Albany Leon "Barney" Bigard was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone.
Mingus Mingus Mingus Mingus Mingus is a studio album by the American jazz composer and bassist Charles Mingus which was released on January 9, 1964.
George Rufus Adams was an American jazz musician who played tenor saxophone, flute and bass clarinet. He is best known for his work with Charles Mingus, Gil Evans, Roy Haynes and in the quartet he co-led with pianist Don Pullen, featuring bassist Cameron Brown and drummer Dannie Richmond. He was also known for his idiosyncratic singing.
Changes One is an album by the jazz composer and bassist Charles Mingus, released in 1975.
Don Gabriel Pullen was an American jazz pianist and organist. Pullen developed a strikingly individual style throughout his career. He composed pieces ranging from blues to bebop and modern jazz. The great variety of his body of work makes it difficult to pigeonhole his musical style.
Hamiet Bluiett was an American jazz saxophonist, clarinetist, and composer. His primary instrument was the baritone saxophone, and he was considered one of the finest players of this instrument. A member of the World Saxophone Quartet, he also played the bass saxophone, E-flat alto clarinet, E-flat contra-alto clarinet, and wooden flute.
Charles Daniel Richmond was an American jazz drummer who is best known for his work with Charles Mingus. He also worked with Joe Cocker, Elton John and Mark-Almond.
The Blanton–Webster Band is a compilation album that combines the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942, involving bassist Jimmy Blanton and tenor saxophonist Ben Webster. The recordings were originally made for RCA Victor during what many critics regard as the Ellington orchestra's golden period. The three CDs contain many numbers which were to become classics, and the arrangements were frequently inventive and innovative.
"Caravan" is an American jazz standard that was composed by Juan Tizol and Duke Ellington and first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The exotic sound of "Caravan" interested exotica musicians; Martin Denny, Arthur Lyman, and Gordon Jenkins all covered it. Woody Allen used the song in two of his films, Alice and Sweet and Lowdown. Steven Soderbergh used the Lyman version in his 2001 film Ocean's Eleven. The song appears often in the 2014 film Whiplash as an important plot element. The Mills Brothers recorded an a cappella version in which they imitated instruments with their voices. Johnny Mathis recorded the song in 1956. More than 350 versions have been recorded.
Never No Lament: The Blanton-Webster Band is a 2003 three-disc compilation combining the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942 with an additional nine tracks, including five alternative takes and four additional masters. An expanded version of The Blanton–Webster Band, this reissue, according to Allmusic, "truly worth either an initial investment or reinvestment". All About Jazz: New York observed that these performances, from what is often considered "the band in its prime", "not only set the standard for big bands and jazz orchestras, but created an ideal near insurmountable to improve upon". The Penguin Guide to Jazz selected this compilation as part of its suggested "Core Collection."
Mingus Moves is an album by the jazz composer and bassist Charles Mingus, released in 1973.
Richard Gene Williams was an American jazz trumpeter.
Kirk in Copenhagen is a live album by jazz multi-instrumentalist Roland Kirk recorded in October 1963 at the Club Monmartre in Copenhagen, Denmark. It was originally released on the Mercury label in 1963 and features performances by Kirk with Tete Montoliu, Niels-Henning Ørsted Pedersen, Don Moore and J.C. Moses and a guest appearance by Sonny Boy Williamson.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Featuring Paul Gonsalves is an album by American jazz pianist, composer, and bandleader Duke Ellington. Without new material to work with, Ellington recorded the album with his orchestra and saxophonist Paul Gonsalves in 1962 during a four-hour recording session. It was not released until 1985 by Fantasy Records.
Duke Ellington at Fargo, 1940 Live is a live album by the Duke Ellington Orchestra that won the Grammy Award for Best Large Jazz Ensemble Album in 1980. The album was recorded at a dance in Fargo, North Dakota.
More Funk is a live album by American jazz pianist Don Pullen and saxophonist George Adams recorded in 1979 for the Italian Palcoscenico label.
Mingus at Monterey is a live album by the jazz bassist and composer Charles Mingus, recorded in 1964 at the Monterey Jazz Festival and originally released on Mingus's short-lived mail-order Jazz Workshop label but subsequently released on other labels.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
Live at the Theatre Boulogne-Billancourt/Paris, Vol. 1 is an album by Mingus Dynasty, billed as Big Band Charlie Mingus.
