Jerome Richardson was an American jazz musician and woodwind player. He played the soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, bass saxophone, soprano clarinet, alto clarinet, bass clarinet, piccolo, western concert flute, soprano flute, alto flute, tenor flute, and bass flute. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band.
Oscar Pettiford was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom.
Eli "Lucky" Thompson was an American jazz tenor and soprano saxophonist whose playing combined elements of swing and bebop. Although John Coltrane usually receives the most credit for bringing the soprano saxophone out of obsolescence in the early 1960s, Thompson embraced the instrument earlier than Coltrane.
Gigi Gryce, later in life changing his name to Basheer Qusim, was an American jazz saxophonist, flautist, clarinetist, composer, arranger, and educator.
Julius Watkins was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the Down Beat critics poll in 1960 and 1961 for Miscellaneous Instrument.
I Can't Help It is a 1992 Betty Carter compilation album. It contains all of the tracks from her albums Out There with Betty Carter and The Modern Sound of Betty Carter. The same combination of tracks had previously been released as a double LP by ABC Records under the title What a Little Moonlight Can Do.
James "Osie" Johnson was a jazz drummer, arranger and singer.
James Milton Cleveland was an American jazz trombonist born in Wartrace, Tennessee.
Winner's Circle is a 1958 album by jazz musicians who came first or second in Down Beat's critics' poll of 1957.
Daniel Bernard Bank was an American jazz saxophonist, clarinetist, and flautist. He is credited on some releases as Danny Banks.
Nica's Tempo is the most common latter-day title of an album by the Gigi Gryce Orchestra and Quartet, recorded and first released in late 1955. The title track is a reference to Nica de Koenigswarter a.k.a. "The Bebop Baroness" or "The Jazz Baroness", a patron of jazz musicians such as Thelonious Monk and Charlie Parker.
The Hawk Flies High is a 1957 album by jazz tenor saxophonist Coleman Hawkins. Apart from Barry Galbraith and Jo Jones on guitar and drums, the line-up of his accompanying sextet had a bebop background, namely J.J. Johnson on trombone, Idrees Sulieman on trumpet, pianist Hank Jones, and Oscar Pettiford on bass.
This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad.
The Art Farmer Septet is an album by trumpeter Art Farmer, featuring performances recorded in 1953 and 1954, arranged by Quincy Jones and Gigi Gryce, and released by Prestige Records in 1956. It is his earliest recorded full-length album, but was his third issued. The cover art was by cartoonist Don Martin.
Salute to the Flute is an album by American jazz flautist Herbie Mann featuring tracks recorded in 1957 for the Epic label.
Sister Salvation is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1960.
Rhythm Crazy is an album led by American trombonist Jimmy Cleveland. It features tracks recorded in 1959, but the LP was not released by the EmArcy label until 1964.
Another One is an album by bassist/cellist and composer Oscar Pettiford which was recorded in 1955 and first issued on the Bethlehem label.
The Oscar Pettiford Orchestra in Hi-Fi Volume Two is an album by bassist/cellist and composer Oscar Pettiford that was recorded in 1957 and first issued on the ABC-Paramount label.
Earl Coleman Returns is an album by American jazz singer Earl Coleman recorded in 1956 and released on the Prestige label. The 1994 CD reissue added four additional tracks originally released on 78 RPM singles.
