vocals on the song. It was the first stereo single release by King Records. The song was included on the album Say It Loud – I'm Black and I'm Proud.
Love, Power, Peace: Live at the Olympia, Paris, 1971 is a live album by James Brown. It is the only recording that documents one of his live performances with the original J.B.'s lineup featuring Bootsy and Catfish Collins. Love, Power, Peace was originally intended for a 1972 release as a vinyl triple album, but was cancelled after the key members of the original J.B.'s left Brown to join Parliament-Funkadelic. The album was finally released for the first time in 1992, edited down for a single compact disc; the full show, using Brown's original mixdown was later released in July 2014 on Sundazed Records.
Live in New York is a 1981 live double album by James Brown. It was recorded in 1980 at the Studio 54 nightclub. It includes two studio instrumentals, "Brown's Inferno" and "Bay Ridge Boogy", performed by the Bay Ridge Band.
Revolution of the Mind: Live at the Apollo, Volume III is a live double album by James Brown released in 1971. As its subtitle suggests, it is Brown's third album recorded at the Apollo Theater, following the original Live at the Apollo (1963) and Live at the Apollo, Volume II (1968). After a triple album project recorded in France was cancelled because Brown had signed with a new label, Polydor, in 1971, Brown elected to do many of the same songs on a New York project. Unlike the cancelled live album, this was assembled from the best live takes from a week of shows, at the Apollo. Unlike previous releases live albums, this was criticized for poor sound balance and excessive eroticism. Note that “Escapism“/ “Make it Funky“, tracks four and five actually opened the show it was taken from. Despite flaws, it sold well and became one of the all-time most sampled sets.
"Let Yourself Go" is a 1967 song by James Brown.
"Brother Rapp" is a 1970 funk song written and performed by James Brown. It was first released as a two-part single on King Records (K6285) in early 1970, but was quickly withdrawn from sale. It was released again later that year in a mechanically sped-up version that charted #2 R&B and #32 Pop. It also appeared on the album Sex Machine with overdubbed crowd noise, and Brown later rerecorded it in 1973 for the Slaughter's Big Rip-Off soundtrack album. A live version of "Brother Rapp" is included on the album Love Power Peace.
"I Don't Want Nobody to Give Me Nothing " is a funk song written and recorded by James Brown. It was released as a two-part single, which charted #3 R&B and #20 Pop. The single version of the song did not receive an album release until Foundations of Funk: A Brand New Bag, but a live recording was included on Brown's 1970 album Sex Machine.
"Let a Man Come In and Do the Popcorn" is a song by James Brown. Brown's 1969 recording of the song was split into two parts which were released consecutively as singles. Both of the singles charted, with Part One rising to #2 R&B and #21 Pop and Part Two reaching #6 R&B and #40 Pop. The full recording of the song was included on the 1970 album It's a New Day - Let a Man Come In.
"The Popcorn" is a 1969 instrumental written and recorded by James Brown. It was the first of several records Brown made inspired by the popular dance of the same name. Released as a single on King Records, it charted #11 R&B and #30 Pop. It also appeared as the title track of an album released the same year. The recording's bassline shares great similarities with Cold Sweat. In fact, it's a revamp of an earlier single "Bringing Up the Guitar" by Alfred Ellis and The Dapps, featuring the same band on this recording. The single's B-side, "The Chicken", written by Brown's saxophonist and bandleader Alfred Ellis, was prominently covered by jazz bassist Jaco Pastorius on his live albums Invitation and The Birthday Concert.
"Soul Pride" is an instrumental written by James Brown and Alfred Ellis and recorded by James Brown with his band. Released as a two-part single in 1969, it charted #33 R&B.
