| The Arrival of Kenny Dorham | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | May 1960 [1] | |||
| Recorded | January 10, 1960 New York City | |||
| Genre | Jazz, bebop | |||
| Length | 41:55 | |||
| Label | Jaro JAM 5007 Xanadu Xanadu 125 (reissue) | |||
| Producer | Don Schlitten | |||
| Kenny Dorham chronology | ||||
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The Arrival of Kenny Dorham is a jazz studio album by Kenny Dorham, recorded and release in 1960. Initially released by Jaro Records, it would be reissued on the Xanadu label in 1975 as The Kenny Dorham Memorial Album with a different artwork.
The Allmusic review by Scott Yanow stated: "The straight-ahead music includes features for Davis and Warren, but Dorham consistently takes honors". [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| The Rolling Stone Jazz Record Guide | [3] |
| The Penguin Guide to Jazz Recordings | [4] |
Vertigo is an album by American saxophonist Jackie McLean, recorded in 1962 and 1963 but not released on the Blue Note label until 1980. The initial release contained only the five tracks from 1963, while the later 2000 limited CD edition, released as part of the "Connoisseur Series", added six tracks from a 1962 session originally marked for release as Jackie McLean Quintet, first issued in 1978 as part of a double LP entitled Hipnosis.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, recorded and released by Blue Note Records in 1963. Henderson is featured in a group with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The pieces on the album were written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: Henderson’s "Recorda Me" and Dorham’s "Blue Bossa". All of the musicians are listed on the album's front cover with the exception of Tyner, who is credited as "ETC." due to his being signed to rival Impulse! Records.
Horace Silver and the Jazz Messengers is an album by Horace Silver and the Jazz Messengers compiling two 1955 10" LPs—Horace Silver Quintet, Vol. 3 and Horace Silver Quintet, Vol. 4 —recorded on November 13, 1954 and February 6, 1955 respectively and released on Blue Note in October 1956—Silver’s debut 12". The quintet features horn section Hank Mobley and Kenny Dorham and rhythm section Doug Watkins and Art Blakey.
Ming is an album by David Murray, released in 1980 on the Italian Black Saint label and the first to feature his Octet. It features performances by Murray, Henry Threadgill, Olu Dara, Lawrence "Butch" Morris, George E. Lewis, Anthony Davis, Wilber Morris and Steve McCall.
Fontainebleau is a 1956 album by jazz musician Tadd Dameron. The title track, inspired by a trip to the French palace of the same name, is a through-composed composition with no solos, while "Flossie Lou" is a contrafact of "Jeepers Creepers".
In 'n Out is the third album by the jazz saxophonist Joe Henderson, released on the Blue Note label. It was recorded on April 10, 1964, and contains performances by Henderson with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Richard Davis and drummer Elvin Jones.
Una Mas, titled Una Mas (One More Time) on the front cover, is a jazz album by trumpeter Kenny Dorham and his quintet, released in 1963 on Blue Note as BLP 4127 and BST 84127. The album would be the next-to-last studio session led by the trumpeter. Una Mas features three compositions by Dorham himself. An outtake from the session, the ballad "If Ever I Would Leave You", comes from the Broadway musical Camelot.
Joe Henderson in Japan is a live album by American saxophonist Joe Henderson, recorded in 1971 at Junk Club in Tokyo, and released on Milestone Records in 1973. Henderson is joined by Japanese musicians Hideo Ichikawa on electric piano, bassist Kunimitsu Inaba and drummer Motohiko Hino.
Jazz Contrasts is an album by American jazz trumpeter Kenny Dorham, recorded in 1957 and released on the Riverside label.
2 Horns / 2 Rhythm is an album by American jazz trumpeter Kenny Dorham, featuring performances with Ernie Henry. It was recorded in 1957 and released on Riverside Records. This was Henry's last recording session.
This Is the Moment! is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1958 and released on the Riverside label. Dorham sings on the album, for the first and only time in his discography. The album marks the recording debut of pianist Cedar Walton.
Jazz Contemporary is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1960 and released on the Time label. The album features the recording debut of pianist Steve Kuhn.
Showboat is an album by American jazz trumpeter Kenny Dorham featuring performances of tunes from the Jerome Kern-Oscar Hammerstein II musical Show Boat recorded in 1960 and released on the Time label.
Hipnosis is a studio album by saxophonist Jackie McLean. It features selections recorded for Blue Note Records in the 1960s, but not released until 1978. The album was released in the US as a two-fer, which included five songs from a 1967 session, plus six songs recorded in 1962 later appeared on the CD reissue of Vertigo. In Japan, it was released the same year as a standard LP (ST-83022) with a different cover, featuring only the 1967 tracks.
Soul Call is an album by guitarist Kenny Burrell recorded in 1964 and released on the Prestige label.
Pairing Off is an album by saxophonist Phil Woods' Septet recorded in 1956 and released on the Prestige label.
Abbey Is Blue is the fourth album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1959 for the Riverside label.
Jazz in ¾ Time is an album by American jazz drummer Max Roach featuring tracks recorded in late 1956 and early 1957 and released on the EmArcy label.
Starting Time is an album by jazz saxophonist Clifford Jordan which was recorded in 1961 and released on the Jazzland label.
Eastward Ho! Harold Land in New York is an album by American saxophonist Harold Land, recorded in late 1960 and released on the Jazzland label.