| Reincarnation of a Lovebird | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1988 | |||
| Recorded | November 11, 1960 | |||
| Studio | Nola Penthouse Studios, New York City | |||
| Genre | Jazz | |||
| Length | 45:00 | |||
| Label | Candid | |||
| Producer | Nat Hentoff | |||
| Charles Mingus chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Penguin Guide to Jazz Recordings |  [2] |
Reincarnation of a Lovebird is a studio album by the American jazz bassist and composer Charles Mingus, recorded in November 1960. [3]
The record was not released until 1988 due to the closure of Candid Records soon after the recordings were made. In 1988, the British record producer Alan Bates revived the label. The revival triggered the issuing of several previously unreleased recordings, including this session.
The album is not to be confused with two other Mingus releases bearing the same title. A Prestige Records double album release contains recordings from a later period. In the United Kingdom, Mingus's 1957 Atlantic Records album The Clown was retitled Reincarnation of a Lovebird for a 1960s reissue.
Mingus Mingus Mingus Mingus Mingus is a 1964 album by the American jazz composer and bassist Charles Mingus.
Blue Haze is a compilation album of tracks recorded in 1953 and 1954 by Miles Davis for Prestige Records.
Mingus at Antibes was originally issued by BYG Records under the title Charles Mingus Live With Eric Dolphy in Japan in 1974. It was recorded at a live 1960 performance at the Jazz à Juan festival at Juan-les-Pins by jazz bassist and composer Charles Mingus; and was re-released by Atlantic Records in more complete form as a double album with the title Mingus In Antibes in the United States in 1976.
The Clown is an album by Charles Mingus, released in September 1957 on Atlantic Records as SD-1260. It is the follow-up to 1956's Pithecanthropus Erectus and features the improvised narration of Jean Shepherd. A deluxe edition of The Clown was issued in 2000 on Rhino featuring two bonus tracks. All the tracks were recorded on March 12, 1957, except for "The Clown", recorded on February 13 of the same year.
Charles Mingus Presents Charles Mingus is an album by the jazz double bassist and composer Charles Mingus, recorded in October 1960 and released in December of the same year. The quartet of Mingus, multi-instrumentalist Eric Dolphy, trumpeter Ted Curson, and drummer Dannie Richmond constituted Mingus' core working band at the time, and had been performing the material on this album for weeks at The Showplace in New York. To recreate this atmosphere, Mingus introduces the songs as if he were speaking to the audience, even admonishing them to not applaud or rattle their glasses. This explains why the recordings on Presents would seemingly give off the illusion of a live album, when in fact it is a studio album.
Three or Four Shades of Blues is a studio album by the American jazz bassist and bandleader Charles Mingus. It was recorded in sessions held on March 9 and 11, 1977, at New York City's Atlantic Studios, and on March 29 at the Record Plant in Los Angeles. The album features two new versions of Mingus's "standards" and three new compositions performed by large ensembles featuring saxophonists Ricky Ford, George Coleman, and Sonny Fortune, pianist Jimmy Rowles, guitarists Larry Coryell, Philip Catherine and John Scofield, bassists Ron Carter and George Mraz, trumpeter Jack Walrath, and drummer Dannie Richmond.
Cumbia & Jazz Fusion is an album by Charles Mingus, recorded for the Atlantic label in 1977. It features two extended compositions written for the film Todo Modo by Mingus and performed by large ensembles featuring Jack Walrath, Jimmy Knepper, Paul Jeffrey, Ricky Ford, Dannie Richmond, Candido, Ray Mantilla, George Adams and Danny Mixon. The first two tracks on the album were inspired by Colombian cumbia. The CD reissue added two solo performances by Mingus on piano.
Mingus at Carnegie Hall is a live album by the jazz bassist and composer Charles Mingus, recorded at Carnegie Hall in January 1974 by Mingus with Jon Faddis, Charles McPherson, John Handy, George Adams, Rahsaan Roland Kirk, Hamiet Bluiett, Don Pullen, and Dannie Richmond.
Cornell 1964 is a live album by the Charles Mingus Sextet, featuring multi-instrumentalist Eric Dolphy. It was recorded at Cornell University in Ithaca, New York, on March 18, 1964.
The Great Concert of Charles Mingus is a live album by the jazz bassist and composer Charles Mingus, recorded at the Théâtre des Champs-Élysées, Paris, France, on April 19, 1964. It was originally released as a triple album in 1971 on the French America label. The album was recorded just two days after the live sessions that produced Revenge!, which was also recorded live in Paris.
Town Hall Concert is a 1964 live album by the jazz bassist and composer Charles Mingus. It was recorded in New York City at The Town Hall on April 4, 1964. "So Long Eric" is a 12-bar blues that got its name after Eric Dolphy informed Mingus he would be leaving the band to stay in Europe before a concert in Oslo. "Praying With Eric" is more commonly known as "Meditations On Integration". The album was originally released on Mingus' own Jazz Workshop label and subsequently rereleased on Fantasy as part of their Original Jazz Classics series.
Pre-Bird is an album by jazz bassist and composer Charles Mingus consisting of music that was composed before Mingus first heard Charlie Parker, hence the title Pre-Bird. It was released on Mercury Records in September 1961.
Jazz Portraits: Mingus in Wonderland is a live album by jazz bassist and composer Charles Mingus, recorded in 1959 and released on the United Artists label in September of that year. The original release was titled Jazz Portraits, and a subsequent edition was titled Wonderland, leading to the combined title of Jazz Portraits: Mingus in Wonderland.
The Teddy Charles Tentet is a 1956 jazz album featuring a tentet led by multi-instrumentalist Teddy Charles. Critically well received, the album is listed as one of the "Core Collection" albums in The Penguin Guide to Jazz and an essential recording in 2000's The Essential Jazz Records: Modernism to Postmodernism. Released originally in high fidelity vinyl by Atlantic, the album has been reissued on CD and LP multiple times since 2001.
Mingus is an album by the jazz bassist and composer Charles Mingus. The album was recorded in October and November 1960 in New York and released in late 1961 on Nat Hentoff's Candid label.
Music Written for Monterey 1965 is a live album by the American bassist, composer and bandleader Charles Mingus, recorded at Royce Hall in Los Angeles and released on Mingus's own Jazz Workshop label in 1966. The album was rereleased by Sue Mingus on the Sunnyside label in 2006.
Charles Mingus in Paris: The Complete America Session is a compilation of two albums by American bassist, composer and bandleader Charles Mingus which were recorded in Paris in 1970 and first released on the French America label as Blue Bird and Pithycanthropus Erectus. The compilation was released on the Sunnyside label in 2006 with all the released tracks combined on one CD and a second CD of additional tracks featuring false starts and incomplete takes from the session.
Mingus in Europe Volume II is a live album by the jazz bassist and composer Charles Mingus, recorded in 1964 in Germany and released on the Enja label in 1980.
Pepper Adams Plays the Compositions of Charlie Mingus, is an album by baritone saxophonist Pepper Adams featuring Quintet and Octet performances of Charles Mingus' compositions which was recorded in 1963 and originally released on the Motown subsidiary label, Workshop Jazz.
Knitting Factory (Piano/Quartet) 1994, Vol. 2 is a live album by composer and pianist Anthony Braxton with a quartet, recorded at the Knitting Factory in 1994 and released on the Leo label in 2000.
