Pepper Adams Plays the Compositions of Charlie Mingus | ||||
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Studio album by | ||||
Released | August 10, 1964 | |||
Recorded | September 9 & 12, 1963 | |||
Studio | NYC | |||
Genre | Jazz | |||
Length | 33:11 | |||
Label | Workshop Jazz WS 219 | |||
Pepper Adams chronology | ||||
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Pepper Adams Plays the Compositions of Charlie Mingus, is an album by baritone saxophonist Pepper Adams featuring Quintet and Octet performances of Charles Mingus' compositions which was recorded in 1963 and originally released on the Motown subsidiary label, Workshop Jazz. [1] [2] [3] [4]
Review scores | |
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Source | Rating |
The Penguin Guide to Jazz | [5] |
Allmusic | [6] |
The Penguin Guide to Jazz states "Adams led this date with his usual no-nonsense authority ... A solid jazz record". [5]
The Allmusic review by Thom Jurek states "This is one of those must-own recordings for fans of Adams; but it is also for those who revere Mingus' work, because, as radical as some of these interpretations are, they were not only sanctioned by, but delighted in by the composer". [6]
All compositions by Charles Mingus.
Park Frederick "Pepper" Adams III was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band.
Consummation is an album by the Thad Jones/Mel Lewis Jazz Orchestra. It was released in 1970 on Blue Note Records and re-released in 2002. It was recorded at A&R Studios in New York City. The album was nominated for a 1970 Grammy award in the "Best Jazz Performance - Large Group..." category. All tracks are also included on Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra.
The Return of the 5000 Lb. Man is an album by jazz multi-instrumentalist Rahsaan Roland Kirk.
Left & Right is an album by jazz multi-instrumentalist Roland Kirk. It was originally released on the Atlantic label in 1968 and features performances by Kirk with Jim Buffington, Julius Watkins, Frank Wess, Rahn Burton, Vernon Martin and Roy Haynes, with Warren Smith, Richard Williams, Dick Griffin, Benny Powell, Pepper Adams, Alice Coltrane, Jimmy Hopps, Daniel Jones and Gerald "Sonny" Brown featuring on an extended track with orchestration by Gil Fuller. The Allmusic review by Thom Jurek states "The title of this album, Left and Right, no doubt refers to the sides of Rahsaan Roland Kirk's brain, which were both heavily taxed in the composing, arranging, conducting, and playing of this recording... This is an extreme for Rahsaan — extremely brilliant and thoroughly accessible".
This Is How I Feel About Jazz is a 1957 album by Quincy Jones. Jones arranged and conducted three recording sessions during September 1956, each with a different line-up, from a nonet to a fifteen piece big band. Musicians on the album include Art Farmer, Phil Woods, Lucky Thompson, Hank Jones, Paul Chambers, Milt Jackson, Art Pepper, Zoot Sims, and Herbie Mann. The bonus tracks on the CD release include compositions by Jimmy Giuffre, Lennie Niehaus and Charlie Mariano.
The Jazz Experiments of Charlie Mingus is an album by jazz bassist and composer Charles Mingus released on the Bethlehem label. The album is a compilation of tracks originally released by Period Records as two 10-inch LPs entitled Jazzical Moods and co-credited to John LaPorta.
Jazz Composers Workshop is an album featuring jazz bassist Charles Mingus. It combines the earlier album Moods of Mingus with a Wally Cirillo session released earlier on the album Wally Cirillo & Bobby Scott. It was released on the Savoy label.
Beauty Is a Rare Thing is a compilation box set collecting all the master recordings made for Atlantic Records between 1959 and 1961 by the American jazz composer and saxophonist Ornette Coleman. The set was released on Rhino Records in 1993, and reissued in March 2015.
The Complete Town Hall Concert is a live album by American bassist, composer and bandleader Charles Mingus recorded at The Town Hall in New York City and first released on the United Artists label in 1962 as Town Hall Concert. The album was rereleased with additional tracks on the Blue Note label in 1994 as The Complete Town Hall Concert.
Encounter! is an album led by saxophonist Pepper Adams which was recorded in 1968 and released on the Prestige label.
Pepper Adams Quintet, is the debut album by baritone saxophonist Pepper Adams recorded in 1957 and originally released on the Mode label.
Critics' Choice is an album led by baritone saxophonist Pepper Adams which was recorded in 1957 and originally released on the World Pacific label.
The Cool Sound of Pepper Adams is an album led by baritone saxophonist Pepper Adams which was recorded in late 1957 and originally released on the Regent label. The album was rereleased on Savoy as Pure Pepper in 1984 with an additional previously unreleased track.
The Pepper-Knepper Quintet is an album led by baritone saxophonist Pepper Adams and trombonist Jimmy Knepper which was recorded in 1958 and originally released on the MetroJazz label.
Julian, is a live album by baritone saxophonist Pepper Adams which was recorded in Munich in 1975 and originally released on the Enja label.
Reflectory, is an album by baritone saxophonist Pepper Adams which was recorded in 1978 and originally released on the Muse label.
The Master..., is an album by baritone saxophonist Pepper Adams which was recorded in 1980 and originally released on the Muse label.
Urban Dreams, is an album by baritone saxophonist Pepper Adams which was recorded in 1981 and originally released on the Palo Alto label.
Conjuration: Fat Tuesday's Session is a live album by baritone saxophonist Pepper Adams featuring trumpeter Kenny Wheeler which was recorded in August 1983 and originally released on the Uptown label in 1984 as Live at Fat Tuesdays then released on CD with additional tracks on Reservoir Records in 1990.
Generations, is an album by saxophonists Pepper Adams and Frank Foster which was recorded and released on the Muse label in 1985.