Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. It was originally titled Free Fall.
Indestructible is a jazz album by drummer Art Blakey and his Jazz Messengers. It was recorded in 1964 but not released until 1966, and was Blakey's last recording for Blue Note. The bonus track featured on the CD reissue was originally issued on Pisces.
Hub-Tones is an album by trumpeter Freddie Hubbard recorded on October 10, 1962, and released on the Blue Note label as BLP 4115 and BST 84115. It contains performances by Hubbard, James Spaulding, Herbie Hancock, Reggie Workman and Clifford Jarvis. The cover artwork was designed by Reid Miles with photography by Francis Wolff.
Caravan is a jazz album released by Art Blakey and the Jazz Messengers in February 1963. It was Blakey's first album for Riverside Records after he signed with them in October 1962. The songs were recorded at the Plaza Sound Studio in New York City, on October 23–24, 1962 The producer was Orrin Keepnews who also supervised the album's remastered re-release on CD.
Mosaic is a studio album by Art Blakey and the Jazz Messengers, released in January 1962 through Blue Note Records. The album's performers included Wayne Shorter, Freddie Hubbard (trumpet), Curtis Fuller (trombone), Cedar Walton (piano), Jymie Merritt (bass) and Art Blakey (drums). They recorded and performed together from 1961 into 1964. Hubbard and Walton became permanent members of the group following the 1961 departures of trumpeter Lee Morgan and pianist Bobby Timmons. The Mosaic recording session featured no alternate takes and, therefore, has yielded no bonus material in reissue.
Three Blind Mice is a 1962 jazz album released by Art Blakey and The Jazz Messengers on the United Artists Jazz label, featuring live material recorded in 1962 Club Renaissance, Hollywood. It was reissued later in 1962 in two volumes by Blue Note Records, adding two tracks recorded in 1961 at The Village Gate and also unreleased material from the primary session. It was bassist Jymie Merritt's final recording with the group before having to leave to recover from an illness; he would be replaced by Reggie Workman.
Calvin "Cal" Massey was an American jazz trumpeter and composer.
¡Caramba! is an album by jazz trumpeter Lee Morgan, released on the Blue Note label in 1968. It features performances by Morgan, Bennie Maupin, Cedar Walton, Reggie Workman and Billy Higgins with arrangements by Cal Massey.
Taru is an album recorded by jazz trumpeter Lee Morgan, recorded in 1968, but not released on the Blue Note label until 1980. The album features performances by Morgan, Bennie Maupin, John Hicks, George Benson, Reggie Workman and Billy Higgins.
Hub Cap is an album by trumpeter Freddie Hubbard and was released on the Blue Note label in 1961 as BLP 4073 and BST 84073. It features performances by Hubbard, Julian Priester, Jimmy Heath, Cedar Walton, Larry Ridley and Philly Joe Jones.
Ready for Freddie is an album by trumpeter Freddie Hubbard, released on the Blue Note label in 1962 as BLP 4085 and BST 84085. In 2003, it was remastered and issued on CD with the addition of two alternate takes. It contains performances by Hubbard, Bernard McKinney, Wayne Shorter, McCoy Tyner, Art Davis and Elvin Jones.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
The Body & the Soul is an album by trumpeter Freddie Hubbard recorded in 1963 as his second and last release on the Impulse! label. It features performances by Hubbard with an orchestra and string section, and with a septet featuring Curtis Fuller, Eric Dolphy, Wayne Shorter, Cedar Walton, Reggie Workman and Louis Hayes.
The Black Angel is a studio album by American jazz trumpeter Freddie Hubbard, recorded in 1969 and released in 1970. It was his fourth release on the Atlantic label and features performances by Hubbard, James Spaulding, Kenny Barron, Reggie Workman, Louis Hayes and Carlos "Patato" Valdes.
Expansions is the tenth album by jazz pianist McCoy Tyner and his fourth released on the Blue Note label. It was recorded in August 1968 and features performances by Tyner with trumpeter Woody Shaw, alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter, bassist Herbie Lewis and drummer Freddie Waits.
Ugetsu: Art Blakey's Jazz Messengers at Birdland is a live jazz album by Art Blakey and the Jazz Messengers released on Riverside Records in October 1963. The album was recorded at Birdland in New York City.
Triple Threat is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label.
Kyoto is an album by Art Blakey's Jazz Messengers, recorded in 1964 and released on the Riverside label.
Spectrum is an album by pianist Cedar Walton, recorded in 1968 and released on the Prestige label.
Golden Boy is a 1963 album by Art Blakey and the Jazz Messengers, performing compositions by Lee Adams and Charles Strouse written for the Broadway musical Golden Boy. The LP was originally released on the Colpix label.
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