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| "Night Train" | |
|---|---|
 Original single label [1] | |
| Single by Jimmy Forrest | |
| B-side | "Bolo Blues" |
| Released | March 1, 1952 [2] |
| Recorded | November 27, 1951 |
| Genre | Rhythm and blues |
| Length | 2:50 |
| Label | United (110) |
| Songwriter(s) |
|
"Night Train" is a twelve-bar blues instrumental standard first recorded by Jimmy Forrest in 1951.
"Night Train" has a long and complicated history. The piece's opening riff was first recorded in 1940 by a small group led by Duke Ellington sideman Johnny Hodges, under the title "That's the Blues, Old Man".
Ellington used the same riff as the opening and closing theme of a longer-form composition, "Happy-Go-Lucky Local", that was itself one of four parts of his 1946 Deep South Suite. Forrest was part of Ellington's band when it performed this composition, which has a long tenor saxophone break in the middle. After leaving Ellington, Forrest recorded "Night Train" on United Records, and his record was the fifth best selling R&B record of 1952. While "Night Train" employs the same riff as the earlier recordings, Forrest's record used a rhythm and blues arrangement, and included a stop-time tenor sax break not used in the Hodges or Ellington arrangements. [3]
Forrest's saxophone solo on the 1951 "Night Train" recording became a part of the performance tradition of the song, and is usually recreated in cover versions by other performers. Trombonist Buddy Morrow, for example, played Forrest's solo on trombone on a 1953 recording of the song that became a hit in Great Britain.
Broadcast Music, Inc. (BMI) credits the composition to Jimmy Forrest and Oscar Washington. [4]
Several different sets of lyrics have been set to the tune of "Night Train". The earliest, written in 1952, are credited to Lewis P. Simpkins, the co-owner of United Records, and guitarist Oscar Washington. [5] They are a typical blues lament by man who regrets treating his woman badly now that she has left him. Douglas Wolk, who describes the original lyrics as "fairly awful", suggests that Simpkins co-wrote (or had Washington write) them as a deliberate throwaway, in order to get part of the tune's songwriting credit; this entitled him to substantial share of "Night Train"'s royalties, even though it was most often performed as an instrumental without the lyrics. [6]
Eddie Jefferson recorded a version of "Night Train" with more optimistic lyrics, about a woman returning to her man on the night train.
| "Night Train" | ||||
|---|---|---|---|---|
 1964 UK re-release label | ||||
| Single by James Brown | ||||
| from the album James Brown Presents His Band | ||||
| B-side | "Why Does Everything Happen to Me" | |||
| Released | March 1962 | |||
| Recorded | February 9, 1961 | |||
| Studio | King, Cincinnati, Ohio | |||
| Genre | Rhythm and blues | |||
| Length | 3:35 | |||
| Label | King (5614) | |||
| Songwriter(s) |
| |||
| James Brown singles chronology | ||||
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| Audio video | ||||
| "Night Train" on YouTube | ||||
James Brown recorded "Night Train" with his band in 1961. His performance replaced the original lyrics of the song with a shouted list of cities on his East Coast touring itinerary (and hosts to black radio stations he hoped would play his music) along with many repetitions of the song's name. (Brown would repeat this lyrical formula on "Mashed Potatoes U.S.A." and several other recordings.) He also played drums on the recording. Originally appearing as a track on the album James Brown Presents His Band and Five Other Great Artists, it received a single release in 1962 and became a hit, charting #5 R&B and #35 Pop. [7]
A live version of the tune was the closing number on Brown's 1963 album Live at the Apollo . Brown also performs "Night Train" along with his singing group the Famous Flames (Bobby Byrd, Bobby Bennett, and Lloyd Stallworth) on the 1964 motion picture/concert film The T.A.M.I. Show .
Brown's backing band the J.B.'s would later incorporate the main saxophone line of "Night Train" in their instrumental single, "All Aboard The Soul Funky Train", released on the 1975 album Hustle with Speed.
William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. As a composer, Basie is known for writing such jazz standards as Blue and Sentimental, Jumpin' at the Woodside and One O'Clock Jump.
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Curtis Ousley, known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as "Respect" by Aretha Franklin (1967), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967).
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Night Train is an album by the Oscar Peterson Trio, released in 1963 by Verve Records. The album includes jazz, blues and R&B standards, as well as "Hymn to Freedom," one of Peterson's best known original compositions.
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