"Go Down, Moses" | |
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Fisk Jubilee Singers (earliest attested) | |
Song | |
Genre | Negro spiritual |
Songwriter(s) | Traditional |
"Go Down Moses" is an African American spiritual that describes the Hebrew Exodus, specifically drawing from the Book of Exodus 5:1, in which God commands Moses to demand the release of the Israelites from bondage in Egypt. "And the LORD spoke unto Moses, Go unto Pharaoh, and say unto him, Thus saith the LORD, Let my people go, that they may serve me". [1]
As is common in spirituals, the song refers to freedom, [2] both the freedom of the Israelites, and that of runaway enslaved people. [3] As a result of those messages, it was outlawed by many enslavers. [4]
The opening verse, as published by the Jubilee Singers in 1872:
When Israel was in Egypt's land
Let my people go
Oppress'd so hard they could not stand
Let my people go
Refrain:
Go down, Moses
Way down in Egypt's land
Tell old Pharaoh
Let my people go
Lyrically, the song refers to the liberation of the ancient Jewish people from Egyptian slavery. That story held a second meaning for enslaved African Americans, because they related their experiences under slavery to those of Moses and the Israelites who were enslaved by the pharaoh, [5] and the idea that God would come to the aid of the persecuted resonated with them. "Go Down Moses" also makes reference to the Jordan River, commonly associated in spirituals with reaching freedom, because the act of running away often involved crossing one or more rivers. [6] [7]
Since the Old Testament recognizes the Nile Valley as further south, and thus, lower than Jerusalem and the Promised Land, heading to Egypt means going "down" [8] while going away from Egypt is "up". [9] In the context of American slavery, that ancient sense of "down" converged with the concept of "down the river" (the Mississippi), where enslaved people's conditions were notoriously worse. Later verses also draw parallels between the Israelites' freedom from slavery and humanity's freedom won by Christ. [10]
"Oh! Let My People Go" | |
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Song | |
Published | 1862 |
Genre | Negro spiritual |
Songwriter(s) | Traditional |
Although usually thought of as a spiritual, the earliest written record of the song was as a rallying anthem for the Contrabands at Fort Monroe sometime before July 1862. White people who reported on the song presumed it was composed by them. [11] It became the first spiritual known to be recorded in sheet music.
While the Reverend Lewis Lockwood, the chaplain of the Contrabands, was visiting Fortress Monroe in 1861, he heard runaway enslaved people singing the song, transcribed what he heard, and eventually published it in the National Anti-Slavery Standard. [12] Soon after, sheet music was published titled "Oh! Let My People Go: The Song of the Contrabands", arranged by Horace Waters. Lockwood stated in the sheet music that the song was from Virginia, dating from about 1853. [13]
However, the song was not included in Slave Songs of the United States, despite its being a very prominent spiritual among enslaved people. Furthermore, the original version of the song sung by enslaved people almost definitely sounded very different from what Lockwood transcribed by ear, especially following an arrangement by a person who had never heard the song as it was originally sung. [14] The opening verse, as recorded by Lockwood, is:
The Lord, by Moses, to Pharaoh said: Oh! let my people go
If not, I'll smite your first-born dead—Oh! let my people go
Oh! go down, Moses
Away down to Egypt's land
And tell King Pharaoh
To let my people go
Sarah Bradford's authorized biography of Harriet Tubman, Scenes in the Life of Harriet Tubman (1869), quotes Tubman as saying she used "Go Down Moses" as one of two code songs used with fugitive enslaved people to communicate when fleeing Maryland. [15] Tubman began her underground railroad work in 1850 and continued until the beginning of the Civil War, so it is possible Tubman's use of the song predates the origin claimed by Lockwood. [16] Some people even hypothesize that she herself may have written the spiritual. [17] Others claim that Nat Turner, who led one of the most well-known slave revolts in history, either wrote or was the inspiration for the song. [18]
The Book of Exodus is the second book of the Bible. It is a narrative of the Exodus, the origin myth of the Israelites leaving slavery in Biblical Egypt through the strength of their deity named Yahweh, who according to the story chose them as his people. The Israelites then journey with the legendary prophet Moses to Mount Sinai, where Yahweh gives the Ten Commandments and they enter into a covenant with Yahweh, who promises to make them a "holy nation, and a kingdom of priests" on condition of their faithfulness. He gives them their laws and instructions to build the Tabernacle, the means by which he will come from heaven and dwell with them and lead them in a holy war to conquer Canaan, which has earlier, according to the myth of Genesis, been promised to the "seed" of Abraham, the legendary patriarch of the Israelites.
Moses was a Hebrew prophet, teacher and leader according to Abrahamic tradition. He is considered the most important prophet in Judaism and Samaritanism, and one of the most important prophets in Christianity, Islam, the Baháʼí Faith, and other Abrahamic religions. According to both the Bible and the Quran, Moses was the leader of the Israelites and lawgiver to whom the prophetic authorship of the Torah is attributed.
The Underground Railroad was used by freedom seekers from slavery in the United States and was generally an organized network of secret routes and safe houses. Enslaved Africans and African Americans escaped from slavery as early as the 16th century and many of their escapes were unaided, but the network of safe houses operated by agents generally known as the Underground Railroad began to organize in the 1780s among Abolitionist Societies in the North. It ran north and grew steadily until the Emancipation Proclamation was signed in 1863 by President Abraham Lincoln. The escapees sought primarily to escape into free states, and from there to Canada.
