 | This article relies largely or entirely on a single source .(July 2017) |
| Mad Thad | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1957 | |||
| Recorded | December 24, 1956 January 6, 1957 | |||
| Genre | Jazz | |||
| Length | 46:14 | |||
| Label | Period | |||
| Thad Jones chronology | ||||
| ||||
| Alternative cover | ||||
 Pye / Nixa Jazz Today Series (Europe) | ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| The Penguin Guide to Jazz Recordings |  [2] |
Mad Thad is a Hardbop jazz album by Thad Jones recorded in 1957 for Period Records.
24 December 1956 Session: (Tracks 1,6,7)
6 January 1957 Session: (Tracks 2,3,4,5)
At the Opera House is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz; they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957, at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957, at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18).
Ella and Basie! is a 1963 studio album by Ella Fitzgerald, accompanied by Count Basie and his orchestra, with arrangements by Quincy Jones and Benny Carter. It was later reissued with slightly different cover art as On the Sunny Side of the Street.
Ella Fitzgerald and Billie Holiday at Newport is a 1958 live album by Ella Fitzgerald and Billie Holiday, recorded at the 1957 Newport Jazz Festival.
Genius + Soul = Jazz is a 1961 album by Ray Charles featuring big band arrangements by Quincy Jones and Ralph Burns. Charles is accompanied by two groups drawn from members of The Count Basie Band and from the ranks of top New York session players. It was recorded at Van Gelder Studio in two sessions on December 26 and 27, 1960 and originally released on the Impulse! label as Impulse! A–2.
Charlie Parker on Dial: The Complete Sessions is a 1993 four-disc box set collecting jazz saxophonist and composer Charlie Parker's 1940s recordings for Dial Records. The box set, released by the English label Spotlite Records, assembled into a single package the multi-volume compilation albums the label had released by Spotlite on vinyl in the 1970s under the series title Charlie Parker on Dial. The box set has been critically well received. In 1996, a different box set collecting Parker's work with Dial was assembled by Jazz Classics and released as Complete Charlie Parker on Dial.
The Swingin' Miss D is a studio album by Dinah Washington, arranged by Quincy Jones. It was recorded in December 1956 and released in September 1957.
The Individualism of Gil Evans is an album by pianist, conductor, arranger and composer Gil Evans originally released on the Verve label in 1964. It features Evans' big band arrangements of five original compositions and compositions by Kurt Weill, Bob Dorough, John Lewis and Willie Dixon. Tracks 1, 6, 7, 8 & 9 first appeared on the CD version of the album.
Songs for Distingué Lovers is an album by jazz singer Billie Holiday, released in 1958 on Verve Records. It was originally available in both mono and stereo. It was recorded at Capitol Studios in Los Angeles from January 3 to January 9, 1957, and produced by Norman Granz.
Body and Soul is a studio album by jazz singer Billie Holiday, released in 1957.
See You at the Fair is an album by jazz saxophonist Ben Webster, released on Impulse! Records.
This Is How I Feel About Jazz is a 1957 album by Quincy Jones. Jones arranged and conducted three recording sessions during September 1956, each with a different line-up, from a nonet to a fifteen piece big band. Musicians on the album include Art Farmer, Phil Woods, Lucky Thompson, Hank Jones, Paul Chambers, Milt Jackson, Art Pepper, Zoot Sims, and Herbie Mann. The bonus tracks on the CD release include compositions by Jimmy Giuffre, Lennie Niehaus and Charlie Mariano.
Billie Holiday at Jazz at the Philharmonic is a live album by jazz singer Billie Holiday, originally recorded on February 12, 1945 and October 3, 1946 at the Jazz at the Philharmonic concert at the Shrine Auditorium in Los Angeles, and at Carnegie Hall on June 3, 1946.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
Birks' Works is an album by trumpeter Dizzy Gillespie recorded in 1957 and released on the Verve label. The original album featured 10 tracks and was reissued as Birks Works: The Verve Big Band Sessions, a 2 CD compilation featuring unreleased tracks, alternate takes and tracks from Gillespie's previous 1956 albums Dizzy in Greece and World Statesman.
Sonny Stitt Plays Arrangements from the Pen of Quincy Jones is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
This Time by Basie is an album released by pianist, composer and bandleader Count Basie featuring jazz versions of contemporary hits recorded in 1963 and originally released on the Reprise label.
The Complete Roost Recordings is a 1997 compilation 3-CD set of sessions led by saxophonist and bandleader Stan Getz recorded for the Roost Records label between 1950 and 1954. The compilation includes material previously released on Getz's Roost LPs The Sound, The Getz Age, the two volumes of Stan Getz at Storyville and the album with guitarist Johnny Smith - Moonlight in Vermont along with alternate takes and previously unreleased performances.
The Jones Boys is an album coordinated by Leonard Feather featuring trumpeter Thad Jones, pianist Jimmy Jones, bassist Eddie Jones and drummer Jo Jones along with Reunald Jones, Quincy Jones on four tracks which was recorded in early 1957 and first released on the Period label. The album was reissued on CD on Original Jazz Classics in 1999.
Sarah Vaughan is the debut 1950 LP album of Sarah Vaughan with George Treadwell and His All Stars, 10" Columbia Records CL 6133. The instrumentalists comprised Billy Taylor Sr. bass, clarinet Tony Scott, drums J.C. Heard, guitars Freddie Green and Mundell Lowe, piano Jimmy Jones, on tenor saxophone Budd Johnson, trombone Bennie Green, and trumpet Miles Davis. The 8 songs were later incorporated into 1955's Sarah Vaughan in Hi-Fi.
