Midnight Creeper | ||||
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Studio album by | ||||
Released | Late September/early October 1968 [1] | |||
Recorded | March 15, 1968 | |||
Studio | Van Gelder Studio, Englewood Cliffs, New Jersey | |||
Genre | Jazz | |||
Length | 36:09 | |||
Label | Blue Note BST 84280 | |||
Producer | Francis Wolff | |||
Lou Donaldson chronology | ||||
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Alternative cover | ||||
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Midnight Creeper is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Lonnie Smith, George Benson, and Leo Morris. [4]
The album was awarded 4 stars in an Allmusic review by Stephen Thomas Erlewine who states "As he delved deeper into commercial soul-jazz and jazz-funk, Lou Donaldson became better at it. While lacking the bite of his hard bop improvisations or the hard-swinging funk of Alligator Bogaloo , Midnight Creeper succeeds where its predecessor, Mr. Shing-A-Ling failed: it offers a thoroughly enjoyable set of grooving, funky soul-jazz... Donaldson could frequently sound stilted on his commercial soul-jazz dates, but that's not the case with Midnight Creeper. He rarely was quite as loose on his late-'60s/early-'70s records as he is here, and that's what makes Midnight Creeper a keeper". [5]
Grant Green was an American jazz guitarist and composer.
Idris Muhammad was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu.
Lonnie Smith, styled Dr. Lonnie Smith, was an American jazz Hammond B3 organist who was a member of the George Benson quartet in the 1960s. He recorded albums with saxophonist Lou Donaldson for Blue Note before being signed as a solo act. He owned the label Pilgrimage, and was named the year's best organist by the Jazz Journalists Association nine times.
Reach Out! is an album by jazz saxophonist Hank Mobley recorded and released by the Blue Note label in 1968. It features performances by Mobley with trumpeter Woody Shaw, guitarist George Benson, pianist LaMont Johnson, bassist Bob Cranshaw, and drummer Billy Higgins.
LD + 3 is an album by jazz saxophonist Lou Donaldson and The Three Sounds recorded for the Blue Note label and performed by Donaldson with Gene Harris, Andrew Simpkins, and Bill Dowdy.
Midnight Sun is an album by jazz saxophonist Lou Donaldson, recorded for the Blue Note label in 1960, but not released until 1980 and performed by Donaldson with pianist Horace Parlan, bassist George Tucker, drummer Al Harewood and congalero Ray Barretto.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Good Gracious! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1963 and performed by Donaldson with Grant Green, Big John Patton, and Ben Dixon.
Lush Life is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.
Alligator Bogaloo is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Melvin Lastie, Lonnie Smith, George Benson, and Leo Morris.
Mr. Shing-A-Ling is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Blue Mitchell, Lonnie Smith, Jimmy Ponder, and Leo Morris.
Say It Loud! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Charles Earland, Jimmy Ponder, and Leo Morris.
Everything I Play is Funky is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Lonnie Smith, Melvin Sparks, Jimmy Lewis and Idris Muhammad and two tracks with Eddie Williams and Charles Earland replacing Mitchell and Smith.
Pretty Things is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Leon Spencer, Ted Dunbar, and Idris Muhammad and one track with Lonnie Smith and Melvin Sparks replacing Spencer & Dunbar and Jimmy Lewis added.
Play the Right Thing is an album by jazz saxophonist Lou Donaldson, his first recording for the Milestone label, featuring Donaldson with Lonnie Smith, Peter Bernstein, Bernard Purdie, and Ralph Dorsey.
Caracas is an album by jazz saxophonist Lou Donaldson, his third recording for the Milestone label, featuring Donaldson with Lonnie Smith, Peter Bernstein, Kenny Washington, and Ralph Dorsey.
Sentimental Journey is an album by jazz saxophonist Lou Donaldson, his first release for the Columbia label, featuring Donaldson with Lonnie Smith, Peter Bernstein, and Fukushi Tainaka, with Ray Mantilla contributing percussion on three tracks.
Relaxing at Sea: Live on the QE2 is a live album by jazz saxophonist Lou Donaldson recorded on the Queen Elizabeth 2 ocean liner and released on the Chiaroscuro label featuring Donaldson with Lonnie Smith, Randy Johnston, and Danny Burger with Nicholas Payton added on trumpet on two tracks.
It's Uptown is the second studio album by jazz/soul guitarist George Benson.
McGriff's House Party is an album by organist Jimmy McGriff recorded in 1999 and released on the Milestone label the following year.