Color as a Way of Life | ||||
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Studio album by Lou Donaldson | ||||
Released | 1977 | |||
Recorded | December 1976 | |||
Genre | Jazz | |||
Length | 36:31 | |||
Label | Cotillion | |||
Producer | John Brantley, Rick Willard | |||
Lou Donaldson chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Color as a Way of Life is an album by jazz saxophonist Lou Donaldson, his second recorded for the Cotillion label, featuring Donaldson with an orchestra arranged by Mike Goldberg and Dennis Williams. [2]
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".
Lou Donaldson is a jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker.
Cotillion Records was a subsidiary of Atlantic Records and was active from 1968 through 1985. The label was formed as an outlet for blues and deep Southern soul; its first single, Otis Clay's version of "She's About a Mover", reached the R&B charts. Cotillion's catalog quickly expanded to include progressive rock, folk-rock, gospel, jazz and comedy. In 1976, the label started focusing on disco and R&B. At that point, Cotillion's catalog albums outside those genres were reissued on Atlantic.
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
Ernest Andrew "Ernie" Royal was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording The Genius of Ray Charles (1959).
A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.
Lou Takes Off is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by a sextet also featuring Donald Byrd, Curtis Fuller, Sonny Clark, Jamil Nasser, and Art Taylor. The album was awarded 4½ stars by Lee Bloom in an Allmusic review which stated "This recording marks a period in his development prior to a stylistic shift away from bop and toward a stronger rhythm and blues emphasis... Overall, Lou Takes Off breaks no new musical ground, but it is a solid, swinging session of high-caliber playing. According to Donaldson, Blue Note initially didn't like any of the album, "the conga drums or the new musicians."
Uptown/Downtown is a 1988 live album by McCoy Tyner released on the Milestone label, his first for the label since 13th House (1980). It was recorded in November 1988 and features performances by Tyner's Big Band, which included Junior Cook, Ricky Ford, Kamau Adilifu and Steve Turre, recorded at the Blue Note jazz club in New York City. The Allmusic review by Scott Yanow states that "the results are quite memorable and frequently exciting. Recommended".
The Time Is Right is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Blue Mitchell, Horace Parlan, Laymon Jackson, Dave Bailey, and Ray Barretto with Sam Jones and Al Harewood replacing Jackson and Bailey on one track. The album was awarded 3 stars in an Allmusic review. It was released on CD only in Japan.
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Rough House Blues is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1964 and performed Donaldson with Dave Burns, Ernie Royal, Phil Woods, Bob Ashton, Danny Bank, Lloyd Mayers Jr., Richard Davis, and Grady Tate, conducted and arranged by Oliver Nelson.
Lush Life is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.
Everything I Play is Funky is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Lonnie Smith, Melvin Sparks, Jimmy Lewis and Idris Muhammad and two tracks with Eddie Williams and Charles Earland replacing Mitchell and Smith.
Cosmos is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Ed Williams, Leon Spencer, Melvin Sparks, Jerry Jemmott, Idris Muhammad, and Ray Armando, with vocals by Mildred Brown, Rosalyn Brown, and Naomi Thomas, arranged by Jimmy Briggs.
Sophisticated Lou is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Joe Farrell, Paul Winter, Joe Venuto, Derek Smith, Jay Berliner, Richard Davis, Ron Carter, Grady Tate, and Omar Clay with a string section arranged by Wade Marcus.
Sassy Soul Strut is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Thad Jones, Garnett Brown, Seldon Powell, Buddy Lucas, Paul Griffin, Horace Ott, Hugh McCracken, David Spinozza, John Tropea, Wilbur Bascomb, Bernard Purdie, Omar Clay, and Jack Jennings, with arrangements by George Butler.
Sweet Lou is an album by jazz saxophonist Lou Donaldson, his final recorded for the Blue Note label, featuring Donaldson with a big band arranged and conducted by Horace Ott.
A Different Scene is an album by jazz saxophonist Lou Donaldson, his first recorded for the Cotillion label, featuring Donaldson with a big band arranged by Mike Goldberg and Ricky West.
Forgotten Man is an album by jazz saxophonist Lou Donaldson, his first recording for the Timeless label, featuring Donaldson's quartet with Herman Foster, Geoff Fuller, and Victor Jones.
Weary Blues is an album by American poet Langston Hughes reciting over jazz composed and arranged by Charles Mingus and Leonard Feather. The album was recorded in 1958 and first released on the MGM label.
Stratosonic Nuances is an album by American trumpeter Blue Mitchell released on the RCA label in 1975.
Animation is an album by pianist Cedar Walton recorded in 1978 and released on the Columbia label.
The Man with the Sad Face is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by David Van De Pitte. The album consists of Turrentine's versions of many current pop and disco hits.
Everybody Come On Out is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by Wade Marcus. The album consists of Turrentine's versions of many current pop hits.
Big Band Jazz from the Summit is a live album by American jazz drummer Louis Bellson featuring performances recorded in Los Angeles in 1962 for the Roulette label.
Skull Session is an album by American jazz composer/arranger Oliver Nelson featuring performances recorded in 1975 for the Flying Dutchman label.