| Blue Rabbit | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1964 | |||
| Recorded | May 15 & 16, 1963 and April 28 & 30, 1964 NYC | |||
| Genre | Jazz | |||
| Label | Verve V/V6 8599 | |||
| Producer | Creed Taylor | |||
| Johnny Hodges chronology | ||||
| ||||
| Wild Bill Davis chronology | ||||
| ||||
Blue Rabbit is an album by American jazz saxophonist Johnny Hodges and organist Wild Bill Davis featuring performances recorded in 1963 and 1964 and released on the Verve label. [1] [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
The Allmusic site awarded the album 3 stars stating "The music is fairly typical for a Hodges date, with four Ellington standards, some blues and some basic originals. In a few spots, the organists really do a good job of filling in for the Ellington Orchestra. Tasty and swinging music". [3]
John Cornelius "Johnny" Hodges was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era.
Lawrence Brown was a jazz trombonist from California best remembered for his work with the Duke Ellington orchestra. He was a session musician throughout his career, and also recorded albums under his own name.
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald and Duke Ellington, accompanied by his Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1966. Ella at Duke’s Place was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards.
Ella and Duke at the Cote D'Azur is a 1967 live album by Ella Fitzgerald, accompanied by the big band of Duke Ellington.
Wild Bill Davis was the stage name of American jazz pianist, organist, and arranger William Strethen Davis. He is best known for his pioneering jazz electric organ recordings and for his tenure with the Tympany Five, the backing group for Louis Jordan. Prior to the emergence of Jimmy Smith in 1956, Davis was the pacesetter among organists.
Jimmy Hamilton was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra.
Although it is billed as a Duke Ellington and Johnny Hodges album, Side by Side is a 1959 album mostly under the leadership of Johnny Hodges, Duke Ellington's alto saxophonist for many years. Ellington only appears on three of this album's tracks. The album places Hodges at the fore, backing him with piano by Ellington or Billy Strayhorn and providing other accompaniment by jazz figures like Ben Webster, Roy Eldridge, Harry "Sweets" Edison and Jo Jones. The album, a follow-up to Back to Back: Duke Ellington and Johnny Hodges Play the Blues, has remained perpetually in print.
Sam Woodyard was an American jazz drummer.
Wendell Marshall was an American jazz double-bassist.
Up in Duke's Workshop is an album by the American pianist, composer and bandleader Duke Ellington that collects sessions recorded in 1969, 1970, 1971 and 1972, released on the Pablo label in 1979.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
Mess of Blues is an album recorded by American jazz saxophonist Johnny Hodges and organist Wild Bill Davis featuring performances recorded in 1963 and released on the Verve label.
Blue Hodge is an album recorded by American jazz saxophonist Johnny Hodges featuring performances recorded in 1961 and released on the Verve label.
The Big Sound is an album recorded by American jazz saxophonist Johnny Hodges featuring performances with members of the Duke Ellington Orchestra recorded in 1957 and released on the Verve label.
Joe's Blues is an album recorded by American jazz saxophonist Johnny Hodges and organist Wild Bill Davis featuring performances recorded in 1965 and released on the Verve label.
Wings & Things is an album by American jazz saxophonist Johnny Hodges and organist Wild Bill Davis featuring performances recorded in 1965 and released on the Verve label.
Con-Soul & Sax is an album by American jazz saxophonist Johnny Hodges and organist Wild Bill Davis featuring performances recorded in 1965 and released on the RCA Victor label. The title is a play on words based on the term "console organ", which is a term for an organ having at least two 61-note manuals and a 25-note radiating pedal clavier. Both the Hammond B-3 and C-3, which Davis played most frequently, are console organs.
Stride Right is an album by American jazz saxophonist Johnny Hodges and pianist/organist Earl "Fatha" Hines featuring performances recorded in 1966 and released on the Verve label.
Blue Pyramid is an album by American jazz saxophonist Johnny Hodges and organist Wild Bill Davis featuring performances recorded in late 1965 and early 1966 and released on the Verve label.
Wild Bill Davis & Johnny Hodges in Atlantic City is a live album by American jazz saxophonist Johnny Hodges and organist Wild Bill Davis. The album features performances recorded in Atlantic City in 1966 and was released on the RCA Victor label.
