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"(Do the) Mashed Potatoes" | ||||
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Single by Nat Kendrick and the Swans | ||||
A-side | "(Do the) Mashed Potatoes (Part 1)" | |||
B-side | "(Do the) Mashed Potatoes (Part 2)" | |||
Released | February 1960 | |||
Recorded | December 1959, Dukoff Studios, Miami, Fla. | |||
Genre | R&B | |||
Length |
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Label | Dade 1804 | |||
Songwriter(s) | Dessie Rozier | |||
Nat Kendrick and the Swans singles chronology | ||||
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"Mashed Potatoes" | ||||
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Single by Steve Alaimo | ||||
from the album Mashed Potatoes | ||||
A-side | "Mashed Potatoes (Part 1)" | |||
B-side | "Mashed Potatoes (Part 2)" | |||
Released | February 1962 | |||
Genre | R&B | |||
Length |
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Label | Checker 1006 | |||
Songwriter(s) | Dessie Rozier | |||
Steve Alaimo singles chronology | ||||
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"(Do the) Mashed Potatoes" is a rhythm and blues instrumental. It was recorded by James Brown with his band in 1959 and released as a two-part single in 1960. For contractual reasons the recording was credited to "Nat Kendrick and the Swans".
The recording of "(Do the) Mashed Potatoes" arose out of James Brown's success in using the Mashed Potato dance as part of his stage show. Brown wanted to record a Mashed Potatoes-themed instrumental with his band in order to capitalize on the dance's popularity. However, King Records head Syd Nathan, a frequent critic of Brown's proposals, would not allow it. (The first instrumental recorded by Brown and his band, titled "Doodle Bee" and credited to Brown's tenor saxophonist J.C. Davis, had not sold well when it was released on King's sister label Federal Records.) Brown approached Henry Stone, a friend in the music business who ran the Dade Records label, about recording the piece with him. Stone, although nervous about crossing Nathan (with whom he did business), arranged for Brown to record at his Miami studio.
"(Do The) Mashed Potatoes" was recorded with Brown playing the piano and shouting the song's title. To prevent Brown's voice from being recognized, Stone overdubbed shouted vocals by Carlton "King" Coleman, a local radio DJ, onto the recording, though Brown's voice remains audible in the background. Leadership of the band was officially credited to Nat Kendrick, who was Brown's drummer at the time, while the writing was credited to "Dessie Rozier", a pseudonym for Brown. A simple twelve bar blues tune, "(Do the) Mashed Potatoes" became a Top Ten R&B hit in 1960 and fed what would eventually grow into a national dance craze. The band recorded several more singles under the Nat Kendrick & the Swans name, including "Dish Rag", "Slow Down", and "Wobble Wobble", but none was successful. Eventually made aware of Brown's outside success, Syd Nathan relented and allowed him to release future instrumentals on King, starting with the 1961 single "Hold It" b/w "The Scratch".
James Brown had a second Mashed Potatoes-themed hit with "Mashed Potatoes U.S.A." in 1962.
"Nat Kendrick & The Swans":
Chart (1960) | Peak position |
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Billboard Hot 100 | 84 |
Billboard Hot R&B Sides | 8 |
Steve Alaimo version:
Chart (1962) | Peak position |
---|---|
Billboard Hot 100 | 74 |
Billboard Hot R&B Sides | ? |
Steve Alaimo released the song in 1962, also on album Mashed Potatoes .
The British beat group The Undertakers recorded a cover version of "(Do the) Mashed Potatoes" in 1963.
German beat group The Rattles recorded a version for their 1963 debut single A-side.
The Kingsmen covered the song on their 1964 album The Kingsmen In Person .
James Brown recorded a remake of "(Do the) Mashed Potatoes" for his 1980 album Soul Syndrome .
Surf rock group Man or Astroman released a cover of the song called "Space Potatoes" on their 1993 EP Captain Holojoy's Space Diner, with modified lyrics.
The Mashed Potato is a dance move which was a popular dance craze of 1962. The dance move and mashed potato song were first made famous by James Brown in 1959 and used in his concerts regularly. It was also a dance done to songs such as Dee Dee Sharp's "Mashed Potato Time". The move vaguely resembles that of the twist, by Sharp's fellow Philadelphian Chubby Checker. The dance was first popularized internationally after being named in the lyrics of Motown's first mega-hit in the song "Do You Love Me" written by Berry Gordy Jr. and performed by The Contours in 1962.
"I Got You (I Feel Good)" is a song by American singer James Brown. First recorded for the album Out of Sight and then released in an alternate take as a single in 1965, it was his highest-charting song and is arguably his best-known recording. In 2013, the 1965 recording was inducted into the Grammy Hall of Fame.
Live at the Apollo is the first live album by James Brown and the Famous Flames, recorded at the Apollo Theater in Harlem in October 1962 and released in May 1963 by King Records. Capturing Brown's popular stage show for the first time on record, the album was a major commercial and critical success and cemented his status as a leading R&B star.
