Street of Dreams | ||||
---|---|---|---|---|
Studio album by | ||||
Released | August 1967 [1] | |||
Recorded | November 16, 1964 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 33:34 | |||
Label | Blue Note BST 84253 | |||
Producer | Alfred Lion | |||
Grant Green chronology | ||||
|
Street of Dreams is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 and released on the Blue Note label. [2] The street signs featured on the cover photo are at an actual street corner in the North Beach neighborhood of San Francisco. Green is heard with organist Larry Young, vibraphonist Bobby Hutcherson and drummer Elvin Jones.
The Allmusic review by Steve Huey awarded the album 3 stars calling it "a mellow, dreamy album that lives up to its title... It's another fine record in a discography filled with them, and yet another underrated Green session". [3]
The All About Jazz review by Chris May said that "Compared to Idle Moments , which was distinguished by pianist Duke Pearson's thoughtful arrangements, Street of Dreams feels more like a blowing session—simple heads serve as jumping off points for solos, served out pretty evenhandedly, from Green, Hutcherson and Young. The choice of material, however, delivers an abundance of structural and harmonic interest... Bittersweet and beautiful, Street of Dreams will be enjoyed by anyone who loves Idle Moments". [4] Green's material on the album includes two pieces not commonly recorded by jazz instrumentalists: Billy May's "Somewhere in the Night", which had been the theme of the popular U.S. television program Naked City from 1960-1962, and "Lazy Afternoon", a song from the 1954 musical The Golden Apple . The latter piece was further distinguished by its arrangement in 5/4 time.
The "Penguin Guide to Jazz" review by Richard Cook and Brian Morton stated: "Another exceptional record, though this time it is very much the group set-up that makes the difference. Though hooked into that easy overcooked guitar, organ, drums format, the personnel is such that one can reasonably expect a blend of power grooves and subtlety. Young is exceptional, very much on form, and Hutcherson makes an enormous contribution to a slower-paced and more meditative session than he'd normally favour". [3]
Review scores | |
---|---|
Source | Rating |
Allmusic | [3] |
The Penguin Guide to Jazz | [5] |
Grant Green was an American jazz guitarist and composer.
Robert Hutcherson was an American jazz vibraphone and marimba player. "Little B's Poem", from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.
Idle Moments is an album by American jazz guitarist Grant Green recorded in 1963 and released on the Blue Note label in 1965. It features performances by tenor saxophonist Joe Henderson, vibraphonist Bobby Hutcherson, pianist Duke Pearson, bassist Bob Cranshaw and drummer Al Harewood.
Dialogue is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1965. This was Hutcherson's first LP released as bandleader following work with Eric Dolphy. The album features four Andrew Hill compositions and two Joe Chambers pieces. It has received widespread critical acclaim and is considered by most critics one of Hutcherson's greatest achievements.
Grantstand is an album by American jazz guitarist Grant Green featuring performances recorded in 1961 and released on the Blue Note label in 1962. Green is heard in a sextet with saxophonist Yusef Lateef, organist Jack McDuff, bassist Ben Tucker and drummer Al Harewood. The CD reissue released in 1987 features one bonus track from the same session.
Matador is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 but not released on the Japanese Blue Note label until 1979. It features Green with pianist McCoy Tyner and drummer Elvin Jones, and bassist Bob Cranshaw. The album was finally reissued in the U.S. on CD in 1990 with one bonus track. It was also reissued on vinyl in 2010, with a different cover.
Solid is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 but not released on the Blue Note label until 1979. McCoy Tyner, Elvin Jones and Bob Cranshaw from Green’s previous session are joined by alto saxophonist James Spaulding and tenor saxophonist Joe Henderson.
Talkin' About! is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 and released on the Blue Note label. Green is supported by organist Larry Young and drummer Elvin Jones. It was reissued in Japan on CD with a slightly different cover: same design, but with a blue background.
I Want to Hold Your Hand is an album by American jazz guitarist Grant Green featuring performances recorded in 1965 and released on the Blue Note label. Featuring jazz arrangements of pop songs, Green is supported by organist Larry Young and drummer Elvin Jones from his previous sessions, along with tenor saxophonist Hank Mobley.
Carryin' On is an album by American jazz guitarist Grant Green featuring performances recorded in 1969 and released on the Blue Note label. The album marked Green's return to the Blue Note label and embracing a jazz-funk style that he would play for the rest of his life.
Live at Club Mozambique is a live album by American jazz guitarist Grant Green featuring performances recorded at the Club Mozambique in Detroit on January 6 and 7, 1971, but not released on the Blue Note label until 2006.
Live at The Lighthouse is a live album by American jazz guitarist Grant Green featuring a performance recorded at the Lighthouse Café in Hermosa Beach, California in 1972 and released on the Blue Note label.
Evolution is the debut album led by the American trombonist Grachan Moncur III, recorded in 1963 and released on the Blue Note label. Moncur’s band consists of alto saxophonist Jackie McLean, trumpeter Lee Morgan, vibraphonist Bobby Hutcherson, bassist Bob Cranshaw and drummer Tony Williams. Two McLean albums also recorded for Blue Note in 1963 featured Moncur and his compositions, and explored the same “inside/outside” musical style.
Life Time is the debut album by American drummer Tony Williams recorded in 1964 and released on the Blue Note label. Featured musicians include tenor saxophonist Sam Rivers, vibraphonist Bobby Hutcherson, pianist Herbie Hancock and bassists Gary Peacock and Richard Davis.
The Kicker is an album by the American jazz vibraphonist Bobby Hutcherson, recorded in December 1963 for Blue Note but not released on the label until 1999 as a limited edition. A month earlier, the same musicians recorded guitarist Grant Green's album Idle Moments released in 1965.
Montara is an album by American jazz vibraphonist Bobby Hutcherson recorded in 1975 and released on the Blue Note label.
Un Poco Loco is an album by American jazz vibraphonist Bobby Hutcherson recorded in 1979 and released on the Columbia label. The album was Hutcherson's last for Columbia.
Solo / Quartet is an album by American jazz vibraphonist Bobby Hutcherson recorded in 1981 and 1982 and released on the Contemporary label.
Feeling Free is an album by guitarist Barney Kessel recorded in 1969 and released on the Contemporary label. The album marked a brief return to the label before Kessel embarked on an extended stay in Europe.
Snap Your Fingers is an album by trombonist Al Grey released in 1962 on Argo Records featuring studio and live recordings.