Triple Play | ||||
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Studio album by | ||||
Released | 1967 | |||
Recorded | January 10–11, 1967 | |||
Studio | RCA Victor Studio A, NYC | |||
Genre | Jazz | |||
Length | 47:16 | |||
Label | RCA Victor LSP-3867 | |||
Producer | Brad McCuen | |||
Johnny Hodges chronology | ||||
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Triple Play is an album by American jazz saxophonist Johnny Hodges recorded in 1967 and released on the RCA Victor label. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Allmusic says "Despite the many changes in personnel, the music is pretty consistent, with basic swinging originals, blues and ballads all heard in equal proportion. As usual, Johnny Hodges ends up as the main star". [2] In JazzTimes, Stanley Dance called it a "happy, unpretentious set". [3]
All compositions by Johnny Hodges except where noted.
The Stockholm Concert, 1966 is a 1966 live album by the American jazz singer Ella Fitzgerald, accompanied in part by the Duke Ellington Orchestra. The recording remained unreleased until 1984.
Count Basie at Newport is a live album by jazz musician Count Basie and his orchestra. It was originally issued as Verve MGV 8243 and included only the tracks 1-7 and 13. Tracks 9-12 originally included in Count Basie & Joe Williams/Dizzy Gillespie & Mary Lou Williams at Newport.
Although it is billed as a Duke Ellington and Johnny Hodges album, Side by Side is a 1959 album mostly under the leadership of Johnny Hodges, Duke Ellington's alto saxophonist for many years. Ellington only appears on three of this album's tracks. The album places Hodges at the fore, backing him with piano by Ellington or Billy Strayhorn and providing other accompaniment by jazz figures like Ben Webster, Roy Eldridge, Harry "Sweets" Edison and Jo Jones. The album, a follow-up to Back to Back: Duke Ellington and Johnny Hodges Play the Blues, has remained perpetually in print.
Soul Call is a 1967 live album by Duke Ellington and his orchestra, recorded live at the Juan-les-Pins/Antibes Jazz Festival on the Côte d'Azur. Ella Fitzgerald appeared with Ellington and his band at the same festival, and a more complete version of Ellington's appearance at the festival is documented on the 1998 album Ella and Duke at the Cote D'Azur.
New Orleans Suite is a studio album by the American pianist, composer, and bandleader Duke Ellington, recorded and released on the Atlantic label in 1970. The album contains the final recordings of longtime Ellington saxophonist Johnny Hodges, who died between the album's two recording sessions. The album won a Grammy Award in 1971 for Best Jazz Performance by a Big Band.
The Popular Duke Ellington is a studio album by American pianist, composer and bandleader Duke Ellington featuring many of the tunes associated with his orchestra rerecorded in 1966 and released on the RCA label in 1967.
Piano in the Background is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Columbia label in 1960.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Ellington Uptown is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1951 & 1952. The album was re-released on CD in 2004 with additional tracks recorded in 1947 and originally released as the Liberian Suite EP.
The Intimacy of the Blues is a studio album by the American pianist, composer and bandleader Duke Ellington, recorded in 1967 and 1970, and released on the Fantasy label in 1986.
Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York is the eighth volume of The Private Collection - whereas is Volume 5 in the edition of the collection by the English KAZ Jazz Masters label - a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad.
Inspired Abandon is an album by American jazz trombonist Lawrence Brown with Johnny Hodges featuring performances recorded in 1965 for the Impulse! label. The album was rereleased on CD as bonus tracks on the American CD reissue of Everybody Knows Johnny Hodges.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
Ellington Is Forever Volume Two is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1977 it was rereleased on CD in 1994.
Encyclopedia of Jazz is an album released on the Verve label compiled by jazz journalist Leonard Feather featuring tracks which were recorded to accompany Feather's Encyclopedia of Jazz in the Sixties. The album features three tracks by the Encyclopedia of Jazz All Stars arranged and conducted by Oliver Nelson along with one track each by Jimmy Smith with Wes Montgomery, Count Basie and Johnny Hodges with Earl Hines.
Blue Notes is an album by American jazz saxophonist Johnny Hodges and orchestra featuring performances recorded in 1966 and released on the Verve label.
Earl Coleman Returns is an album by American jazz singer Earl Coleman recorded in 1956 and released on the Prestige label. The 1994 CD reissue added four additional tracks originally released on 78 RPM singles.