Frederick Dewayne Hubbard was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.
Kenny Barron is an American jazz pianist, who has appeared on hundreds of recordings as leader and sideman and is considered one of the most influential mainstream jazz pianists since the bebop era.
The Freedom Rider is an album by jazz drummer Art Blakey and his group the Jazz Messengers, recorded in 1961 and released in 1964 by Blue Note Records. Continuing Blakey's distinct brand of hard bop, this album features compositions from Wayne Shorter, Lee Morgan, Blakey himself, and Kenny Dorham, a former Jazz Messenger. This was the final album by this particular edition of the Jazz Messengers, who had been together for 18 months, as Lee Morgan left after this album and was replaced by Freddie Hubbard.
Takin' Off is the debut album by jazz pianist Herbie Hancock released in 1962 by Blue Note Records. Featuring veteran tenor saxophonist Dexter Gordon, trumpeter Freddie Hubbard, bassist Butch Warren and drummer Billy Higgins. The album is a creative example of music in the hard bop idiom. The bluesy track "Watermelon Man" made it to the Top 100 of the singles charts, and went on to become a jazz standard. Hancock released a funk arrangement of “Watermelon Man” on his 1973 album Head Hunters. Takin' Off was initially released on CD in 1996 and then again in remastered form in 2007 by Rudy Van Gelder.
The Soothsayer is the seventh album by Wayne Shorter, recorded in 1965, but not released on Blue Note until 1979. The album features five originals by Shorter and an arrangement of Jean Sibelius' "Valse Triste". The featured musicians are trumpeter Freddie Hubbard, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Ron Carter and drummer Tony Williams.
Open Sesame is the debut album by then 22 years old trumpeter Freddie Hubbard, recorded on June 19, 1960 by Rudy Van Gelder at his studio in Englewood Cliffs, NJ and released on the Blue Note label in 1960 in mono as BLP 4040 and in stereo as BST 84040. It features performances by Hubbard, Tina Brooks, McCoy Tyner, Sam Jones and Clifford Jarvis. In 1988, Capitol Records issued it on compact disc with Michael Cuscuna as reissue producer and in 2001, they released a version remastered by Rudy Van Gelder.
Breaking Point! is an album by trumpeter Freddie Hubbard, recorded on May 7, 1964, and released on the Blue Note label. This album features Joe Chambers' recording debut. Although it features performances by Hubbard's recent collaborators Ronnie Mathews and Eddie Khan, it was a departure in style from his work with Mathews and the Jazz Messengers.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
Sky Dive is the twentieth album by jazz trumpeter Freddie Hubbard, recorded in 1972. It was his fourth album released on Creed Taylor's CTI label and features performances by Hubbard, Keith Jarrett, George Benson, Ron Carter, Billy Cobham, Airto Moreira and Ray Barretto.
Polar AC is a compilation album by jazz trumpeter Freddie Hubbard. It was his final album released on Creed Taylor's CTI label and features performances by Hubbard, Hubert Laws, George Benson, Junior Cook, and Ron Carter. It was put together by CTI after Hubbard left the label to go to Columbia, and the tracks were recorded at different sessions, between 1971 and 1973. The album featured pieces: "People Make the World Go Round" and "Betcha, By Golly Wow", recorded both on April 12, 1972, and "Son of Sky Dive" recorded around 1973. "Polar AC" came from First Light sessions, whilst "Naturally" was recorded during Sky Dive sessions, and both can be found on CD reissues of their respective albums.
Dale Dixon Oehler was an American arranger, producer and pianist.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Bluesnik is an album by American saxophonist Jackie McLean recorded in 1961 and released on the Blue Note label. It features McLean in a quintet with trumpeter Freddie Hubbard, pianist Kenny Drew, bassist Doug Watkins and drummer Pete La Roca.
Doin' Allright is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label.
Contours is the second album by American saxophonist Sam Rivers recorded in 1965 and released on the Blue Note label. The CD reissue contains an alternate take as a bonus track.
Introducing Kenny Cox is the debut album by American jazz pianist Kenny Cox featuring performances recorded in 1968 and released on the Blue Note label. The 2000 CD reissue added Cox's second Blue Note album Multidirection as bonus tracks.
Booker 'n' Brass is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1967 for the Pacific Jazz label.
Bad Benson is a 1974 studio album by American guitarist George Benson, released on CTI Records.
God Bless the Child is an album by American jazz guitarist Kenny Burrell featuring performances recorded in 1971 and released on the CTI label.
In Concert-Carnegie Hall is a live album by American guitarist George Benson featuring a performance recorded at Carnegie Hall in 1975 and released on the CTI label in 1976. The CD reissue added one bonus track and reordered the selections as presented in concert.