Harriet Tubman was an American abolitionist and social activist. After escaping slavery, Tubman made some 13 missions to rescue approximately 70 enslaved people, including her family and friends, using the network of antislavery activists and safe houses known collectively as the Underground Railroad. During the American Civil War, she served as an armed scout and spy for the Union Army. In her later years, Tubman was an activist in the movement for women's suffrage.
Spirituals is a genre of Christian music that is associated with African Americans, which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs", work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature of slavery for many. Many new derivative music genres such as the blues emerged from the spirituals songcraft.
In the Book of Exodus, the Plagues of Egypt are ten disasters that Yahweh inflicts on the Egyptians to convince the Pharaoh to emancipate the enslaved Israelites, each of them confronting the Pharaoh and one of his Egyptian gods; they serve as "signs and marvels" given by Yahweh in response to the Pharaoh's taunt that he does not know Yahweh: "The Egyptians shall know that I am the LORD". These Plagues are recited by Jews during the Passover Seder.
In the United States, fugitive slaves or runaway slaves were terms used in the 18th and 19th centuries to describe people who fled slavery. The term also refers to the federal Fugitive Slave Acts of 1793 and 1850. Such people are also called freedom seekers to avoid implying that the enslaved person had committed a crime and that the slaveholder was the injured party.
The Exodus is the founding myth of the Israelites whose narrative is spread over four of the five books of the Pentateuch. The narrative of the Exodus describes a history of Egyptian bondage of the Israelites followed by their exodus from Egypt through a passage in the Red Sea, in pursuit of the Promised Land under the leadership of Moses.
The Song of the Sea is a poem that appears in the Book of Exodus of the Hebrew Bible, at Exodus 15:1–18. It is followed in verses 20 and 21 by a much shorter song sung by Miriam and the other women. The Song of the Sea was reputedly sung by the Israelites after their crossing the Red Sea in safety, and celebrates their freedom after generations of slavery and oppression by the Egyptians.
Shemot, Shemoth, or Shemos is the thirteenth weekly Torah portion in the annual Jewish cycle of Torah reading and the first in the Book of Exodus. It constitutes Exodus 1:1–6:1. The parashah tells of the Israelites' affliction in Egypt, the hiding and rescuing of the infant Moses, Moses in Midian, the calling of Moses, circumcision on the way, meeting the elders, and Moses before Pharaoh.
Va'eira, Va'era, or Vaera is the fourteenth weekly Torah portion in the annual Jewish cycle of Torah reading and the second in the Book of Exodus. It constitutes Exodus 6:2–9:35. The parashah tells of the first seven Plagues of Egypt.
Beshalach, Beshallach, or Beshalah is the sixteenth weekly Torah portion in the annual Jewish cycle of Torah reading and the fourth in the Book of Exodus. It constitutes Exodus 13:17–17:16. In this parashah, Pharaoh changed his mind and chased after the Israelites, trapping them at the Sea of Reeds. God commanded Moses to split the sea, allowing the Israelites to escape, then closed the sea back upon the Egyptian army. The Israelites also experience the miracles of manna and clean water. And the Amalekites attacked, but the Israelites were victorious.
"Go Tell It on the Mountain" is an African-American spiritual song and Christmas carol which was likely derived from the oral tradition, but was originally published by John Wesley Work Jr., although there is some debate over whether he was actually the first to write it. It has been sung and recorded by many gospel and secular performers.
"Wade in the Water" is an African American jubilee song, a spiritual—in reference to a genre of music "created and first sung by African Americans in slavery."
Songs of the Underground Railroad were spiritual and work songs used during the early-to-mid 19th century in the United States to encourage and convey coded information to escaping slaves as they moved along the various Underground Railroad routes. As it was illegal in most slave states to teach slaves to read or write, songs were used to communicate messages and directions about when, where, and how to escape, and warned of dangers and obstacles along the route.
"Gospel Plow" is a traditional African American spiritual. It is listed in the Roud Folk Song Index, number 10075. The title is biblical, based on Luke 9:62.
A Woman Called Moses is a 1978 American television miniseries based on the novel of the same name by Marcy Heidish, about the life of Harriet Tubman, the escaped African American slave who led dozens of other African Americans from enslavement in the Southern United States to freedom in the Northern states and Canada.
Invisible churches among enslaved African Americans in the United States were informal Christian groups where enslaved people listened to preachers that they chose without their slaveholder's knowledge. The Invisible churches taught a different message from white-controlled churches and did not emphasize obedience to slave masters. Some slaves could not contact invisible churches and others did not agree with an invisible church's message but many slaves were comforted by the invisible churches.
Moses, Man of the Mountain is a 1939 novel by African-American novelist and anthropologist Zora Neale Hurston. The novel rewrites the story of the Book of Exodus of Moses and the Israelites from an Afro-American perspective. The novel applies a number of different motifs and themes commonly addressed in African-American culture, subverting the Moses story.
Harriet Tubman (1822–1913) was an American abolitionist and political activist. Tubman escaped slavery and rescued approximately 70 enslaved people, including members of her family and friends. Harriet Tubman's family includes her birth family, her two husbands, John Tubman and Nelson Davis, and her adopted daughter, Gertie Davis.
We are indebted to Clark's School-Visitor for the following song of the Contrabands, which originated among the latter, and was first sung by them in the hearing of white people at Fortress Monroe, where it was noted down by their chaplain, Rev. L.C. Lockwood.