Picture of Heath is an album by saxophonist Jimmy Heath featuring performances recorded in 1975 and originally released on the Xanadu label.
One Too Many Salty Swift and Not Goodbye is a live album by Cecil Taylor recorded in Stuttgart, Germany, on June 14, 1978 and released on the Hat Hut label. The album features performances by Taylor with Raphe Malik, Jimmy Lyons, Ramsey Ameen, Sirone and Ronald Shannon Jackson. The album was originally released as a triple LP featuring the Cecil Taylor Unit performances then rereleased as a double CD with duets by Lyons & Malik and Ameen & Sirone and a solo by Shannon Jackson added and the titles changed to the performers for each track.
Mirage is an album by American flugelhornist Art Farmer's Quintet featuring performances recorded in 1982 and released on the Soul Note label.
When Farmer Met Gryce is an album by trumpeter Art Farmer and saxophonist Gigi Gryce, featuring performances recorded in 1954 and 1955 and released on the Prestige label.
The Jazztet at Birdhouse is a live album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson. It features performances recorded in Chicago in 1961 and was originally released on the Argo label.
Listen to Art Farmer and the Orchestra is an album by trumpeter Art Farmer featuring performances recorded in 1962 and originally released on the Mercury label.
Turning Point is an album by saxophonist Benny Golson, featuring performances recorded in late 1962 and originally released on the Mercury label.
Swamp Seed is the fifth album by saxophonist Jimmy Heath featuring performances recorded in 1963 originally released on the Riverside label.
Groovin' with Jug is a live album by organist Richard Holmes and saxophonist Gene Ammons recorded in 1961 and released on the Pacific Jazz label.
The Chase! is a live album by saxophonists Dexter Gordon and Gene Ammons recorded in Chicago in 1970 and released on the Prestige label.
Love and Understanding is an album by saxophonist Jimmy Heath featuring performances recorded in 1973 and originally released on the Muse label.
Blues in Orbit is an album by jazz composer, arranger, conductor and pianist Gil Evans, recorded in 1969 and 1971 by Evans with an orchestra featuring Jimmy Cleveland, Howard Johnson, Billy Harper, and Joe Beck. The album was originally released on the short-lived Ampex label as Gil Evans but received wider release on the Enja label under this title.
Early Art is an album by trumpeter Art Farmer featuring two sessions recorded in 1954 which was originally released on LP on the New Jazz label in the early 1960s.
The Time and the Place: The Lost Concert is a live album by Art Farmer's Quintet recorded at the Museum of Modern Art in 1966 and released on the Mosaic label in 2007. The album is taken from a concert originally intended for release as The Time and the Place on Columbia Records in 1967 which was replaced by studio recordings with overdubbed applause. Three tracks from the concert were previously released on an expanded 2LP edition of The Time and the Place in 1982.
The Art Farmer Quintet Plays the Great Jazz Hits is an album by Art Farmer's Quintet recorded in 1967 and originally released on the Columbia label.
On the Road is an album by Art Farmer recorded in Los Angeles in 1976 and originally released on the Contemporary label.
Central Avenue Reunion is a live album by Art Farmer and Frank Morgan recorded in Emeryville, CA in 1989 and originally released on the Contemporary label.
Moment to Moment is an album by Art Farmer and Benny Golson's group, The Jazztet recorded in Italy in 1983 and originally released on the Soul Note label.
Warm Valley is an album by American jazz trumpeter Art Farmer recorded in New York in 1982 and originally released on the Concord label.
Art Farmer Quintet at Boomers is a live album by Art Farmer recorded in New York in 1976 and originally released on the Japanese East Wind label. A second volume of recordings was released in 2003 on the Test of Time label. This quintet also presages the later, great, 1980s quintet Art Farmer kept, in that it presents us the regal front line of Art Farmer together with Clifford Jordan, a pairing first recorded in the late fifties in Horace Silver's band, but then crystallized in several magnificent, and more feted, recordings in the 1980s – really a high-point in all of Farmer's remarkably consistent discography. But here we get to hear them together in the 1970s, too – and it is most edifying. They would go on to even more pristine heights together, refining their ensemble concept. Not that there's anything lacking in this lesser-known, but fabulous, document of one of jazz's truly great partnerships.
