|Here Comes Louis Smith|
|Studio album by|
|Recorded||February 4 (#1-2, 5) & February 9 (#3-4, 6), 1958|
Audio Sonic Sound, Brill Building, New York City
|Label|| Blue Note |
|Louis Smith chronology|
Here Comes Louis Smith is the debut album by American trumpeter Louis Smith recorded in 1958 and released on the Blue Note label.Originally recorded for the Transition label, the company went out of business shortly afterwards and before the recording could be released. The album masters were acquired by Blue Note's Alfred Lion.
The Allmusic review by Scott Yanow awarded the album 4½ stars and stated: "Louis Smith had a brilliant debut on this Blue Note album, his first of two before becoming a full-time teacher."
Them Dirty Blues is an album by the Cannonball Adderley Quintet, recorded in 1960.
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings by Cannonball Adderley and Nat Adderley, produced for the Savoy label.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
In the Land of Hi-Fi with Julian Cannonball Adderley is the fourth album by jazz saxophonist Cannonball Adderley, and his third released on the EmArcy label, featuring a big band with Nat Adderley, Jerome Richardson, Ernie Royal, Bobby Byrne, Jimmy Cleveland, Danny Bank, Junior Mance, Keter Betts, and Charles "Specs" Wright.
Sophisticated Swing is the fifth album by jazz saxophonist Cannonball Adderley, and his fourth released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb.
Cannonball's Sharpshooters is the seventh album by jazz saxophonist Cannonball Adderley, and his second released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb.
The Cannonball Adderley Quintet at the Lighthouse is a live album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring a performance by Adderley with Nat Adderley, Victor Feldman, Sam Jones and Louis Hayes.
Plus is an album by Cannonball Adderley Quintet released on the Riverside label featuring performances by Adderley with Nat Adderley, Wynton Kelly, Victor Feldman, Sam Jones and Louis Hayes.
The Japanese Concerts is a live album by jazz saxophonist Cannonball Adderley recorded at the Kosei-nenkin Kaikan and Sankei Hall in Tokyo during his 1963 Japanese tour and featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. The album was released on the Milestone label in 1975 and combines material previously released on Adderley's Nippon Soul (1963) with an additional disc of unreleased performances from a concert recorded a week earlier.
Cannonball Adderley's Fiddler on the Roof is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances of material from the Broadway musical Fiddler on the Roof by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, Michael Wolff, Walter Booker and Roy McCurdy with guest percussionist Airto Moreira and sessions featuring past Quintet members George Duke, Sam Jones, and Louis Hayes.
New Bottle Old Wine is an album by jazz composer, arranger, conductor and pianist Gil Evans recorded in 1958 by Evans with an orchestra. The album is a suite of songs written by and/or associated with major jazz musicians and composers, in original arrangements by Gil Evans. Cannonball Adderley is featured as the main soloist. The orchestra also featured a number of important players including Bill Barber, Frank Rehak, Johnny Coles, Art Blakey, and Paul Chambers.
Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York is the eighth volume of The Private Collection - whereas is Volume 5 in the edition of the collection by the English KAZ Jazz Masters label - a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Blue Lights is an album by American jazz guitarist Kenny Burrell recorded in 1958 and released on the Blue Note label as two 12 inch LPs entitled Volume 1 and Volume 2. The cover features artwork by Andy Warhol. The album was subsequently reissued as separate CDs and a two disc set combining Volume 1 and Volume 2.
Plenty, Plenty Soul is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1957 and released on the Atlantic label.
The Soul Society is the debut album by bassist and cellist Sam Jones featuring performances recorded in early 1960 and originally released on the Riverside label.
The Chant is the second album by bassist and cellist Sam Jones featuring performances recorded in early 1961 and originally released on the Riverside label.
Goodbye is the final album by saxophonist Gene Ammons recorded in 1974 and released on the Prestige label.
Joe Williams Live is a live album by Joe Williams featuring Cannonball Adderley's Septet recorded at Fantasy Studios' Studio "A" in front of a live audience and released on the Fantasy label.