Riverside Records | |
---|---|
Founded | 1953 |
Founder | Bill Grauer, Jr Orrin Keepnews |
Defunct | 1964 |
Status | Defunct |
Genre | Jazz, blues, folk |
Country of origin | U.S. |
Location | New York City |
Riverside Records was an American jazz record company and label. Founded by Orrin Keepnews and Bill Grauer, Jr, under his firm Bill Grauer Productions in 1953, the label played an important role in the jazz record industry for a decade. [1] [2] Riverside headquarters were located in New York City, at 553 West 51st Street. [3]
Initially the company was dedicated to reissuing early jazz material drawn from the issues of the Paramount and Gennett and Hot Record Society (H.R.S.), labels among others. [2] Reissued artists included Jelly Roll Morton, King Oliver, Ma Rainey, and James P. Johnson, but the label began issuing its own contemporary jazz recordings in April 1954, beginning with pianist Randy Weston. In 1955 the Prestige Records contract of Thelonious Monk was bought out and Monk was signed by Riverside, where he remained for the next five years. During the next few years, Cannonball Adderley, Bill Evans, Charlie Byrd, Johnny Griffin, and Wes Montgomery made substantial contributions to Riverside's catalog. Most new records were produced by Keepnews, who served as creative head of the label and several subsidiaries, such as Jazzland Records, with Grauer directing the company's sales and business operations. Judson was another subsidiary label which mainly concentrated on musical genres other than jazz. [4]
Riverside offered an extensive folk catalog, including traditional performers like Bascom Lamar Lunsford, Obray Ramsey, and George Pegram and Walter Parham; and folk interpreters like Ewan MacColl, Jean Ritchie, Paul Clayton, Billy Faier, Oscar Brand, Cynthia Gooding and Bob Gibson.
In 1956, Bill Grauer recorded, produced and edited the racing sounds of the Florida International Twelve-Hour Grand Prix of Endurance, Riverside Records RLP 5001. The record also contains interviews with Stirling Moss, Juan Manuel Fangio and other racing drivers.
In 1960–61 Riverside produced an acclaimed series of albums featuring jazz and blues veterans such as Jim Robinson, Sweet Emma Barrett and Alberta Hunter. The objective was to record musicians before their artistry was lost forever. Indeed, many were no longer active, and thus their union memberships had expired. Recognizing the importance of the project, the American Federation of Musicians suspended its union shop rules on their behalf. This "Living Legends" series was initially recorded in New Orleans. Later sessions were recorded in Chicago. The sessions took place at Societé des Jeunes Amis Hall, built in the 1800s. According to the producer, Chris Albertson, the hall was a "Creole fraternal headquarters and it proved to have every advantage over a studio; apart from its live sound, it gave the performers familiar surroundings... The hall's acoustical sound was exactly what I wanted to recapture: the same kind of ambience that lent such character to Bill Russell's 1940s American Music recordings from San Jacinto Hall." One of the musicians invited to participate was Louis Cottrell, Jr. [5] Cottrell organized a trio comprising McNeal Breaux, Alcide "Slow Drag" Pavageau with Emanuel Sayles sitting in playing guitar and banjo. The band was so well received that they continued to play together. The music on this album has been described as "more polite and subtle than the city's 'downtown' music... an intimate, low-key delight." [6] Cottrell's playing has also been well received:
[In 1961] Cottrell recorded a masterwork, entitled New Orleans: The Living Legends, which was reissued in 1994. To hear it is to conjure up the elegance of a bygone era by a man who did much to create it. From the opening note on "Bourbon Street Parade," to the charming "Three Little Words," to the reverent "What a Friend We Have in Jesus," the listener is hearing the living history of jazz. [7]
Under the subsidiary label Riverside Wonderland, the company also produced a series of children's albums, the Grandpa Magic series of albums starring Ed Wynn, including two Alec Templeton albums, an album of Martyn Green reading from the Arabian Nights, and a six-record album set of the complete Alice in Wonderland , narrated by Cyril Ritchard, a rarity in the LP era when books were seldom recorded complete. An album of excerpts from the book was also issued, and the six records in the complete set were also issued as separate volumes. [8] Riverside Wonderland also acquired U.S. rights to package and distribute musical recordings produced in England by Fiona Bentley, including The First Christmas with Dame Edith Evans, Musical Zoo with The Mike Sammes Singers, and Beatrix Potter stories narrated by Vivien Leigh. The British recordings were licensed by A.A. Records in the seventies, when that company was transitioning from Golden Records to Wonderland Records (no connection to Riverside).
Grauer died of a sudden heart attack in December 1963, and the company filed for voluntary bankruptcy in July 1964. The catalogue was taken over by ABC Records, which reissued some of it, but virtually all Riverside masters were acquired by Fantasy Records in 1972. The majority of this material was subsequently reissued on LP on the Milestone label and as part of Fantasy's Original Jazz Classics series from the 1980s on CD. The Riverside catalog is now owned by the Concord label group.
