| The Max Roach 4 Plays Charlie Parker | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1959 | |||
| Recorded | December 23, 1957 and April 11, 1958 New York City | |||
| Genre | Jazz | |||
| Length | 56:36 | |||
| Label | EmArcy MG 36127 | |||
| Max Roach chronology | ||||
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The Max Roach 4 Plays Charlie Parker is an album by American jazz drummer Max Roach featuring tracks associated with Charlie Parker recorded in late 1957 and 1958 and released on the EmArcy label. [1] It is also the first album to feature Roach playing without a piano.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| The Rolling Stone Jazz Record Guide | [3] |
| Tom Hull | B+ (  ) [4] |
Allmusic awarded the album 4 stars stating "this set is generally fine although the lack of a piano is really felt on some of this material". [2]
All compositions by Charlie Parker except as indicated
McKinley Howard "Kenny" Dorham was an American jazz trumpeter, singer, and composer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with underrated." Dorham composed the jazz standard "Blue Bossa", which first appeared on Joe Henderson's album Page One.
Jazz at Massey Hall is a live jazz album featuring a performance by "The Quintet" given on 15 May 1953 at Massey Hall in Toronto, Ontario, Canada. The quintet was composed of five leading 'modern' players of the day: Dizzy Gillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach. It was the only time that the five musicians recorded together as a unit, and it was the last recorded meeting of Parker and Gillespie.
Max Roach + 4 is an LP recorded by jazz drummer Max Roach, which featured Kenny Dorham on trumpet, Sonny Rollins on tenor sax, Ray Bryant on piano, and George Morrow on bass. It was the first album Roach recorded after his collaborators, trumpeter Clifford Brown and pianist Richie Powell, died in a car crash in June 1956.
Clifford Brown and Max Roach at Basin Street is a 1956 album by the Clifford Brown and Max Roach Quintet, the last album the quintet officially recorded. Apart from Sonny Rollins Plus 4, it was the last studio album Brown and pianist Richie Powell recorded before their deaths in June that year. The title is a reference to the Basin Street East jazz club, where the quintet had performed several times. The album was identified by Scott Yanow in his AllMusic essay "Hard Bop" as one of the 17 Essential Hard Bop Recordings.
Freedom Suite is an album by jazz saxophonist Sonny Rollins, his last recorded for the Riverside label, featuring performances by Rollins with Oscar Pettiford and Max Roach.
Rollins Plays for Bird is a 1957 album by jazz saxophonist Sonny Rollins, recorded for the Prestige label, featuring performances by Rollins with Kenny Dorham, Wade Legge, George Morrow and Max Roach on material associated with Charlie Parker.
Cool Blues is a live album by American jazz organist Jimmy Smith featuring performances recorded at Small's Paradise in New York City in 1958 but not released on the Blue Note label until 1980. The album was rereleased on CD with three bonus tracks recorded at the same performance.
Blowing in from Chicago is an album by American jazz saxophonists Clifford Jordan and John Gilmore featuring performances recorded in 1957 and released on the Blue Note label. The CD reissue added a bonus track from the same session.
Heavy!!! is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1966 for the Prestige label.
Booker Little is an album by American jazz trumpeter Booker Little featuring performances recorded in 1960 for the Time label.
Dear John C. is an album by American jazz drummer Elvin Jones featuring performances recorded in 1965 for the Impulse! label. The "John C." mentioned in the title is John Coltrane. The album was also released on SACD. It features Jones leading a quartet of alto saxophonist Charlie Mariano, pianist Roland Hanna and bassist Richard Davis.
As Long as There's Music is an album of duets by bassist Charlie Haden and pianist Hampton Hawes recorded in 1976 and released on the Artists House label in 1978. The 1993 CD reissue added a bonus track originally released on The Golden Number and three alternative takes from the recording sessions.
Jazz in ¾ Time is an album by American jazz drummer Max Roach featuring tracks recorded in late 1956 and early 1957 and released on the EmArcy label.
Max Roach + 4 on the Chicago Scene is an album by the American jazz drummer Max Roach featuring tracks recorded in Chicago in 1958 and released on the EmArcy label in mono; alternate versions of four tracks were released in Japan on a 1984 stereo reissue.
Drums Unlimited is an album by American jazz drummer Max Roach recorded in 1965 and 1966 and released on the Atlantic label.
Kaleidoscope is an album by saxophonist Sonny Stitt compiling tracks recorded in 1950-52 and released on the Prestige label in 1957. The 1991 CD reissue added four bonus tracks to the original LP.
Sonny Stitt/Bud Powell/J. J. Johnson is an album by saxophonist Sonny Stitt compiling tracks recorded with trombonist J. J. Johnson or pianist Bud Powell in 1949–50 and released on the Prestige label in 1957. The 1990 CD reissue added five bonus tracks to the original LP. The cover art was done by cartoonist Don Martin of MAD magazine fame.
Bebop Revisited!, is the debut album led by American jazz alto saxophonist Charles McPherson recorded in 1964 and released on the Prestige label.
The Max Roach Quartet featuring Hank Mobley was the debut album by American jazz drummer Max Roach featuring tracks recorded in 1953 and first released on the Debut label as a 10-inch LP.
Ode to Super is an album by American saxophonist Jackie McLean featuring Gary Bartz recorded in 1973 and released on the SteepleChase label.