| Jazz Contrasts | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | Early October 1957 [1] | |||
| Recorded | May 21 (#1–2, 6) and May 27 (#3–5), 1957 | |||
| Studio | Reeves Sound Studio, New York City | |||
| Genre | Jazz | |||
| Length | 41:02 | |||
| Label | Riverside RLP 12-239 | |||
| Producer | Orrin Keepnews | |||
| Kenny Dorham chronology | ||||
| ||||
Jazz Contrasts is an album by American jazz trumpeter Kenny Dorham, recorded in 1957 and released on the Riverside label. [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
| Down Beat |  [4] |
| The Rolling Stone Jazz Record Guide | [5] |
| The Penguin Guide to Jazz Recordings | [6] |
The AllMusic review by Scott Yanow stated: "This album is a bit brief in time (41 minutes) but contains many memorable selections." [3]
Vertigo is an album by American saxophonist Jackie McLean, recorded in 1962 and 1963 but not released on the Blue Note label until 1980. The initial release contained only the five tracks from 1963, while the later 2000 limited CD edition, released as part of the "Connoisseur Series", added six tracks from a 1962 session originally marked for release as Jackie McLean Quintet, first issued in 1978 as part of a double LP entitled Hipnosis.
Cedar! is the debut album by pianist Cedar Walton, recorded in 1967 and released on the Prestige label.
Max Roach + 4 is an LP recorded by jazz drummer Max Roach, which featured Kenny Dorham on trumpet, Sonny Rollins on tenor sax, Ray Bryant on piano, and George Morrow on bass. It was the first album Roach recorded after his collaborators, trumpeter Clifford Brown and pianist Richie Powell, died in a car crash in June 1956.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, recorded and released by Blue Note Records in 1963. Henderson is featured in a group with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The pieces on the album were written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: Henderson’s "Recorda Me" and Dorham’s "Blue Bossa". All of the musicians are listed on the album's front cover with the exception of Tyner, who is credited as "ETC." due to his being signed to rival Impulse! Records.
In 'n Out is the third album by the jazz saxophonist Joe Henderson, released on the Blue Note label. It was recorded on April 10, 1964, and contains performances by Henderson with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Richard Davis and drummer Elvin Jones.
Blue Spring is a 1959 album by jazz trumpeter Kenny Dorham and saxophonist Cannonball Adderley released on the Riverside label, featuring performances by Dorham and Adderley with Dave Amram, Cecil Payne, Cedar Walton, Paul Chambers, and Philly Joe Jones or Jimmy Cobb.
2 Horns / 2 Rhythm is an album by American jazz trumpeter Kenny Dorham, featuring performances with Ernie Henry. It was recorded in 1957 and released on Riverside Records. This was Henry's last recording session.
This Is the Moment! is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1958 and released on the Riverside label. Dorham sings on the album, for the first and only time in his discography. The album marks the recording debut of pianist Cedar Walton.
Jazz Contemporary is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1960 and released on the Time label. The album features the recording debut of pianist Steve Kuhn.
Showboat is an album by American jazz trumpeter Kenny Dorham featuring performances of tunes from the Jerome Kern-Oscar Hammerstein II musical Show Boat recorded in 1960 and released on the Time label.
The Arrival of Kenny Dorham is a jazz studio album by Kenny Dorham, recorded and release in 1960. Initially released by Jaro Records, it would be reissued on the Xanadu label in 1975 as The Kenny Dorham Memorial Album with a different artwork.
This Is New is an album by pianist Kenny Drew recorded in 1957 and released on the Riverside label.
The Modern Touch is the second album by saxophonist Benny Golson featuring performances recorded in late 1957 and originally released on the Riverside label.
Pairing Off is an album by saxophonist Phil Woods' Septet recorded in 1956 and released on the Prestige label.
That's Him! is the second album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1957 for the Riverside label.
Jazz in ¾ Time is an album by American jazz drummer Max Roach featuring tracks recorded in late 1956 and early 1957 and released on the EmArcy label.
Starting Time is an album by jazz saxophonist Clifford Jordan which was recorded in 1961 and released on the Jazzland label.
Eastward Ho! Harold Land in New York is an album by American saxophonist Harold Land, recorded in late 1960 and released on the Jazzland label.
Jammin' in Hi Fi with Gene Ammons is an album by saxophonist Gene Ammons recorded in 1957 and released on the Prestige label.
Buttercorn Lady is a live album by drummer Art Blakey's New Jazz Messengers recorded at The Lighthouse jazz club in 1966 and originally released that year on the Limelight label. The album was the first commercial recording to feature pianist Keith Jarrett, who had joined Blakey's band a few months earlier.
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