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"Funky Drummer" is a single released by James Brown in 1970. Its drum break, improvised by Clyde Stubblefield, is one of the most frequently sampled music recordings.
"I Got You " is a song by American singer James Brown. First recorded for the album Out of Sight and then released in an alternate take as a single in 1965, it was his highest charting song and is arguably his best-known recording.
"Say It Loud – I'm Black and I'm Proud" is a funk song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis in 1968. The first part of the song was arranged by Belford "Sinky" Hendricks. It was released as a two-part single which held the number-one spot on the R&B singles chart for six weeks, and peaked at number ten on the Billboard Hot 100. Both parts of the single were later included on James Brown's 1968 album A Soulful Christmas and on his 1969 album sharing the title of the song. The song became an unofficial anthem of the Black Power movement.
"Papa's Got a Brand New Bag" is a song written and recorded by James Brown. Released as a two-part single in 1965, it was Brown's first song to reach the Billboard Hot 100 Top Ten, peaking at number eight, and was a number-one R&B hit, topping the charts for eight weeks. It won Brown his first Grammy Award, for Best Rhythm & Blues Recording.
"Soul Power" is a song by James Brown. Brown recorded it with the original J.B.'s and it was released as a three-part single in 1971. Like "Get Up Sex Machine" and other hits from this period it features backing vocals by Bobby Byrd. It charted #3 R&B and #29 Pop.
"Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. 1 R&B hit, and reached number seven on the Pop Singles chart. The complete recording, over 7 minutes long, was included on an album of the same name.
"Mother Popcorn " is a song recorded by James Brown and released as a two-part single in 1969. A #1 R&B and #11 Pop hit, it was the highest-charting of a series of recordings inspired by the popular dance the Popcorn which Brown made that year, including "The Popcorn", "Lowdown Popcorn", and "Let a Man Come In and Do the Popcorn".
"Super Bad", originally titled Call Me Super Bad, is a 1970 song by James Brown. Originally released as a three-part single, it went to #1 on the R&B chart and number 13 on the Billboard Hot 100. The song's lyrics include the refrain "I've got soul and I'm super bad." The positive use of the word "bad" is an example of linguistic reappropriation, which Brown had done before in "Say It Loud - I'm Black and I'm Proud".
"Get Up Offa That Thing" is a song written and performed by James Brown. It was released in 1976 as a two-part single. It reached #4 on the R&B chart, briefly returning Brown to the Top Ten after a year's absence, and #45 on the Billboard Hot 100. Thanks to its chart success, the song became Brown's biggest hit of the late 1970s. The song's lyrics urge listeners to "Get up offa that thing / and dance 'til you feel better." Due to his troubles with the IRS for failure to pay back taxes, Brown credited authorship of the song to his wife Deidre and their daughters, Deanna and Yamma Brown.
"Get on the Good Foot" is a funk song performed by James Brown. It was released in 1972 as a two-part single that charted #1 R&B and #18 Pop. It also appeared on an album of the same name released that year. Partly due to the unwillingness of Brown's record labels to certify sales of his previous hits, "Get on the Good Foot" was his first gold record. Billboard ranked it as the No. 99 song for 1972.
"Give It Up or Turnit a Loose" is a funk song recorded by James Brown. Released as a single in 1969, the song was a #1 R&B hit and also made the top 20 pop singles chart. "Give It Up or Turnit a Loose" appeared as an instrumental on the Ain't It Funky (1970) album, removing Brown's vocals and adding guitar overdubs, while the vocal version was released onto Soul Classics (1972).
"Make It Funky" is a jam session recorded by James Brown with The J.B.'s. It was released as a two-part single in 1971, which reached No. 1 on the U.S. R&B chart and #22 on the U.S. Pop chart.
"Papa Don't Take No Mess" is a funk song performed by James Brown. An edited version of the song released as a two-part single in 1974 was Brown's final number one R&B hit and peaked at number thirty-one on the Hot 100. The full-length version, nearly 14 minutes long, appeared on the double album Hell.
"I Got the Feelin'" is a funk song by James Brown. Released as a single in 1968, it reached No. 1 on the R&B chart and #6 on the pop chart. It also appeared on a 1968 album of the same name.
"Lost Someone" is a song recorded by James Brown in 1961. It was written by Brown and Famous Flames members Bobby Byrd and Baby Lloyd Stallworth. Like "Please, Please, Please" before it, the song's lyrics combine a lament for lost love with a plea for forgiveness. The single was a #2 R&B hit and reached #48 on the pop chart. According to Brown, "Lost Someone" is based on the chord changes of the Conway Twitty song "It's Only Make Believe".
"Out of Sight" is a rhythm and blues song recorded by James Brown in 1964. A twelve-bar blues written by Brown under the pseudonym "Ted Wright", the stuttering, staccato dance rhythms and blasting horn section riffs of its instrumental arrangement were an important evolutionary step in the development of funk music. In his 1986 autobiography Brown wrote that
"Out of Sight" was another beginning, musically and professionally. My music - and most music - changed with "Papa's Got a Brand New Bag", but it really started on "Out of Sight" ... You can hear the band and me start to move in a whole other direction rhythmically. The horns, the guitars, the vocals, everything was starting to be used to establish all kinds of rhythms at once... I was trying to get every aspect of the production to contribute to the rhythmic patterns.
"My Thang" is a funk song written and recorded by James Brown. Unlike most of his songs, this song was released not as a two-part single, but instead issued with three different B-sides. It spent two weeks at number one on the R&B singles chart - Brown's second #1 in a row, following "The Payback" - and reached No. 29 on the Billboard Hot 100 in July 1974. The song also appeared on Brown's 1974 double album Hell.
"Talkin' Loud and Sayin' Nothing" is a funk song written by James Brown and Bobby Byrd. Recorded in 1970 by Brown and the original J.B.'s with Byrd on backing vocals and updated with a new melody, it was twice released as a two-part single in 1972. It reached number one on the U.S. Hot Soul Singles chart and number twenty-seven on the Billboard Hot 100 during the spring of that year. It also appeared on the album There It Is. Critic Robert Christgau called it "the loosest and most infectious of Brown's many socially conscious jams."It is in this song we learn that Brown originally envisioned rapping as call and response .The original version was more rock-oriented and featured on The Singles Vol Six.1969-1970.
"I'll Go Crazy" is a rhythm and blues song recorded by James Brown and The Famous Flames. Released as a single in 1960, it was Brown's fourth R&B hit, charting at #15. Brown and the Flames also performed it as the first song on their 1963 album Live at the Apollo.
"King Heroin" is an anti-drug song by James Brown, David Matthews, Manny Rosen and Charles Bobbit. Brown recorded this poem set to music at a studio in New York with session musicians in January 1972 and released it as a single in March. It was his fifth single for Polydor Records and reached number six on the U.S. Hot Soul Singles chart and number forty on the Billboard Hot 100 in the spring. The song was included on Brown's 1972 album There It Is.
References
- ↑ White, Cliff (1991). "Discography". In Star Time (pp. 54–59) [CD booklet]. New York: PolyGram Records.
- ↑ Guarisco, Donald A. "'Get It Together' review". Accessed March 29, 2013.
- ↑ Leeds, Alan, and Harry Weinger (1991). "Star Time: Song by Song". In Star Time (pp. 46–53) [CD booklet]. New York: PolyGram Records.
