Edlin "Buddy" Terry (January 30, 1941 - November 29, 2019) was an American jazz musician and alto/tenor sax player. He was born in Newark, New Jersey. In the 1960s and 1970s Terry made albums for Prestige Records and Mainstream Records. [1] He played with the group Swingadelic from 2000 to 2010. [2] [3] [4] He died on November 29, 2019, at the age of 78 from a stroke. [5]
With Art Blakey and The Jazz Messengers
With Billy Hawks
With Groove Holmes
With Harold Mabern
With Joe Morello
With Alphonse Mouzon
With Freddie Roach
With Swingadelic
With The Tonemasters
Jerome Richardson was an American jazz musician and woodwind player. He is cited as playing one of the earliest jazz flute recordings with his work on the 1949 Quincy Jones song "Kingfish".
Frank Wellington Wess was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music.
Houston Person is an American jazz tenor saxophonist and record producer. Although he has performed in the hard bop and swing genres, he is most experienced in and best known for his work in soul jazz. He received the "Eubie Blake Jazz Award" in 1982.
Curtis Ousley, known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as "Respect" by Aretha Franklin (1967), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967).
Benjamin Francis Webster was an American jazz tenor saxophonist.
Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to the craft. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.
George Edward Coleman is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.
Theodore Marcus "Teddy" Edwards was an American jazz tenor saxophonist.
David "Fathead" Newman was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles.
Bernard Lee "Pretty" Purdie is an American drummer, and an influential R&B, soul and funk musician. He is known for his precise musical time-keeping and his signature use of triplets against a half-time backbeat: the "Purdie Shuffle." He was inducted into the Modern Drummer Hall of Fame in 2013.
Samuel Jones was an American jazz double bassist, cellist, and composer.
James Moody was an American jazz saxophone and flute player and very occasional vocalist, playing predominantly in the bebop and hard bop styles. The annual James Moody Jazz Festival is held in Newark, New Jersey.
Harold Vick was an American jazz saxophonist and flautist.
Seldon Powell was an American soul jazz, swing, and R&B tenor saxophonist and flautist born in Lawrenceville, Virginia.
Wayne Andre was an American jazz trombonist, best known for his work as a session musician.
Herbert Edward Lovelle was an American drummer, who played jazz, R&B, rock, and folk. He was also a studio musician and an actor.
Eddie Gladden was an American jazz drummer.
Hadley Caliman was an American jazz saxophone and flute player.
George Barrow was an American jazz saxophonist who played both tenor and baritone.
Jimmy Lewis was an American double bassist who worked with the Count Basie Orchestra and sextet in the 1950s and with Duke Ellington, Cootie Williams, Billie Holiday and Ivory Joe Hunter before moving to bass guitar during his time with King Curtis. He provided the basslines for the musical Hair. Lewis freelanced extensively and performed on many albums by soul and jazz musicians, including Horace Silver and the Modern Jazz Quartet up until the late 1980s. He died in 2000.