New Jazz Conceptions is the debut album by jazz pianist Bill Evans, recorded in two sessions during September 1956 for Riverside Records.
Sunday at the Village Vanguard is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time.
Milestone Records is an American jazz record company and label founded in 1966 by Orrin Keepnews and Dick Katz in New York City. The company was bought by Fantasy Records in 1972. Since then, it has produced LP reissues as well as new recordings. Sonny Rollins and McCoy Tyner are among the musicians who recorded for the label.
Christiern Gunnar Albertson was a New York City-based jazz journalist, writer and record producer.
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City which issued recordings in the mainstream, bop, and cool jazz idioms. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them on subsidiary labels. The company's began releasing jazz records in 78 and 45 RPM formats in 1950. The Prestige label includes the 13000 and 25000 cat# series. Prestige International was a sub-label of Prestige, active from 1960 to 1969, that mostly released folk music. In 1971, the company was sold to Fantasy, which was later absorbed by Concord.
Monk's Music is a jazz album by the Thelonious Monk Septet, which for this recording included Coleman Hawkins and John Coltrane. It was released in November 1957 through Riverside Records. The recording was made in New York City on June 26, 1957.
Original Jazz Classics is a record label that was founded in 1983 as an imprint of Fantasy Records.
Orrin Keepnews was an American jazz writer and record producer known for founding Riverside Records and Milestone Records, for freelance work, and for his work at other labels.
John “Johnny” Dillard Lytle was an American jazz drummer and vibraphonist.
Misterioso is a 1958 live album by American jazz ensemble the Thelonious Monk Quartet. By the time of its recording, the pianist and bandleader Thelonious Monk had overcome an extended period of career difficulties and achieved stardom with his residency at New York's Five Spot Café, beginning in 1957. He returned there the following year for a second stint with his quartet, featuring drummer Roy Haynes, bassist Ahmed Abdul-Malik, and tenor saxophonist Johnny Griffin. Along with Thelonious in Action (1958), Misterioso captures portions of the ensemble's August 7 show at the venue.
The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
Louis Albert Cottrell Jr. was a Louisiana Creole jazz clarinetist and tenor saxophonist. He was the son of the influential drummer Louis Cottrell, Sr., and grandfather of New Orleans jazz drummer Louis Cottrell III. As leader of the Heritage Hall Jazz Band, he performed at Carnegie Hall in 1974.
Interplay is a 1963 album by jazz musician Bill Evans. It was recorded in July 1962 in New York City for Riverside Records. The Interplay Sessions is a 1982 Milestone album that includes the entirety of this album, and tracks recorded for Riverside on August 21 and 22 of the same year with a different lineup . The Interplay Sessions peaked at number 26 on the Billboard Jazz Albums charts in 1983. The CD reissue Interplay adds another take of "I'll Never Smile Again" as a bonus track. At the Grammy Awards of 1984, Orrin Keepnews won the Grammy Award for Best Album Notes for the reissue.
Landmark Records was an American jazz record company and label founded in 1985 by Orrin Keepnews. Landmark's releases included music by Donald Byrd, Jack DeJohnette, Jimmy Heath, Vincent Herring, Bobby Hutcherson, Mulgrew Miller, Buddy Montgomery, and reissues of Cannonball Adderley.
The Bill Evans Album is a recording by the jazz pianist Bill Evans, released in 1971 on the Columbia label. It was his first album to feature all compositions written, arranged, and performed by him. On the record, Evans plays both an acoustic and a Fender Rhodes electric piano.
Loose Blues is an album by jazz pianist Bill Evans released on the Milestone label, featuring performances by Evans with Zoot Sims, Jim Hall, Ron Carter, and Philly Joe Jones, recorded in 1962.
Paul Bacon was an American book and album cover designer and jazz musician. He is known for introducing the "Big Book Look" in book jacket design, and designed about 6,500 jackets and more than 200 jazz record covers.
Fantasy Studios was a music recording studio in Berkeley, California, United States, at the Zaentz Media Center, known for its recording of award-winning albums including Journey's Escape and Green Day's Dookie. Built as a private recording studio for artists on the Fantasy Records label in 1971, it was opened to the public in 1980 for recording, mixing and mastering. It was permanently closed on September 15, 2018.
Jazz à la Bohemia is a live album by American jazz pianist Randy Weston recorded on October 14, 1956 at the Café Bohemia in Greenwich Village and released on Riverside later that year.
Gemini is an album by American jazz guitarist and flutist Les Spann released in 1961. It is Spann's only studio album as a leader, recorded when he was playing as a sideman with Dizzy Gillespie's quintet and Quincy Jones' big band. The title of the album corresponds to Spann's zodiac sign, born on May 23, 1932. For this work Spann led a quintet formed by Julius Watkins, Tommy Flanagan (piano), Sam Jones and two drummers sharing the two recording dates, Albert "Tootie" Heath and Louis Hayes.