| Soul Meeting | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1961 | |||
| Recorded | April 10, 1958 | |||
| Genre | R&B, jazz | |||
| Length | 37:43 | |||
| Label | Atlantic | |||
| Producer | Tom Dowd | |||
| Ray Charles chronology | ||||
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| Alternative cover | ||||
 compilation CD re-issue | ||||
Soul Meeting is a 1961 Atlantic Records album of recordings made by Ray Charles and Milt Jackson in 1957. The album was later re-issued together with the earlier Soul Brothers (1958), on a 2 CD compilation together with other 'bonus' tracks from the same Charles and Jackson recording sessions.
On release the album was given a rating of 3.5 out of 5 in the February 1963 issue of Down Beat magazine. [1] In a retrospective review for AllMusic, Cub Koda described the music as "bluesy jazz in a laid-back manner". [2]
All songs composed by Ray Charles except as indicated.
LP side A
LP side B
CD disc 1
CD disc 2
Jerome Richardson was an American jazz musician and woodwind player. He played the soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, bass saxophone, soprano clarinet, alto clarinet, bass clarinet, piccolo, western concert flute, soprano flute, alto flute, tenor flute, and bass flute. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band.
Milton Jackson, nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.
Curtis Ousley, known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as "Respect" by Aretha Franklin (1967), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967).
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, Thelonious Monk and Lee Konitz.
Eugene Edward "Snooky" Young was an American jazz trumpeter. He was known for his mastery of the plunger mute, with which he was able to create a wide range of sounds.
Michael John "Cub" Koda was an American rock and roll singer, guitarist, songwriter, disc jockey, music critic, and record compiler. Rolling Stone magazine considered him best known for writing the song "Smokin' in the Boys Room", recorded by Brownsville Station, which reached number 3 on the 1974 Billboard chart. He co-wrote and edited the All Music Guide to the Blues, and Blues for Dummies, and selected a version of each of the classic blues songs on the CD accompanying the book. He also wrote liner notes for the Trashmen, Jimmy Reed, J. B. Hutto, the Kingsmen, and the Miller Sisters, among others.
The Genius of Ray Charles is a 1959 Ray Charles album, released in October by Atlantic Records, the seventh album since the debut Ray Charles in 1957. The album consists of swinging pop with big band arrangements. It comprises a first half of big band songs and a second half of string-backed ballads. The Genius of Ray Charles sold fewer than 500,000 copies and charted at number 17 on the Billboard 200. "Let the Good Times Roll" and "Don't Let the Sun Catch You Cryin'" were released as singles in 1959.
David "Fathead" Newman was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles.
Blues & Roots is an album by Charles Mingus, recorded in 1959 and released on the Atlantic label in 1960. It has been reissued on CD by both Atlantic and Rhino.
Ernest Andrew Royal was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording The Genius of Ray Charles (1959).
The Heavyweight Champion: The Complete Atlantic Recordings is a 1995 box set by jazz musician John Coltrane. It features all of the recordings Coltrane made for Atlantic Records, spanning January 15, 1959, to May 25, 1961.
"Hallelujah I Love Her So" is a single by American musician Ray Charles. The rhythm and blues song was written and released by Charles in 1956 on the Atlantic label, and in 1957 it was included on his self-titled debut LP, also released on Atlantic. The song peaked at number five on the Billboard R&B chart. It is loosely based on 'Get It Over Baby' by Ike Turner (1953).
The Genius Sings the Blues is an album by Ray Charles, released in October 1961 on Atlantic Records. The album was his last release for Atlantic, compiling twelve blues songs from various sessions during his tenure for the label. The album showcases Charles's stylistic development with a combination of piano blues, jazz, and southern R&B. The photo for the album cover was taken by renowned photographer Lee Friedlander. The Genius Sings the Blues was reissued in 2003 by Rhino Entertainment with liner notes by Billy Taylor.
Wizard of the Vibes is a Blue Note Records compilation of performances by jazz vibraphonist Milt Jackson. The sessions were the work of The Thelonious Monk Quintet and The Modern Jazz Quartet plus Lou Donaldson. The album has been recompiled and expanded three additional times, with various tracks from these sessions added and deleted.
Soul Brothers is the third album recorded by Ray Charles and the eleventh album by Milt Jackson and released by Atlantic Records in 1958. The album was later re-issued in a two-CD compilation together with the other Charles–Jackson album Soul Meeting and included additional tracks from the same recording sessions not present on the original LP releases.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Here We Go Again: Celebrating the Genius of Ray Charles is a live tribute album by country singer Willie Nelson and jazz trumpeter Wynton Marsalis. It was recorded during concerts at the Rose Theater in New York City, on February 9 and 10, 2009. The album received mixed reviews, in which the instrumentation of Marsalis' orchestra was praised by the critics.
Bean Bags is an album by vibraphonist Milt Jackson and saxophonist Coleman Hawkins featuring performances recorded in 1958 and released on the Atlantic label.
Wild Bill Davis & Johnny Hodges in Atlantic City is a live album by American jazz saxophonist Johnny Hodges and organist Wild Bill Davis. The album features performances recorded in Atlantic City in 1966 and was released on the RCA Victor label.
Live in Chicago is a live album by the American blues musician Luther Allison, recorded in Chicago in 1995 and Nebraska in 1997 and released by the Alligator label in 1999.
| Studio albums | |
|---|---|
| Posthumous studio creations | |
| Live albums | |
| Notable compilations | |
| Billboard Hot 100 top 10 singles | |
| Other Billboard Charts #1 singles | |
| Grammy Awarded Works (not included above) | |
| See also | |
