Possum Head | ||||
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Studio album by | ||||
Released | 1964 | |||
Recorded | January 28, 1964 | |||
Studio | United Recording Studios, Los Angeles | |||
Genre | Jazz | |||
Label | Argo LP-734 | |||
Producer | Esmond Edwards | |||
Lou Donaldson chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Possum Head is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1964 and performed by Donaldson with Bill Hardman, Big John Patton, Ray Crawford, Ben Dixon, and Cleopas Morris. [2]
Jazz is a music genre that originated in the African-American communities of New Orleans, United States. It originated in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".
Lou Donaldson is a jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker.
Argo Records was a record label in Chicago that was established in 1955 as a division of Chess Records.
The album was awarded 4 stars in an Allmusic review by Jason Ankeny who states "Patton's sublimely funky grooves effectively sand away Donaldson's wooden edges to create rolling melodic contours... Donaldson circles around the hard-driving soul-jazz sensibilities of his later records but never quite commits, instead favoring lyrical solos well-matched to standards... An engaging and underrated record". [3]
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
William Franklin Hardman, Jr. was an American jazz trumpeter and flugelhornist who chiefly played hard bop. He was married to Roseline and they had a daughter Nadege.
A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.
John Patton was an American jazz, blues and R&B pianist and organist, often known by his nickname, Big John Patton.
Swing and Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Dave Bailey, and Ray Barretto. The album was awarded 3 stars by Allmusic reviewers.
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
A Man With a Horn is an album by jazz saxophonist Lou Donaldson featuring sessions recorded for the Blue Note label in 1961 and 1963, one performed by Donaldson with Brother Jack McDuff, Grant Green and Joe Dukes, and one with Grant Green, Irvin Stokes, Big John Patton and Ben Dixon.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Good Gracious! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1963 and performed by Donaldson with Grant Green, Big John Patton, and Ben Dixon.
Signifyin' is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1963 and performed by Donaldson with Roy Montrell, Tommy Turrentine, Big John Patton, and Ben Dixon.
Musty Rusty is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1965 and performed by Donaldson with Bill Hardman, Billy Gardner, Grant Green, and Ben Dixon.
Fried Buzzard is a live album by jazz saxophonist Lou Donaldson recorded at the Bon Ton Club in Buffalo, NY for the Cadet label in 1965 but not released until 1970.
Blowing in the Wind is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1966 and performed by Donaldson with Herman Foster, Sam Jones, Leo Morris and Richard Landrum.
Lou Donaldson at His Best is an album by jazz saxophonist Lou Donaldson recorded for the Cadet label in 1966 and performed by Donaldson with Bill Hardman, Billy Gardner, Calvin Newborn and Grady Tate. Day by Day and Be Anything But Be Mine are rarely played but immediately likable standards.
Alligator Bogaloo is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Melvin Lastie, Lonnie Smith, George Benson, and Leo Morris.
Midnight Creeper is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Lonnie Smith, George Benson, and Leo Morris.
Say It Loud! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Charles Earland, Jimmy Ponder, and Leo Morris.
Sassy Soul Strut is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Thad Jones, Garnett Brown, Seldon Powell, Buddy Lucas, Paul Griffin, Horace Ott, Hugh McCracken, David Spinozza, John Tropea, Wilbur Bascomb, Bernard Purdie, Omar Clay, and Jack Jennings, with arrangements by George Butler.
Blues for Lou is an album by American jazz guitarist Grant Green featuring performances recorded in 1963, but not released on the Blue Note label until 1999. The album combines recordings from two different sessions, and the title track is named for saxophonist Lou Donaldson.
Ben Dixon is an American jazz drummer.
Rockin' the Boat is an album by American jazz organist Jimmy Smith featuring performances recorded in 1963 and released on the Blue Note label.
This is the discography for American jazz musician Grant Green.
The Sweet Life is an album by American jazz organist Reuben Wilson recorded in 1972 and released on the Groove Merchant label.