Good Move! | ||||
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Studio album by Freddie Roach | ||||
Released | 1963 | |||
Recorded | November 29 & December 9, 1963 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 43:02 | |||
Label | Blue Note BST 84158 | |||
Producer | Alfred Lion | |||
Freddie Roach chronology | ||||
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Good Move! is the third album by American organist Freddie Roach recorded in 1963 and released on the Blue Note label. [1]
Freddie Roach was a soul jazz Hammond B3 organist born in the Bronx, New York. He was one of a handful of legendary jazz organists that made history in the 1960s, the golden era of the Hammond organ. Roach made his record debut in 1960 with saxophonist Ike Quebec on the albums Heavy Soul and It Might as Well Be Spring and played with Willis Jackson. From 1962-64 he recorded 5 albums as a leader for the Blue Note Records label and also recorded with Donald Byrd on the album I'm Tryin' to Get Home. Roach's original writing, steady basslines, and highly musical fleet-fingered right hand set him apart. From 1966-67 he recorded three more albums as a leader for Prestige Records, which are in a more commercial vein than his Blue Note dates. He left the music business in 1970 and became involved in theater, playwriting and film. Reportedly, he moved to California to the film industry, where he suffered a heart attack and died in 1980.
Blue Note Records is an American jazz record label that is owned by Universal Music Group and operated with Decca Records. Established in 1939 by Alfred Lion and Max Margulis, it derives its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, from 1947 the label began to switch its attention to modern jazz. Although the original company did not record many of the pioneers of bebop, significant exceptions are Thelonious Monk, Fats Navarro and Bud Powell.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
The Allmusic review by Stephen Thomas Erlewine awarded the album 4 stars and stated "Laid-back and loosely swinging, Good Move captures organist Freddie Roach near the peak of his form. Roach never leans too heavily on his instrument, preferring a calmer, tasteful attack, yet he is never boring because he has a strong sense of groove". [2]
All compositions by Freddie Roach except where noted
Recorded on November 29 (1, 3, 6 & 8) & December 9 (2, 4, 5 & 7), 1963.
Richard Allen "Blue" Mitchell was an American jazz, rhythm and blues, soul, rock and funk trumpeter, and composer, who recorded many albums as leader and sideman for Riverside, Blue Note and Mainstream Records.
A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.
Henry "Hank" Mobley was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Stan Getz, and his style that was laid-back, subtle and melodic, especially in contrast with players like Sonny Rollins and Coltrane. The critic Stacia Proefrock claimed he is "one of the most underrated musicians of the bop era."
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Standards is a 1998 compilation album by jazz pianist Sonny Clark recorded for the Blue Note label and performed by Clark with Jymie Merritt or Paul Chambers, and Wes Landers, combining sessions previously released as The Art of The Trio and Blues in the Night.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
Nigeria is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 but not released on the Blue Note label until 1980. The tracks were also released in 1997 as part of The Complete Quartets with Sonny Clark.
A New Sound... A New Star... is the debut album by American jazz organist Jimmy Smith featuring performances recorded in 1956 and released on the Blue Note label. The album was rereleased on CD combined with Smith's following two LP's A New Sound A New Star: Jimmy Smith at the Organ Volume 2 and The Incredible Jimmy Smith at the Organ.
Smithville is the second album by American trumpeter Louis Smith recorded in 1958. It was Smith's final album released by Blue Note label.
The Opener is an album by American trombonist Curtis Fuller recorded in 1957 and released on the Blue Note label as BLP 1567.
Heavy Soul is the debut album by American saxophonist Ike Quebec, recorded in 1961 and released on the Blue Note label.
Down to Earth is the debut album by American organist Freddie Roach recorded in 1962 and released on the Blue Note label.
Mo' Greens Please is the second album by American organist Freddie Roach recorded in 1963 and released on the Blue Note label. It was reissued on CD only in Japan, as a limited edition.
Brown Sugar is the fourth album by American organist Freddie Roach recorded in 1964 and released on the Blue Note label.
All That's Good is the fifth album by American organist Freddie Roach recorded in 1964 and released on the Blue Note label. It was reissued on CD only in Japan, as a limited edition.
Along Came John is the debut album by American organist John Patton, recorded in 1963 and released on the Blue Note label.
Oh Baby! is an album by American organist Big John Patton recorded in 1965 and released on the Blue Note label.
Got a Good Thing Goin' is an album by American organist Big John Patton recorded in 1966 and released on the Blue Note label.
Soul Stream is the second album by American saxophonist George Braith recorded in 1963 and released on the Blue Note label.
Open House is an album by American jazz organist Jimmy Smith featuring performances recorded in 1960, but not released on the Blue Note label until 1968. The album didn't appear on CD until being reissued in 1992, as a twofer which also included Plain Talk, compiling all the recordings from the session.
Softly as a Summer Breeze is an album by American jazz organist Jimmy Smith featuring performances recorded in 1958 but not released on the Blue Note label until 1965. The album was rereleased on CD with four bonus tracks recorded at a later session.