Prestige Records | |
---|---|
Parent company | Concord |
Founded | 1949 |
Founder | Bob Weinstock |
Genre | Jazz |
Country of origin | United States |
Location | New York City |
Official website | concordmusicgroup |
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City which issued recordings in the mainstream, bop, and cool jazz idioms. [1] The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them on subsidiary labels. The company's first release was in July 1960 and the Prestige label includes the 13000 and 25000 cat# series. Prestige International was a sub-label of Prestige, active from 1960 to 1969, that mostly released folk music. In 1971, the company was sold to Fantasy, which was later absorbed by Concord.
The Prestige office was located at 446 West 50th Street, New York City. [2] Its catalogue included Gene Ammons, John Coltrane, Miles Davis, Stan Getz, Wardell Gray, Thelonious Monk, and Sonny Rollins. [1]
Audio engineer Rudy Van Gelder was the recording engineer of many Prestige albums in the 1950s and early-to-mid-1960s. Prestige created new labels in 1960: Swingville, Moodsville, covering jazz, Bluesville featuring blues revival artists, Lively Arts featuring spoken word recordings and Prestige International, Prestige Folklore, Irish and Near East with folk and world music. [1]
By the later 1950s, Weinstock ceased supervising recording sessions directly, employing Chris Albertson, Ozzie Cadena, Esmond Edwards, Don Schlitten, and producer/music supervisor Bob Porter, among others, to fulfill this function. [1] Musicians recording for the label in the 1960s included Jaki Byard and Booker Ervin, while Prestige remained commercially viable by recording a number of soul jazz artists like Charles Earland. In 1966 the company's headquarters were located at 203 South Washington Avenue in Bergenfield, New Jersey. [3]
The company was sold [4] to Fantasy Records in 1971, and original releases on the label formed a significant proportion of its Original Jazz Classics line. Fantasy was purchased by Concord Records in 2005. [4]
In 2017, Concord Music Group revived the Prestige label. The first album released under the label's reactivation was A Social Call from Texas native Jazzmeia Horn. [5] [6]
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by German-Jewish emigrants Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernist art direction.
Robert Edward "Bob" Brookmeyer was an American jazz valve trombonist, pianist, arranger, and composer. Born in Kansas City, Missouri, Brookmeyer first gained widespread public attention as a member of Gerry Mulligan's quartet from 1954 to 1957. He later worked with Jimmy Giuffre, before rejoining Mulligan's Concert Jazz Band. He garnered 8 Grammy Award nominations during his lifetime.
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. For most of its history the Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath, and Connie Kay (drums). The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis and Jackson along with bassist Ray Brown and drummer Kenny Clarke. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django" and Jackson's "Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Connie Kay, and in 1956 they moved to Atlantic Records and made their first tour to Europe.
Curtis Ousley, known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as "Respect" by Aretha Franklin (1967), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967).
Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.
Walter Davis Jr. was an American bebop and hard bop pianist.
William McKinley "Red" Garland Jr. was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of playing in jazz piano.
Fantasy Records is an American independent record label company founded by brothers Max and Sol Stanley Weiss in 1949. The early years of the company were dedicated to issuing recordings by jazz pianist Dave Brubeck, who was also one of its investors, but in more recent years the label has been known for its recordings of comedian Lenny Bruce, jazz pianist Vince Guaraldi, the last recordings made on the Wurlitzer organ in the San Francisco Fox Theatre before the theatre was demolished, organist Korla Pandit, the 1960s rock band Creedence Clearwater Revival, bandleader Woody Herman, and Disco/R&B singer Sylvester.
Raymundo "Ray" Barretto Pagán was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga, Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible". His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.
Riverside Records was an American jazz record company and label. Founded by Orrin Keepnews and Bill Grauer, Jr, under his firm Bill Grauer Productions in 1953, the label played an important role in the jazz record industry for a decade. Riverside headquarters were located in New York City, at 553 West 51st Street.
Contemporary Records was a jazz record company and label founded by Lester Koenig in Los Angeles in 1951. Contemporary produced music from a variety of jazz styles and players.
Original Jazz Classics is a record label that was founded in 1983 as an imprint of Fantasy Records.
Bob Weinstock was an American record producer best known for his label Prestige Records, established in 1949, which was responsible for many significant jazz recordings during his more than two decades operating the firm.
Eugene McDuff, known professionally as "Brother" Jack McDuff or "Captain" Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break.
This is the discography of recordings by Duke Ellington, including those nominally led by his sidemen, and his later collaborations with musicians with whom Ellington had generally not previously recorded.
The Legendary Prestige Quintet Sessions is a four compact disc box set of recordings by the Miles Davis Quintet released in 2006 by the Concord Music Group. It collates on three discs the entire set of recordings that made up the Prestige Records albums released from 1956 through 1961 — Miles, Cookin', Relaxin', Workin', and Steamin'. The track "'Round Midnight" was released on the album Miles Davis and the Modern Jazz Giants. The fourth disc contains live material from a television broadcast and in jazz club settings. It peaked at #15 on the Billboard jazz album chart, and was reissued on December 2, 2016, in a smaller compact disc brick packaging.
All Night Long is an album by the Prestige All Stars, later credited to guitarist Kenny Burrell, recorded in 1956 and released on the Prestige label.
The New Sounds is the debut solo studio album by Miles Davis, released in late 1951 as a 10-inch LP. It is his first album as a leader and his first full album for Prestige Records. Davis had previously contributed three tracks to the Prestige compilation LP Modern Jazz Trumpets and appeared as a sideman on the 10-inch LP Lee Konitz: The New Sounds.
The Jazz Messengers were a jazz band that existed with varying personnel for 35 years. Their discography consists of 47 studio albums, 21 live albums, 2 soundtracks, 6 compilations, and one boxed set.
The Brothers is a studio compilation album by American saxophonists Stan Getz and Zoot Sims released in 1956 via Prestige label.