Statements | ||||
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Studio album by | ||||
Released | 1962 | |||
Recorded | December 14–15, 1961 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Label | Impulse! | |||
Producer | Bob Thiele, Michael Cuscuna | |||
Milt Jackson chronology | ||||
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Review scores | |
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Source | Rating |
Down Beat (Original Lp release) | ![]() ![]() ![]() ![]() ![]() |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Statements is an album by jazz vibraphonist Milt Jackson, released in 1962 on Impulse! Records. [2]
The CD reissue adds tracks 9–13 featuring a composition originally on an Impulse sampler as well as quintet recordings from 1964 also released on Jazz 'n' Samba.
Jerome Richardson was an American jazz musician and woodwind player. He is cited as playing one of the earliest jazz flute recordings with his work on the 1949 Quincy Jones arranged song "Kingfish".
Milton Jackson, nicknamed "Bags", was an American jazz vibraphonist. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. The Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath, and various drummers, most notably Kenny Clarke and Connie Kay. The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis, Jackson, and Clarke along with bassist Ray Brown. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django" and Jackson's "Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Kay, and in 1956 they moved to Atlantic Records and made their first tour to Europe.
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, Thelonious Monk and Lee Konitz.
Kenneth Earl Burrell is an American jazz guitarist known for his work on numerous top jazz labels: Prestige, Blue Note, Verve, CTI, Muse, and Concord. His collaborations with Jimmy Smith were notable, and produced the 1965 Billboard Top Twenty hit Verve album Organ Grinder Swing. He has cited jazz guitarists Charlie Christian, Oscar Moore, and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.
Grady Tate was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated Schoolhouse Rock! series. He received two Grammy nominations.
Quentin "Butter" Jackson was an American jazz trombonist.
Ellington at Newport is a 1956 live jazz album by Duke Ellington and his band of their 1956 concert at the Newport Jazz Festival, a concert which revitalized Ellington's flagging career. Jazz promoter George Wein describes the 1956 concert as "the greatest performance of [Ellington's] career... It stood for everything that jazz had been and could be." It is included in the book 1001 Albums You Must Hear Before You Die, which ranks it "one of the most famous... in jazz history". The original release was partly recreated in the studio after the Ellington Orchestra's festival appearance.
Conrad Henry Kirnon known professionally as Connie Kay, was an American jazz and R&B drummer, who was a member of the Modern Jazz Quartet.
Ella Fitzgerald Sings the Duke Ellington Song Book is a 1957 studio album by the American jazz singer Ella Fitzgerald, accompanied by Duke Ellington and his orchestra, focusing on Ellington's songs.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad.
Jazz Goes to the Movies is an album by American jazz arranger and conductor Manny Albam recorded in 1962 for the Impulse! label.
Jazz 'n' Samba is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1964 for the Impulse! label.
Much in Common is an album by bassist Ray Brown and vibraphonist Milt Jackson recorded in 1964 and released on the Verve label.
European Concert is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Sweden in April 1960 and originally released on two consecutive volumes on the Atlantic label.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
Dedicated to Connie is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Slovenia in May 1960 and released in 1995 on the Atlantic label following drummer Connie Kay's death. The album was also released by Jazz Life in 1990 as Modern Jazz Quartet In Concert.
Arigato is an album by pianist Hank Jones recorded in 1976 for the Progressive label.
Hot Summer Dance is a live album by American pianist, composer and bandleader Duke Ellington recorded at Mather Air Force Base in California and first released as a CD on Bob Thiele's Red Baron label in 1983.