| Live at Club Mozambique | ||||
|---|---|---|---|---|
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| Live album by | ||||
| Released | July 18, 2006 | |||
| Recorded | January 6 & 7, 1971 | |||
| Venue | Club Mozambique, Detroit, Michigan | |||
| Genre | Jazz | |||
| Label | Blue Note | |||
| Producer | Francis Wolff, Bob Belden | |||
| Grant Green chronology | ||||
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Live at Club Mozambique is a live album by American jazz guitarist Grant Green featuring performances recorded at the Club Mozambique in Detroit on January 6 and 7, 1971, but not released on the Blue Note label until 2006.
The Allmusic review by Thom Jurek awarded the album 3½ stars and stated "The horn charts are tight and elaborate in their fashion, and Green pulls out the stops layering blues, jazz, and soulful funkiness into each of his lines. And to hear this rhythm section simmer and pop is glorious. Highly recommended". [1]
The All About Jazz review by Chris May stated "Green plays immaculately, if not adventurously, throughout. His tone is clean, his phrasing is masterful, and his lines cook. He could do this stuff in his sleep—but he didn't. He plays like he means it, and from time to time he touches the spirit. So long as you're not expecting the intricate rhapsodies of his 1963 magnum opus, Idle Moments , you'll enjoy the ride". [2] Another review by Norman Weinstein stated "This recording is evidence that at the end of his life, he did find his truest musical identity. He was a fierce funk improviser, and no studio session caught the fire—but this live session does". [3]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [1] |
| The Penguin Guide to Jazz Recordings | [4] |
Inner Urge is an album by the jazz saxophonist Joe Henderson, released in 1966 via Blue Note Records, his fourth recorded as a leader. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey, on November 30, 1964. Featuring Henderson along with pianist McCoy Tyner and drummer Elvin Jones, and bassist Bob Cranshaw.
I Told You So is a 1976 album recorded at RCA studios, New York City on January 12, 13 and 14 1976 and released in 1976, featuring Count Basie and his orchestra. All the titles were arranged by Bill Holman. Sound engineer was Bob Simpson and the tape editor was Ben Jordan. The producer was Norman Granz.
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Meaning and Mystery is the 26th album by trumpeter Dave Douglas. It was released on the Greenleaf label in 2006 and features performances by Douglas, Donny McCaslin, Uri Caine, James Genus and Clarence Penn.
Non-Cognitive Aspects of the City: Live at the Iridium is a live album by the Art Ensemble of Chicago recorded in April, 2004 at the Iridium Jazz Club in New York City and released in 2006 on the Pi Recordings label. It features performances by Joseph Jarman, Roscoe Mitchell and Don Moye with trumpeter Corey Wilkes and bassist Jaribu Shahid replacing the late Lester Bowie and Malachi Favors Maghostut.
Uptown/Downtown is a 1988 live album by McCoy Tyner released on the Milestone label, his first for the label since 13th House (1980). It was recorded in November 1988 and features performances by Tyner's Big Band, which included tenor saxophonists Junior Cook and Ricky Ford, trumpeter Kamau Adilifu and trombonist Steve Turre, recorded at the Blue Note jazz club in New York City. The Allmusic review by Scott Yanow states that "the results are quite memorable and frequently exciting. Recommended".
Oscar Peterson Jam – Montreux '77 is a 1977 live album featuring a jam session led by Oscar Peterson. At the Grammy Awards of 1979, Peterson won the Grammy Award for Best Jazz Performance by a Soloist for his performance on this album.
The Essence of George Russell is an album by American jazz composer and pianist George Russell originally released on the Swedish Sonet label in 1971, and subsequently reissued on the Italian Black Saint label in 1983. The album featuring performances by Russell with a large ensemble, mostly Nordic musicians, including Stanton Davis, Jan Garbarek, Terje Rypdal, Arild Andersen, Jon Christensen and orchestra.
The London Concert is a live album by George Russell released on the French Label Bleu label in 1990, featuring performances by Russell with his Living Time Orchestra recorded at Ronnie Scott's Jazz Club in 1989. The Allmusic review by awarded the album 3 stars.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Sunday Mornin' is an album by the American jazz guitarist Grant Green recorded for the Blue Note label in 1961, and released the following year. Bassist Ben Tucker and drummer Dave Bailey return from Green’s previous album, joined by pianist Kenny Drew. The CD reissue adds a bonus track recorded at the same session.
Grantstand is an album by American jazz guitarist Grant Green featuring performances recorded in 1961 and released on the Blue Note label in 1962. Green is heard in a sextet with saxophonist Yusef Lateef, organist Jack McDuff, bassist Ben Tucker and drummer Al Harewood. The CD reissue released in 1987 features one bonus track from the same session.
Born to Be Blue is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 but not released until 1985 on the Blue Note label. Green is accompanied by tenor saxophonist Ike Quebec, pianist Sonny Clark, bassist Sam Jones and drummer Louis Hayes.
The Final Comedown is a soundtrack album for the film The Final Comedown (1972) by American jazz guitarist Grant Green featuring performances recorded in 1971 and released on the Blue Note label. It was the first soundtrack album released on Blue Note.
Solid is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 but not released on the Blue Note label until 1979. McCoy Tyner, Elvin Jones and Bob Cranshaw from Green’s previous session are joined by alto saxophonist James Spaulding and tenor saxophonist Joe Henderson.
Carryin' On is an album by American jazz guitarist Grant Green featuring performances recorded in 1969 and released on the Blue Note label. The album marked Green's return to the Blue Note label and embracing a jazz-funk style that he would play for the rest of his life.
Alive! is an album by American jazz guitarist Grant Green featuring a performance recorded at the Cliche Lounge in Newark, New Jersey in 1970 and released on the Blue Note label. The album was Green's first official live recording. The CD reissue in 1993 added three bonus tracks.
Live at The Lighthouse is a live album by American jazz guitarist Grant Green featuring a performance recorded at the Lighthouse Café in Hermosa Beach, California in 1972 and released on the Blue Note label.
Tex Book Tenor is an album by American jazz saxophonist Booker Ervin featuring the last performances Ervin recorded as a leader in 1968 for the Blue Note label. The session was first released in 1976 as a double LP Back from the Gig combined with a 1964 session recorded under Horace Parlan's leadership and finally released in 2005 on CD.
Groove Blues is an album by saxophonist Gene Ammons recorded in 1958 and released on the Prestige label. The album was recorded at the same session that produced The Big Sound.
