Sunflower | ||||
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Studio album by | ||||
Released | 1973 | |||
Recorded | December 12 & 13, 1972 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 42:42 | |||
Label | CTI | |||
Producer | Creed Taylor | |||
Milt Jackson chronology | ||||
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Sunflower is an album by vibraphonist Milt Jackson recorded in 1972 and released on the CTI label. [1] Assisting Jackson are trumpeter Freddie Hubbard, a star-studded rhythm section composed chiefly of Miles Davis alumni, and, on the first track, string and woodwind accompaniment, courtesy of Don Sebesky. [2]
In 1997, Sunflower was reissued on compact disc under Sony Music Entertainment through their catalog label Legacy Recordings and Epic Records. [3]
The Allmusic review by Thom Jurek awarded the album 4½ stars stating "While Sunflower sometimes feels more like a group session rather than a Jackson-led one, that's part of its exquisite beauty". [4] Reviewing a 1979 LP reissue for The Los Angeles Times , jazz writer Leonard Feather assigned it 4 stars, noting that "[t]he reissues on CTI continue to remind us how much vibrant talent was brought together on that label in its pre-fusion days." [2]
Review scores | |
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Source | Rating |
Allmusic | [4] |
Los Angeles Times | [2] |
All compositions by Milt Jackson except where noted
Red Clay is an album recorded in 1970 by jazz trumpeter Freddie Hubbard. It was his first album on Creed Taylor's CTI label and marked a shift toward the soul-jazz fusion sounds that would dominate his recordings in the later part of the decade. It entered at number 20 on Billboard’s Top 20 Best Selling Jazz LPs, on June 20, 1970.
White Rabbit is an album by George Benson. The title track is a cover of the famous Jefferson Airplane song by Grace Slick.This album was George Benson's second CTI Records project produced by Creed Taylor and was recorded nine months after Beyond the Blue Horizon.
First Light is an album by jazz trumpeter Freddie Hubbard. Recorded in 1971, it features string arrangements by Don Sebesky. It was his third album released on Creed Taylor's CTI label and features performances by Hubbard, Herbie Hancock, Eric Gale, George Benson, Ron Carter, Jack DeJohnette, Airto Moreira and Richard Wyands. The album is part of a loose trilogy including his two previous records at the time, Red Clay and Straight Life. First Light won a 1972 Grammy Award for "Best Jazz Performance by a Group".
Sky Dive is the twentieth album by jazz trumpeter Freddie Hubbard, recorded in 1972. It was his fourth album released on Creed Taylor's CTI label and features performances by Hubbard, Keith Jarrett, George Benson, Ron Carter, Billy Cobham, Airto Moreira and Ray Barretto.
Polar AC is a compilation album by jazz trumpeter Freddie Hubbard. It was his final album released on Creed Taylor's CTI label and features performances by Hubbard, Hubert Laws, George Benson, Junior Cook, and Ron Carter. It was put together by CTI after Hubbard left the label to go to Columbia, and the tracks were recorded at different sessions, between 1971 and 1973. The album featured pieces: "People Make the World Go Round" and "Betcha, By Golly Wow", recorded both on April 12, 1972, and "Son of Sky Dive" recorded around 1973. "Polar AC" came from First Light sessions, whilst "Naturally" was recorded during Sky Dive sessions, and both can be found on CD reissues of their respective albums.
Phase One is an album by the Art Ensemble of Chicago recorded in Paris in February 1971 and originally released on the French America label then reissued in the US on Prestige Records the following year. It features Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye performing two side-long pieces dedicated to John Coltrane and Albert Ayler respectively.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Passing Ships is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1969 for the Blue Note label but not released until 2003. The album features Hill with a six-piece horn section performing seven original compositions.
Bluesnik is an album by American saxophonist Jackie McLean recorded in 1961 and released on the Blue Note label. It features McLean in a quintet with trumpeter Freddie Hubbard, pianist Kenny Drew, bassist Doug Watkins and drummer Pete La Roca.
Bad Benson is a 1974 studio album by American guitarist George Benson, released on CTI Records.
Goodbye is an album by vibraphonist Milt Jackson recorded in 1973 and released on the CTI label.
Morning Star is an album by flautist Hubert Laws released on the CTI and recorded at Rudy Van Gelder's studio in 1972.
From the Hot Afternoon is an album by American jazz saxophonist Paul Desmond featuring performances recorded in 1969 and released on the CTI label.
God Bless the Child is an album by American jazz guitarist Kenny Burrell featuring performances recorded in 1971 and released on the CTI label.
Blue Moses is a studio album by American jazz pianist and composer Randy Weston featuring performances recorded in 1972 and released on the CTI label.
Time & Love is an album by American vocalists Jackie Cain and Roy Kral featuring performances recorded in 1972 and released on the CTI label.
Giant Box is a double album by American arranger/conductor and composer Don Sebesky recorded in 1973 and released on the CTI label.
The Doctor is In... and Out is an album by multi-instrumentalist Yusef Lateef recorded in 1976 and released on the Atlantic label.
The Quota is the third album by saxophonist Jimmy Heath featuring performances recorded in 1961 originally released on the Riverside label.
Golden Boy is an album by Quincy Jones which was released by Mercury in 1964. The album includes three versions of the theme from the musical Golden Boy with three original compositions and jazz versions of pop hits.