Iron City! | ||||
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Studio album by | ||||
Released | 1972 | |||
Recorded | 1967 | |||
Genre | Jazz | |||
Length | 39:31 | |||
Label | Cobblestone CST 9002 | |||
Grant Green chronology | ||||
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Iron City! is an album by American jazz guitarist Grant Green featuring performances said to be recorded in 1967 and first released on the Cobblestone label in 1972. [1]
According to several experts, it's still unclear whether really Big John Patton plays the organ on this set. Many lean towards Larry Young being behind the Hammond, but it's almost impossible to clear the issue now.[ citation needed ]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Rolling Stone Jazz Record Guide | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The Allmusic review by Stephen Thomas Erlewine awarded the album 3 stars calling it "a fine, overlooked date that showcases some of Green's hottest, bluesiest playing". [2]
His Majesty King Funk is a jazz album recorded in 1965 by Grant Green. It features Green with tenor saxophonist Harold Vick, organist Larry Young, drummer Ben Dixon and percussionist Candido.
Satch and Josh is a 1974 album by Oscar Peterson and Count Basie.
Affinity is an album by American jazz pianist Bill Evans released in 1979, featuring Belgian harmonica player Toots Thielemans. Bill Evans plays a Rhodes piano on many of the tracks. It is the recording debut for bassist Marc Johnson.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Good Gracious! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1963 and performed by Donaldson with Grant Green, Big John Patton, and Ben Dixon.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
I'm Tryin' to Get Home is an album by American trumpeter Donald Byrd featuring performances by Byrd with a large brass section and vocalists recorded in 1964 and released on the Blue Note label in 1965 as BLP 4188.
Goin' West is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 but not released on the Blue Note label until 1969. It is a loose concept album inspired by Western music. It features pianist Herbie Hancock, bassist Reggie Workman and drummer Billy Higgins.
Blues for Lou is an album by American jazz guitarist Grant Green featuring performances recorded in 1963, but not released on the Blue Note label until 1999. The album combines recordings from two different sessions that featured Green with organist Big John Patton and drummer Ben Dixon. The title track was named for saxophonist Lou Donaldson.
Am I Blue is an album by American jazz guitarist Grant Green featuring performances recorded in 1963 and released on the Blue Note label. The first two tracks had both been recorded by Ray Charles. “Sweet Slumber” was a 1940s hit for swing band leader Lucky Millinder. Green is heard in a quintet with tenor saxophonist Joe Henderson, trumpeter Johnny Coles, organist Big John Patton and drummer Ben Dixon.
'Bout Soul is an album by American saxophonist Jackie McLean recorded in 1967 and released on the Blue Note label. It features McLean in a quintet with trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scotty Holt and drummer Rashied Ali. Trombonist Grachan Moncur III guests on three tracks, and Barbara Simmons recites the words on “Soul”.
Along Came John is the debut album by American organist John Patton, recorded in 1963 and released on the Blue Note label.
Let 'em Roll is an album by American organist Big John Patton recorded in 1965 and released on the Blue Note label.
Got a Good Thing Goin' is an album by American organist Big John Patton recorded in 1966 and released on the Blue Note label.
Accent on the Blues is an album by American organist John Patton recorded in 1969 and released on the Blue Note label.
Contours is the second album by American saxophonist Sam Rivers recorded in 1965 and released on the Blue Note label. The CD reissue contains an alternate take as a bonus track.
Cool Blues is a live album by American jazz organist Jimmy Smith featuring performances recorded at Small's Paradise in New York City in 1958 but not released on the Blue Note label until 1980. The album was rereleased on CD with three bonus tracks recorded at the same performance.
Alone at Last is the first solo album by vibraphonist Gary Burton, on which he also plays piano and organ. It was recorded in 1971, and features three performances from the Montreux Jazz Festival and four performances from the studio. It released on the Atlantic label in 1972. The album was awarded a Grammy for Best Jazz Performance by a Soloist at the 15th Grammy Awards.
Angel Eyes is an album by saxophonist Gene Ammons compiling sessions recorded in 1960 and 1962 and released on the Prestige label in 1965.
It's Uptown is the second studio album by jazz/soul guitarist George Benson.