Midnight Sun | ||||
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Studio album by | ||||
Released | 1980 | |||
Recorded | July 22, 1960 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 34:36 | |||
Label | Blue Note LT 1028 | |||
Producer | Alfred Lion | |||
Lou Donaldson chronology | ||||
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Alternative cover | ||||
Review scores | |
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Source | Rating |
Allmusic | [1] |
Midnight Sun is an album by jazz saxophonist Lou Donaldson, recorded for the Blue Note label in 1960, but not released until 1980 and performed by Donaldson with Horace Parlan, George Tucker, Al Harewood, and Ray Barretto. [2]
The album was awarded 3 stars in an Allmusic review by Stephen Thomas Erlewine who states "Midnight Sun is as strong as any of the hard bop records Donaldson released in the early '60s. Part of the reason the quality is so high is the fact his supporting quartet is so strong... Any dedicated Donaldson fan should search for this record; even if it doesn't reach the heights of Blues Walk and Here 'Tis , it still has plenty of fine music. [3]
Swing and Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Dave Bailey, and Ray Barretto. The album was awarded 3 stars by Allmusic reviewers.
Light-Foot is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Jimmy Wormsworth, and Ray Barretto. The album was awarded 3 stars by Stephen Thomas Erlewine in an Allmusic review which stated "With Light Foot, Donaldson still was pretty firmly grounded in bop, but the tempos began to slow down, and his blues influence came to the forefront; furthermore, the bop tracks are hard bop, not straight bop, which tended to dominate his previous recordings. That diversity makes Light Foot an interesting listen, but the record suffers from slightly uneven material and performances."
The Time Is Right is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Blue Mitchell, Horace Parlan, Laymon Jackson, Dave Bailey, and Ray Barretto with Sam Jones and Al Harewood replacing Jackson and Bailey on one track. The album was awarded 3 stars in an Allmusic review. It was released on CD only in Japan.
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Cole Slaw is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1964 and performed by Donaldson with Herman Foster, Earl May, Bruno Carr, and Ray Barretto.
Lush Life is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.
Midnight Creeper is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Lonnie Smith, George Benson, and Leo Morris.
Look Out! is an album by jazz saxophonist Stanley Turrentine featuring his earliest recordings as a leader on the Blue Note label performed by Turrentine with Horace Parlan, George Tucker and Al Harewood.
Comin' Your Way is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with his brother Tommy Turrentine, Horace Parlan, George Tucker and Al Harewood. Selections from this album had previously been issued, with additional tracks later appeared as Jubilee Shout!!! (1986), as Jubilee Shouts.
Up at "Minton's" is a live album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Grant Green, Horace Parlan, George Tucker, and Al Harewood. The album was originally released as two separate volumes on LP and later as a double CD set.
Al Harewood was an American jazz drummer and teacher, born in Brooklyn. As a musician Harewood worked with many jazz musicians including the J.J. Johnson/Kai Winding group, the Art Farmer/Gigi Grice band, David Amram, Betty Carter, and the Curtis Fuller-Benny Golson Sextet. He played on many jazz recordings under the leadership of Lou Donaldson, Horace Parlan, Ike Quebec, Dexter Gordon and Grant Green and had a long association with saxophonist Stanley Turrentine from 1959 onwards.
Movin' & Groovin' is the debut album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1960.
Us Three is an album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1960.
Speakin' My Piece is an album by American jazz pianist Horace Parlan and his quintet, recorded and released on the Blue Note label in 1960.
Headin' South is an album by American jazz pianist Horace Parlan featuring performances recorded in 1960 and released on the Blue Note label.
On the Spur of the Moment is an album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1961.
Up & Down is an album by American jazz pianist Horace Parlan featuring performances recorded in 1961 and released on the Blue Note label.
Frank-ly Speaking is an album by American jazz pianist Horace Parlan featuring performances recorded in the U.S. in 1977 and released on the Danish-based SteepleChase label.
Doin' Allright is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label.
That's It! is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1961 for the Candid label.