"Please, Please, Please" is a rhythm and blues song performed by James Brown and the Famous Flames. Written by Brown and Johnny Terry and released as a single on Federal Records in 1956, it reached No. 6 on the R&B charts. The group's debut recording and first chart hit, it has come to be recognized as their signature song.
"Papa's Got a Brand New Bag" is a song written and recorded by James Brown. Released as a two-part single in 1965, it was Brown's first song to reach the Billboard Hot 100 Top Ten, peaking at number eight, and was a number-one R&B hit, topping the charts for eight weeks. It won Brown his first Grammy Award, for Best Rhythm & Blues Recording.
Charles Stephen Alaimo is an American singer who was a teen idol in the early 1960s. He later became a record producer and label owner, but he is perhaps best known for hosting and co-producing Dick Clark's Where the Action Is in the late 1960s. He had nine singles chart in the Billboard Hot 100 without once reaching the Top 40 in his career, the most by any artist.
"Night Train" is a twelve-bar blues instrumental standard first recorded by Jimmy Forrest in 1951.
The Famous Flames were an American rhythm and blues, soul vocal group founded in Toccoa, Georgia, in 1953 by Bobby Byrd. James Brown first began his career as a member of the Famous Flames, emerging as the lead singer by the time of their first appearance in a professional recording, "Please, Please, Please", in 1956.
"Try Me", titled "Try Me (I Need You)" in its original release, is a song recorded by James Brown and the Famous Flames in 1958. It was a #1 R&B hit and charted #48 Pop—the group's first appearance on the Billboard Hot 100. It was Brown and the Flames' second charting single, ending a two-year dry spell after the success of "Please, Please, Please".
"Hot Pants (She Got to Use What She Got to Get What She Wants)" is a 1971 song by American singer James Brown, released as a single on his People Records label (then distributed by King Records) in July of that year with "Pt. 1" on the A-side and "Pt. 2 and 3" on the B-side. It was a number-one hit on the Billboard R&B chart, and reached number fifteen on the Hot 100 and number ten on the Cashbox magazine charts. "Hot Pants" was Brown's final release under King's purview before he and the People label moved to Polydor Records.
"Think" is a rhythm and blues song written by Lowman Pauling and originally recorded by his group the "5" Royales. Released as a single on King Records in 1957, it was a national hit and reached number nine on the U.S. R&B chart.
Henry Stone, born Henry David Epstein, was an American record company executive and producer whose career spanned the era from R&B in the early 1950s through the disco boom of the 1970s to the 2010s. He was best known as co-owner and president of TK Records, but reportedly set up more than 100 record labels, and generated more than $100 million in record sales across the world. Stone was described as "an acute businessman who always made sure that contracts and publishing agreements were written in his favor."
"Lost Someone" is a song recorded by James Brown in 1961. It was written by Brown and Famous Flames members Bobby Byrd and Baby Lloyd Stallworth. Like "Please, Please, Please" before it, the song's lyrics combine a lament for lost love with a plea for forgiveness. The single was a #2 R&B hit and reached #48 on the pop chart. According to Brown, "Lost Someone" is based on the chord changes of the Conway Twitty song "It's Only Make Believe". Although Brown's vocal group, The Famous Flames did not actually sing on this tune, two of them, Bobby Byrd, and "Baby Lloyd " Stallworth, co-wrote it with Brown, and Byrd plays organ on the record, making it, in effect, a James Brown/Famous Flames recording.
Mashed potato is a common way of serving potato, made by mashing boiled potatoes.
"Out of Sight" is a funk song recorded by James Brown in 1964. A twelve-bar blues written by Brown under the pseudonym "Ted Wright", the stuttering, staccato dance rhythms and blasting horn section riffs of its instrumental arrangement were an important evolutionary step in the development of funk music.
Over the course of his career James Brown owned and operated several different record labels, which he used primarily to release his own productions of artists associated with his revue.
"I'll Go Crazy" is a rhythm and blues song recorded by James Brown and The Famous Flames. Released as a single in 1960, it was Brown's fourth R&B hit, charting at #15. Brown and the Flames also performed it as the first song on their 1963 album Live at the Apollo.
"King Heroin" is an anti-drug song by James Brown, David Matthews, Manny Rosen and Charles Bobbit. Brown recorded this poem set to music at a studio in New York with session musicians in January 1972 and released it as a single in March. It was his fifth single for Polydor Records and reached number six on the U.S. Hot Soul Singles chart and number 40 on the Billboard Hot 100 in the spring. The song was included on Brown's 1972 album There It Is.
The Kingsmen in Person is the first album by the rock band The Kingsmen, released in 1963. The album featured "Louie Louie", the band's biggest success.
"Ooh Poo Pah Doo" is a song written and performed by Jessie Hill. It was arranged and produced by Allen Toussaint. The single reached No. 3 on the Billboard R&B chart and No. 28 on the Hot 100 in 1960.