Maceo Parker is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the 2000s. Parker was a prominent soloist on many of Brown's hit recordings, and a key part of his band, playing alto, tenor and baritone saxophones. Since the early 1990s, he has toured under his own name.
"Funky Drummer" is a single released by James Brown in 1970. Its drum break, improvised by Clyde Stubblefield, is one of the most frequently sampled music recordings.
Fred Wesley is an American trombonist who worked with James Brown in the 1960s and 1970s and Parliament-Funkadelic in the second half of the 1970s.
"I Got You (I Feel Good)" is a song by American singer James Brown. First recorded for the album Out of Sight and then released in an alternate take as a single in 1965, it was his highest-charting song and is arguably his best-known recording.
The J.B.'s was the name of James Brown's band from 1970 through the early 1980s. On records the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.
"Say It Loud – I'm Black and I'm Proud" is a funk song performed by James Brown, and written with his bandleader Alfred "Pee Wee" Ellis in 1968. It was released as a two-part single which held the number-one spot on the R&B singles chart for six weeks, and peaked at number ten on the Billboard Hot 100. Both parts of the single were later included on James Brown's 1968 album A Soulful Christmas and on his 1969 album sharing the title of the song. The song became an unofficial anthem of the Black Power movement.
The Payback is the 37th studio album by American musician James Brown. The album was released in December 1973, by Polydor Records. It was originally scheduled to become the soundtrack for the blaxploitation film Hell Up in Harlem, but was rejected by the film's producers, who dismissed it as "the same old James Brown stuff." A widely repeated story—including by Brown himself—that director Larry Cohen rejected the music as "not funky enough" is denied by Cohen. On the DVD commentary track for Black Caesar, Cohen states that executives at American International Pictures were already unhappy with Brown for delivering songs much longer than expected on Black Caesar and Slaughter's Big Rip-Off and opted for a deal with Motown Records instead. Cohen said the absence of Brown's music from Harlem still "breaks [his] heart."
Alfred James Ellis, known as Pee Wee Ellis due to his diminutive stature, was an American saxophonist, composer, and arranger. With a background in jazz, he was a member of James Brown's band in the 1960s, appearing on many of Brown's recordings and co-writing hits like "Cold Sweat" and "Say It Loud – I'm Black and I'm Proud". He also worked with Van Morrison.
"Soul Power" is a song by James Brown. Brown recorded it with the original J.B.'s and it was released as a three-part single in 1971. Like "Get Up Sex Machine" and other hits from this period it features backing vocals by Bobby Byrd. It charted #3 R&B and #29 Pop.
Jimmy Nolen was an American guitarist, known for his distinctive "chicken scratch" lead guitar playing in James Brown's bands. In its survey of "The 100 Greatest Guitarists of All Time," the English magazine Mojo ranks Nolen number twelve.
"Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. 1 R&B hit, and reached number seven on the Pop Singles chart. The complete recording, more than seven minutes long, was included on an album of the same name.
"Mother Popcorn (You Got to Have a Mother for Me)" is a song recorded by James Brown and released as a two-part single in 1969. A #1 R&B and #11 Pop hit, it was the highest-charting of a series of recordings inspired by the popular dance the Popcorn which Brown made that year, including "The Popcorn", "Lowdown Popcorn", and "Let a Man Come In and Do the Popcorn". The "mother" of the song's title was, in the words of biographer RJ Smith, "[Brown's] honorific for a big butt".
"Get on the Good Foot" is a funk song performed by James Brown. It was released in 1972 as a two-part single that charted #1 R&B and #18 Pop. It also appeared on an album of the same name released that year. Partly due to the unwillingness of Brown's record labels to certify sales of his previous hits, "Get on the Good Foot" was his first gold record. Billboard ranked it as the No. 99 song for 1972.
"Give It Up or Turnit a Loose" is a funk song recorded by James Brown. Released as a single in 1969, the song was a #1 R&B hit and also made the top 20 pop singles chart. "Give It Up or Turnit a Loose" appeared as an instrumental on the Ain't It Funky (1970) album, removing Brown's vocals and adding guitar overdubs, while the vocal version was released on It's a New Day – Let a Man Come In (1970).
"Make It Funky" is a jam session recorded by James Brown with The J.B.'s. It was released as a two-part single in 1971, which reached No. 1 on the U.S. R&B chart and No. 22 on the U.S. Pop chart.
"Papa Don't Take No Mess" is a funk song performed by James Brown. An edited version of the song released as a two-part single in 1974 was Brown's 17th and final number one R&B hit and peaked at number thirty-one on the Hot 100. The full-length version, nearly 14 minutes long, appeared on the double album Hell.
Doing It to Death is an album by The J.B.'s, released in 1973 by People Records. The album includes a ten-minute version of the #1 R&B hit "Doing It to Death", which is led by Danny Ray's introduction to simulate his MC in concerts.
"Gimme Some More" is a 1971 song written by James Brown and recorded by his band, The J.B.'s. Released as a single on People Records, "Gimme Some More" also appeared on the 1972 album Food for Thought.
"Coldblooded" is a song written and recorded by James Brown. It was released in 1974 as the B-side of "Funky President " and charted #99 Pop. It also appeared on the album Hell. Writing in Rolling Stone, Robert Palmer praised the song as a "sure-fire disco [smash], the kind of no-nonsense party music one expects from Soul Brother Number One."
Motherlode is a 1988 James Brown compilation album. Created as a follow-up to the successful 1986 compilation In the Jungle Groove, it similarly focuses on Brown's funk recordings of the late 1960s and early 1970s. It includes live performances and remixes as well as studio recordings, most of them previously unissued. Writing in 2007, critic Robert Christgau called it "the finest of the classic [James Brown] comps". Highlights include a live "Say It Loud – I'm Black and I'm Proud", the first album release of "I Got Ants in My Pants ", the latter-day UK chart hit "She's the One", and a nine-minute-long remix of "People Get Up and Drive Your Funky Soul" from the Slaughter's Big Rip-Off soundtrack.
