Sunny Side Up | ||||
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Studio album by | ||||
Released | Early January 1961 [1] | |||
Recorded | February 5 & 28, 1960 Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz | |||
Length | 38:43original LP 44:22 CD reissue | |||
Label | Blue Note BST 84036 | |||
Producer | Alfred Lion | |||
Lou Donaldson chronology | ||||
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Review scores | |
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Source | Rating |
Down Beat | [2] |
Allmusic | [3] |
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks. [4]
The album was awarded 3 stars in an Allmusic review by Stephen Thomas Erlewine, who states: "Sunny Side Up is closer to hard bop than the straight-ahead bop that characterized Lou Donaldson's '50s Blue Note records. There's a bit more soul to the songs here.... Even the uptempo numbers sound relaxed, never fiery. Despite the general smoothness of the session, Donaldson stumbles a little but there's enough solid material to make Sunny Side Up a worthwhile listen for fans of Donaldson and early-'60s hard bop." [5]
Recorded on February 5 (tracks 3 & 6-8) and February 28 (tracks 1-2 & 4-5), 1960.
Originally is an album by drummer Art Blakey and The Jazz Messengers recorded in 1956, but not released on the Columbia label until 1982. The album features unreleased tracks from the sessions that produced The Jazz Messengers and Hard Bop which have since been released as bonus tracks on those albums and Drum Suite.
Quartet/Quintet/Sextet is an album by jazz saxophonist Lou Donaldson featuring his earliest recordings as a leader on the Blue Note label performed by Donaldson's Quartet with Horace Silver, Gene Ramey and Art Taylor, his Quintet with Silver, Blue Mitchell, Art Blakey, and Percy Heath, and a Sextet with Heath, Blakey, Kenny Dorham, Matthew Gee, and Elmo Hope. The album was originally released as a 10" LP, then as a 12" long-playing record, and finally as a CD with additional tracks added.
Wailing With Lou is an album by jazz saxophonist Lou Donaldson released on the Blue Note label in 1957 featuring performances by Donaldson's Quintet with Donald Byrd, Herman Foster, Peck Morrison and Art Taylor.
Light-Foot is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Jimmy Wormsworth, and Ray Barretto. The album was awarded 3 stars by Stephen Thomas Erlewine in an Allmusic review which stated "With Light Foot, Donaldson still was pretty firmly grounded in bop, but the tempos began to slow down, and his blues influence came to the forefront; furthermore, the bop tracks are hard bop, not straight bop, which tended to dominate his previous recordings. That diversity makes Light Foot an interesting listen, but the record suffers from slightly uneven material and performances."
LD + 3 is an album by jazz saxophonist Lou Donaldson and The Three Sounds recorded for the Blue Note label and performed by Donaldson with Gene Harris, Andrew Simpkins, and Bill Dowdy.
The Time Is Right is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Blue Mitchell, Horace Parlan, Laymon Jackson, Dave Bailey, and Ray Barretto with Sam Jones and Al Harewood replacing Jackson and Bailey on one track. The album was awarded 3 stars in an Allmusic review. It was released on CD only in Japan.
Midnight Sun is an album by jazz saxophonist Lou Donaldson, recorded for the Blue Note label in 1960, but not released until 1980 and performed by Donaldson with Horace Parlan, George Tucker, Al Harewood, and Ray Barretto.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Lush Life is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.
Look Out! is an album by jazz saxophonist Stanley Turrentine featuring his earliest recordings as a leader on the Blue Note label performed by Turrentine with Horace Parlan, George Tucker and Al Harewood.
Comin' Your Way is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with his brother Tommy Turrentine, Horace Parlan, George Tucker and Al Harewood. Selections from this album had previously been issued, with additional tracks later appeared as Jubilee Shout!!! (1986), as Jubilee Shouts.
Movin' & Groovin' is the debut album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1960.
Speakin' My Piece is an album by American jazz pianist Horace Parlan and his quintet, recorded and released on the Blue Note label in 1960.
Headin' South is an album by American jazz pianist Horace Parlan featuring performances recorded in 1960 and released on the Blue Note label.
On the Spur of the Moment is an album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1961.
Up & Down is an album by American jazz pianist Horace Parlan featuring performances recorded in 1961 and released on the Blue Note label.
Happy Frame of Mind is an album by American jazz pianist Horace Parlan featuring performances recorded for Blue Note in 1963, but not released under Parlan's name on the label until 1986. The session was originally released under Booker Ervin's name in 1976 as part of the Blue Note 2-LP set Back from the Gig and later released as originally intended. The album was first released on a CD in 1995.
Doin' Allright is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label.
Goin' to the Meeting is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1962 for the Prestige label.